Let’s discuss probably one of the most important plugins in mixing – bus compressors.
Many brands put their efforts this kind of plugin, and in this guide you will find all sorts of brands including heavyweights such as Softube, Baby Audio, Pulsar Audio, Analog Obsession and many more!
1. Softube Bus Processor (Channel Strip-Style Compressor)
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Softube Bus Processor is a plugin designed to add warmth, saturation, and other sonic characteristics to your mix bus or individual tracks.
It includes three separate modules: a saturation module, an EQ module, and a compressor module. Its various compression modes allow for a wide range of control over the sound and can be used to add punch, glue, or control dynamics.
One of the unique features of the compressor module is its Mix knob, which allows you to blend the compressed and uncompressed signals. That can help achieve more subtle compression or blend in some of the original dynamics of the track. Now, let’s understand more of its features.
2. Cytomic The Glue (VCA)
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The Glue, By Cytomic, is designed to provide your mixes with that final punch and tightening.
Inspired by SSL 4000 hardware, The Glue is a clear-sounding plugin with a wide array of applications. Whether in compressing single tracks, buses, or entire mixes, this plugin will give you enough versatility to create the industry’s tried-and-true bus compression effect.
An excellent addition that wasn’t part of the original circuit is the Side-chain function, which allows you to either use internal or external sources at selectable frequencies across the entire spectrum.
3. UAD Empirical Labs EL8 Distressor Compressor (Can behave as VCA, Opto & FET Compressor)
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The EL8 Distressor competes on the market against Slate Digital’s breathtakingly realistic FG-Stress and Empirical Labs’ own supercharged emulation, the Arousor.
The 1U rack-mount front panel of the genuine Distressor is fully redesigned by the Arousor to accommodate all of its new functions, and it is comfortably crammed into its own “lunchbox” style, but the Distressor slices it in half and layers the original appearance across two levels.
The right end is located in the bottom half and has input, output, attack, and release settings, as well as a wet/dry mix knob for parallel compression, which is not a hardware feature.
The “left” settings in the image above allow you to choose the ratio, sidechain detector mode, and audio distortion and filtering method. The spectrum of measuring LEDs is also available, including Gain Reduction, 1% THD, and Redline. It perfectly resembles a folded replica of the original.
Thousands of engineers like Distressor for vocals since vocals are actually a relatively simple source to compress. Since the Distressor’s highest ratios have knees, it is difficult to go excessive and sound strange.
My preferred ratios are 4:1 and 6:1, which have a wide knee, but over 8dB of compression, it really starts to grasp and keep a vocal in place. The initial 6dB of compression is unnoticeable because of the Distressor’s knee and craft assault.
4. Tone Empire OptoRed (Opto)
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A fabulous fit for vocals and bass, OptoRed is a faithful hardware emulation yet with a transparent sound.
OptoRed is based on a classic American tube compressor. Its most important use is for leveling a track. For example, if you have a bass track that has several loud transients and dips, bring in OptoRed and let it work its magic; you’ll have a clean, balanced track in no time.
Of course, it also sounds phenomenal on drums, percussions, synths, and more. Since it doesn’t have an attack or release parameter, utilizing its wet/dry knob is how you control the sound.
5. Arturia Bus FORCE (Parallel Comp/Channel Strip)
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Bus FORCE is a parallel processor effect that was created to improve the sound of anything.
A parallel processor effect called Bus FORCE was developed to enhance any sound. With ultra-powerful parallel processing that is easy to use, Bus FORCE is intended to ignite the energy of your mix, from subtle tweaks to forceful cranks. Whatever sort of music you are composing, use this plugin before any other plugins.
6. Overloud Gem Comp76 V2 (FET)
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Double the compressor for double the control with Overloud’s take on the Urei 1176.
When you first open the Comp76 v2, you will see one of the compressors matching the functionalities of the hardware unit, including the famous All ratio mode. However, there is a section below the compressors that adds several more drastic features to the plugin.
First, let’s talk about the mid/side mode toggle switch, which adds another compressor in the GUI for convenience. This feature, which wasn’t available in the original hardware, lets you add compression to the mono and the stereo information of your audio separately.
Although, we would have loved to see a dedicated left and right channel compression mode as well. Second, we have the Parallel knob, which is essentially a mix knob to get a parallel compression effect.
And the third idiosyncrasy is the LF Sens knob, which controls the low-frequency sensitivity of the compressor. Let’s talk about the rest below.
7. IK Multimedia T-Racks Bus Compressor (VCA/Bus Comp)
IK Multimedia T-Racks Bus Compressor is inspired by the mix bus VCA-type compressor from a renowned British mixing console of the ’80s, with added enhancements.
It is a module within the T-RackS CS “Custom Shop” Mixing and Mastering Plug-In Collection. The compressor is known for its transparent and character-enhancing qualities, particularly suitable for drums and bass. It offers high-quality oversampling, precise digital processing, and versatility within the T-RackS CS Standalone application and as a plugin.
The T-Racks Bus Compressor is favored for its ability to deliver polished, professional sound across genres like House, Pop, Hip-Hop, and more. Sonically, it is also known for its ability to add punch and power to tracks or full mixes, with a focus on achieving commercial loudness while maintaining dynamics.
8. Slate Digital MO-TT (Multiband Dynamics)
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The renowned preset OTT on Ableton Live’s multi-band compressor is synonymous with contemporary electronic music.
The effect adds clarity, punch, and body to just about any instrument using upward and extreme downward compression in order. You can find similar effects by various developers, including the beloved OTT freeware plugin by Xfer. However, they don’t truly attempt to give comprehensive control over the effect. Slate Digitals MO-TT seeks to change that.
MO-TT accurately recreates the iconic sound of the original OTT preset in Ableton’s multi-band processor. However, it also adds various features alongside a gorgeous user interface.
The plugin features two modes: easy and advanced. The easy mode is excellent for people who want to try the presets with the fundamental controls readily available. Conversely, the advanced mode (pictured below) offers a lot more control, like changing the band frequencies, boosting or cutting each band, etc.
9. BABY Audio IHNY-2 (Parallel)
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IHNY 2 by Baby Audio is a simple-to-use parallel compressor with a distinctive audio character.
Since 2019, Baby Audio has been creating and delivering audio plugins, and the firm celebrated its third anniversary yesterday. IHNY-2, an improved version of their initial plugin, I Heart NY, was produced to commemorate the occasion.
The IHNY-2 claims to provide sounds that no other plugin can with strong, modern-sounding parallel compression controlled by manipulating a “node” in an XY display panel.
10. Pulsar Audio Pulsar 1178 (FET)
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Pulsar 1178 is an emulated FET compressor with modern tweaks that give it a pleasant interface, convenience, and a lot of versatility.
The plugin is an emulation of the Urei 1178 compressor, which was the stereo version of the famous 1176. Both were recognized for their punchy and aggressive sound. Pulsar has included a sleek sidechain EQ, an optional saturation stage, and a mix knob in addition to capturing the tone.
The upper section of the plugin has a parametric sidechain EQ and a graph to display the gain reduction. In the lower section, you will find the main parameters for the compressor.
In addition to being a stereo compressor, Pulsar 1178 also lets you compress in mid/side mode, which makes for a fabulous stereo image manipulating experience. Also, Pulsar offers a variety of presets you can choose from.
11. Newfangled Audio Invigorate (Dynamic Processor)
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NA Invigorate is a plugin designed to breathe new life into your audio material by enhancing and revitalizing its sonic qualities.
It works on the philosophy that limiters, compressors, and distortion plugins do the same thing, and the plugin claims to “deconstruct” them and offers a new workflow around harmonic and dynamic processing.
With a unique and comprehensive workflow and parameters like Mix, Attack, Release, and Curves like Shape, Squash, and Gate, the plugin is one of the best compressor plugins.
12. Kazrog True Iron (Vari-Mu)
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True Iron is a fabulous-sounding transformers emulation with a minimalistic interface.
As with any similar plugins, there aren’t many features we can talk about other than the sound itself. And fortunately, Kazrog’s True Iron is a beast when it comes to sound. It adds weight and even subtle brightness to the sound you could use for individual tracks or even full mixes.
Further, you can crush the audio to make it sound distorted as well. Also, consider checking their other great variable mu-plugin compressor True Dynamics.
13. Pulsar Mu By Pulsar Audio (Vari-Mu)
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Pulsar Mu is based on the classic vari-mu compressor by Manley and is one of the most accurate emulations of that.
Just like the hardware, the Pulsar Mu can function in either L/R or M/S modes. The developers of this plugin say that it’s made for mixing and mastering, but from personal use, it can definitely be used for tracking as well.
In addition to all the features and controls present in the hardware unit, the plugin comes equipped with additional functions for better controllability and versatility.
Firstly, it has an external sidechain input and a sidechain EQ with a low cut filter and adjustable mid bands, and a high shelf which allows for more precise control over the compressor’s response for a variety of ranges in the frequency spectrum.
Furthermore, it has both look-ahead and look-behind features which is responsible for anticipating transients and treating them accordingly.
14. FabFilter Pro-C 2 (Advanced All-Round Digital)
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Visualize your compression by using the Fabfilter Pro-C 2.
Most compressors on the market don’t offer you that much visualization, where you can see precisely how the soundwave changes with your configurations. The Fabfilter series primarily focused on providing that visual experience, with their vast line of great mastering tools featuring extensive options to tweak your sample.
The Fabfilter Pro-C 2 is no exception, offering you 8 different compression styles, low and high-pass filters, audition triggering, and many more features that help you get the right sound for your song.
15. Waves CLA-76 (FET)
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The Waves’ take on Urei 1176 is almost a classic itself.
The plugin itself is a very simplistic model of the Urei 1176, in both the look and the functionalities. Whether or not it sounds akin to the hardware is up for debate, but the ease of use remains similar. There’s also an analog noise generator with 50 Hz or 60 Hz hum options.
While the noise section is optional, we recommend the compressor’s use on vocals for character or on drums for aggressiveness.
16. Lindell Audio 7X-500 (FET)
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This plugin is a take on the sound of the Urei 1176 but with plenty of differences.
The 7X-500 is a peculiar-looking FET compressor plugin with both continuous and three-step attack/release. The latter is used to give it a more hardware-like feel. Similarly, it has several other features to set it apart from the rest. The most significant difference is the ratio — there are 4:1, 12:1, and 100:1 ratio modes.
17. Tone Empire Model 5000 (VCA)
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Tone Empire’s Model 5000 combines two classics: APIs 2500 and SLL’s 4000 bus compressor.
As far as emulations go, this plugin is an intense blend. By studying and recreating the circuits of 2 of the most sought-after VCA compressors, the developers promise to deliver the best of glue and thrust to your mixes.
The digital signal processing engine focuses on creating a natural analog feel without disregard for clarity and quality. The plugin offers up to 8 times oversampling, which sounds pristine on the higher frequencies.
18. PSP oldTimerMB (Multiband)
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A simplistic, vintage-styled multiband compressor from 2010, the PSP oldTimerMB is still one of the universal favorites.
What differs this plugin from the rest on our list is that it’s designed to look and sound like a vintage analog multiband compressor. Users of the PSP oldTimerME compressor will instantly recognize the musically colored sound of this plugin.
There are only three bands in this multiband compressor. However, don’t let the single-page, minimalistic layout throw you off — this plugin packs several modern features up its sleeves.
Key Features:
- Analog Sound
Being a vintage compressor, the character of the sound, of course, is the biggest feature of this plugin. The compressors themselves have a distinctive sound, but PSP has also added a Valve amp feature.
It is essentially a slight tube saturation, which gives some thickness to the body and character to the high frequencies. You can turn the valve amp on and off, and you can also adjust how much drive you want. Adding to the analog sound is the automatic release function as well.
There are two kinds of auto releases, one of which is designed to emulate an analog release. When it comes to presets, oldTimerMB offers 87 premade presets great for mixing as well as for mastering.
19. Lindell 354E Diode Bridge (Multiband)
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Famous for its faithful recreation of the Neve 2254E, Lindell 354E Multiband Compressor allows you to mix your sounds precisely by giving you three separate audio bands to tweak.
Every sample going through this compressor can be surgically worked on to provide the exact sound you are looking for. You can also experience the beauty of the Nuke mode, which brings a radical change to the fatness of your mix.
Auto makeup your gain on every band, pick the exact sound range you want the compressor to be applied or solo them if you feel that the sample doesn’t require precise compression.
This plugin is typically used on your drum bus, faithfully recreating the live music feeling, and with its excellent fat bass sound that you can achieve, every beat feels like it’s played in front of you.
We will be diving into some key features of the Lindell 354E and explaining why it can easily rival the best VCA Compressors on the market.
20. Softube FET Compressor (FET)
Replaced by FET Compressor MK II
Softube is one of the biggest names when it comes to analog emulation and saturation, and their FET Compressor adds even more to the reason.
FET Compressor draws inspiration from the Urei 1176 units with its quick attack and unique ratio parameter with the ‘All’ mode. Furthermore, while sounding every bit as warm and fat as hardware emulations go, Softube still manages to give this plugin a few modern twists. And none of them feels out of place.
Softube’s sleek GUI with the glowing needle meters gives the plugin a modern-day look and added functionalities. For example, it includes a Parallel Inject knob to get parallel/NY compression right from the plugin. Similarly, it also features an external sidechain gain, filters, and a look ahead control.
Best Free Bus Compressor Plugins 2025
1. Analog Obsession BUSTERse (SSL Compressor)
Analog Obsession’s BUSTERse plugin can be your main tool for “gluing” mixes.
Now, what do you use the bus compressor for anyway? First, it allows you to shape transients, and second, to get the effect of “gluing” the mix as a whole. The SSL Bus Compressor is a very popular equipment for this, which was part of the console. But now, there are enough plugins that emulate its operation.
Such is the free software BUSTERse from Analog Obsession. Its main feature is that, in addition to the compressor settings, it has many additional features that will help you affect the character and dynamics even more. Let’s now try to take them all apart.
2. BPB Dirty LA (LA-2A Style)
The BPB Dirty LA compression effect plugin is now available on the Bedroom Producers Blog as a free download for Windows and macOS DAWs.
For those who appreciate the sound of classic limiting amplifiers, we present BPB Dirty LA, a free compressor effect. This plugin is aimed to achieve the same musical-sounding compression with a more streamlined process. If you ever need to saturate the signal completely, we’ve included one of their Dirt algorithms to assist you in doing it.
This compressor is not a direct software replica of any existing hardware model, but rather it draws upon the best features of numerous established hardware designs. They optimized internal algorithms and the control method to get as close as feasible.
3. Analog Obsession VariMoon (Vari-Mu)
VariMoon is, you guessed it, an emulation of a vari-mu compressor.
Analog Obsession has been making emulated plugins for a while. And VariMoon is modeled after the legendary Fairchild 660 compressor. It features an easy-to-use interface with deep component emulation to deliver authentic sound. However, the interface differs by a good deal.
VariMoon has a fixed attack of 10 ms with six positions for the release, including two auto modes. Before talking more about VariMoon’s features, we would like to point out another Analog Obsession’s bus compressor BUSTERse, a great free stereo compressor with EQ and side-chain.
4. ViatorDSP Bedroom Compressor (Diode Bridge)
Landon Viator managed to create a free plugin that allows you to experience the benefits of a Diode Bridge Compressor in an easy-to-use interface that anyone can get into.
Featuring only six knobs, this plugin is great for quick mixing of your samples if you are in a rush. Although easy to work with, it can provide some fantastic results, with its standard features giving each sound a high-quality compression.
The plugin takes pride in its ability to combine side-chaining with the high-pass filter, making sure the bass in your mix isn’t impacting your compression rate.
You can also blend your samples by mixing the dry default sound with the newly compressed sound you’ve created. For its small size, the plugin boasts some pretty significant features that we will list down below.
5. Analog Obsession SPEComp (SSL-Style Compressor)
Analog Obsession’s SPEComp plugin helps you bring the body of your mix or individual instruments.
Now we will show you a plugin that can be your to-go solution for controlling the dynamics of instruments or entire mixes. It is another free software from Analog Obsession, which you can support on Patreon. It is inspired by SSL but with some modifications and features.
In terms of functionality, it is quite easy to use this plugin. Especially if you know what sound you want to achieve and are familiar with the compressor settings. There aren’t many controls, but that’s all you’ll need.
6. Analog Obsession LALA (LA2A-Style)
The LALA plugin from Analog Obsession gives you smooth compression that’s great for vocals and bass guitar.
The LA2A-type compressors are among the most popular studio units. They provide smooth compression with a slow attack, which is ideal for processing vocals and bass guitars. Through years of digital music production, dozens of plugins have been created that emulate their operation. And now we’re going to talk about a free one.
It is another Analog Obsession product called LALA. You will immediately see by its design that it is a reference to the original LA2A compressor by Teletronix. You will have the same main Gain and Peak Reduction knobs and additional features. We’ll talk about them below.
7. ADHD Leveling Tool (Opto)
Looking like a classic compressor, the ADHD leveling tool is a free plugin that does surprisingly well in capturing the sound of a classic compressor unit.
The developers of this plugin claim to have carefully engineered this plugin for optimum performance on vocals. It can also be used on instruments like guitar, bass, etc., to duck down some peaks and add more punch and character to the mix.
- 4x oversampling, which ensures the highest output quality.
- Attack and release times are adjustable, which is actually a plus point over most plugins discussed in this article.
- The ADHD also offers a VU meter to control the attack and release times.
- The peak reduction ratio is adjustable.
8. Sender Spike SN01-G (VCA)
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Sender Spike’s SN01-G is a free VCA compressor for Windows inspired by two classic hardware units.
The minimalistic looks hide the full power of this plugin’s sound. It excels at bus compression, as expected from its SSL/API inspiration. The three available Modes and Push options make it a versatile plugin, but the hidden secret behind its sound is the Topology Switch.
9. Antress Modern DynaKiller (FET)
Simple and easy, Dynakiller is an emulated FET compressor capable of a wide variety of sounds.
The plugin is inspired by the 1176 unit, but we would consider this plugin more of an individual FET compressor with its own unique sound. The interface is convenient and shares parameters similar to the hardware. And it even features an analog pre-amp coloration.
10. MJUC by Klanghelm (Vari-Mu)
This product by the German developers, Klanghelm is a tribute to simplistic designs and vari-mu compressors.
This plugin offers you a choice between 3 models that have different sound characteristics, color, controls, and GUI:
MkI – a gentle, ‘early’ design. This model has the most straightforward interface that consists of a ratio mode and 6 timing constant settings. The timing here is comparable to the Fairchild 670 with fast attack and release for the first option, slow attack and long release for the fourth option, and fast attack with a program-dependent release for the sixth option.
MkII – this is slightly inspired by the 1960s US in its design. The MkII has a more conventional layout of controls including Attack (0.8ms – 35ms), Recovery (20ms – 3.6s), and Ratio (2:1, 4:1, 8:1, Limit), as well as Density. MkII has cleaner compression through the way it processes the signal for the vari-mu compressor by adding a second stage of variable mu compressor and an IStage that engages an interstage transformer which separates gain make-up from gain reduction.
MkIII – this model keeps the Density and the IStage parameters from the MkII and offers you a choice between two compression ratios i.e High and Low. In addition to that, it has a Punch setting that manipulates the attack and release. Moreover, there is a separate section with Dry/Wet controls, a sidechain filter, and 2 tone-shaping controls i.e. Drive and Timbre.
Bonuses:
1. Arturia Comp DIODE-609 (Diode Bridge)
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If you listened to any album or hit song in the last 40 years, you’ve probably heard the distinctive sound of the Neve® 33609.
Arturia decided to create a plugin for your DAW that you can easily use, to recreate the iconic sound of its real-world counterpart.
The plugin allows you to experience one of the best compressors available on the market that shaped songs such as Californication by Red Hot Chilli Peppers, Instant crush by Daft Punk, Cornerstone by Arctic Monkeys, and many others.
The plugin also features an extensive FX library for you to explore, boasting many presets that could help you out when you are in a tight spot. These presets can help you tighten drums, adjust vocals, pan your back vocals, and perfect your mix overall. The signature transient sound that it produces adds character to every sound you add it to.
2. IK Multimedia Black 76 (FET)
Based on the Urei 1176LN unit, the Black 76 offers authentic sound and lightning-fast reactions.
When we say lightning-fast, we mean it — this plugin literally works in microseconds (20 to 800μs), making it an excellent choice for percussive instruments. However, its aggressive sound also favors just about anything you throw at it, such as vocals, basslines, lead synths, guitars, etc.
If you like the warm and hard-hitting tone of the preamp, you could turn on the “off” switch to only retain its characters while using a different compressor entirely. This feature was also available in the hardware and went to show just how meticulous IK Multimedia is in capturing the details.
3. JRV Audio Seac (Diode Bridge)
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JRV Audio focused on delivering an easy-to-use interface for producers and ended up making the JRV Audio Seac, which manages to make your life a lot more accessible.
The plugin draws you in with its creamy sound, which perfectly captivates the outstanding compression of the NEVE 2254 by tweaking the boost of the lower-end and making sure the high-end sounds are crystal clear.
If you are looking for that gritty sound in your Rock music, be sure to up the plugin’s gain and compression rate, and you will hear the difference it makes.
The easy-to-use interface is bound to make you run back to it, as does the Compressor curve knob, which allows you to fine-tune your compression in your mix. You can also boost the end output, making sure your song is loud on every speaker.
4. CFA Sound GRIP By Resonance Sound (VCA)
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GRIP, by CFA Sound, borrows the circuitry of vintage tube compressors but is designed to perform as a VCA workhorse.
With a particular valve drive section and precise parameters, GRIP stands in a league of its own within our list. The compressor attempts to blend modern-sounding VCA technology with old-school Tube emulation for warmth and character.
Therefore, its sound is unique and its flexibility remarkable. Moreover, the 2x oversampling and user-friendly design make it a powerful ally for your mixing.
5. Arturia Comp VCA-65 (VCA)
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Arturia’s Comp VCA-65 emulates the classic DBX 165A compressor that offers extended side-chain controls and a unique sound.
The DBX 165A was one of the most thorough compressors of its time and has become a staple in professional recording studios since its release. The distinct character of the original hardware has been faithfully translated to the digital realm by Arturia.
The plugin sounds fantastic on drums, pianos, guitars, and anything that needs an extra punch.
6. FabFilter Pro-MB (Multiband)
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FabFilter remains a leader in software plugin innovation and development with this ultra-flexible multiband compressor.
The most significant feature that sets this multiband compressor apart from the rest is its ability to create a free band anywhere you like. That means, if you want a band from mid to high-frequencies, there is no need to create three bands to set the middle one where you need. Instead, you just create one band exactly where you want, and the rest of the frequency spectrum remains untouched.
7. Boz Digital Labs +10db Compressor (VCA)
+10db Compressor is a model designed after one of the most iconic hardware compressors in the industry.
The sound of this plugin is particularly fantastic on drums, especially if you like the sounds of talk-back limiters. +10dB Compressor features both a compressor and an expander, each with fundamental controls. Similarly, there is also a limiter that checks unwanted peaks at the output.
8. Arturia Comp FET-76 (FET)
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Modeled with Arturia’s TAE® technology, the Comp FET-76 the familiar Urei 1176 functionalities with deep controls.
When you first open this plugin, you will see the familiar controls of the newer iteration of the hardware unit. However, Arturia has added an additional page where you can get further controls.
Click on the double arrow in the main UI section to open a hidden, lower plugin section. There are sidechain settings, input detection modes, “time warp,” and an EQ in this section.
Conclusion
So here you have it. Twenty bus compressors and lots of freebies to choose from. We love Analog Obsession and how much effort this guy behind the brand put into making these plugins. You get BusterSE, VariMoon, Specomp and also some new type of compressors he made in the meantime. What else could one want?
There is much to choose from regarding paid plugins, though we highly recommend trying a trial before buying anything, especially for such a plugin as a compressor, so that you can find the right taste.
We recommend sticking to very few plugins rather than choosing too many from the beginning. Just test a few, and if you like, consider buying it. In that case, you can be sure you actually would use that plugin and won’t be forgotten.
We hope you enjoyed the reading, and see you the next time!
The Integraudio Editorial Team consists of experienced music producers, audio engineers, and plugin enthusiasts dedicated to providing in-depth reviews and guides for music production software.