In the article, we’ve brought you some of the very best Fuzz pedals available. By the end of the article, you’ll be have better idea on which one is right for you. You’ll possess enough knowledge to make an informed decision about which pedal best suits your requirements.
If you’re new to shopping for effect pedals, you’ll find the market overflowing with effect pedals, unique in their way.
Some of them differ from the rest in terms of look, some carry a distinctive feature set, and some differ in terms of size, price, or, you name it. With numerous pedals available, the market can be overwhelming but don’t worry. That’s where we come in.
Fuzz Pedals: The 13 Best For Your Bass 2023
1. Behringer Super Fuzz SF300
One of the most comprehensive Fuzz pedals available, this offering by Behringer holds excellent value for its price.
In 1989, Uli Behringer, a Swiss Engineer, founded Behringer in Germany. The company has since been gaining a lot of popularity and has become the preferred brand of musical instruments for many renowned musicians the world over.
Behringer is still chaired by Uli Behringer. The Music Tribe’s company portfolio comprises world-renowned brands such as Midas, TC- Helicon and TC Electronic, Turbosound, Tannoy, Klark Teknik, and Lab. Gruppen, Cool Audio, and Behringer, of course.
- Control Knobs
The front panel hosts 4 controls for ‘Level,’ ‘Treble,’ Bass,’ and ‘Gain.’ The Level control knob regulates the Output’s level. The Treble control knob can be turned left to ‘cut’ the high-frequency range or turned right to boost it. The Bass control knob does the same but for a low-frequency range. The Gain control knob can regulate the gain of distorted sounds.
- Mode Switch
The mode switch allows you to choose 1 out of 3 modes for ‘Fuzz 1,’ ‘Fuzz 2,’ and ‘Boost.’ Fuzz 1 allows for standard Fuzz sound focusing on the signal’s midrange. The second mode, Fuzz 2, produces a full-bodied sound with sharp and mid harmonics. In the Boost mode, the Gain control knob sets the boost. The Level control knob isn’t active in this mode.
- Connectivity and Foot Pedal
The right of the Pedal hosts a quarter-inch TS Input instrument socket, and the left hosts a quarter-inch TS Output socket for connectivity with your amp or speakers. The lower half of the front hosts a Footswitch, which activates or deactivates the effect.
- Power and LED Indicator
The battery compartment is located under the foot pedal. This compartment hosts a 9V battery (sold separately). The Device may also be powered via a 9V power adapter (sold separately). The ‘On/ Batt’ LED indicator for effect and battery is located just above the 4 knobs. It lights up when the Pedal has activated the effect and denotes the battery level.
The Pedal performs well and offers excellent value for its price. The Device produces a very clear sound. The knobs are sturdy, and the Footswitch is quite firm. The Device may also be powered via a battery or power adaptor, and its lightweight, compact form factor ensures portability.
When the Tone knob is turned towards the right extreme, the Device produces a sound that leaves much to be desired. Users have complained that at some settings, the Device produces noise, but it’s minimal. Though built solidly, the exterior is mainly made of plastic.
2. JHS Pedals 3 Series Fuzz
A part of the 3 series of effect pedals from JHS, this Device shares the same design, paint job, overall simplicity, and layout of control knobs.
JHS Pedals was founded in 2007 by Joshua Heath Scott, making it one of the younger brands to feature on the list. Though the company was founded in Jackson, Mississippi, 2 years later, the headquarters moved to Kansas City, Missouri, USA.
Today, the brand finds itself well-established and recognized on a global scale. JHS has made custom pedals for musicians such as Andy Timmons, Butch Walker, Stu G (Delirious?), Drew Shirley (Switchfoot), Mike Campbell (Tom Petty and the Heartbreakers), and Paul Gilbert.
- Touch and Feel
‘Fuzz’ is mentioned most prominently at the top of the Pedal’s front panel. 3 shiny black control knobs just below, signifying the 3-series. Below, you’ll find a mini switch, labels for output and input jacks on the left and right sides, and a footswitch centered at the base of the front panel. The Footswitch has a dedicated LED indicator to its right. The left of the Footswitch features a ‘JHS 3-Series’ logo. The labels and separating lines are all black, which makes them pop on the white paint.
- Control Knobs and Mini-Switch
The 3 control knobs under the model’s name are for ‘Volume,’ ‘Bias,’ and ‘Fuzz.’ The ‘Volume’ control knob lets you set the overall level of the Output. The ‘Bias’ control knob sets the transistor’s voltage level, allowing you to control sound consistency. The ‘Fuzz’ control knob allows you to adjust the amount of Fuzz. The ‘Fat’ mini-switch can boost the Bass to ensure a stronger, fatter sound.
- Footswitch, LED Indicator, and Connectivity
The ‘Footswitch’ activates or deactivates the effect. The nearby LED indicator will light up if the effect has been activated. The right panel of the Device hosts a quarter-inch Input jack. The jack is parallel to the Output quarter-inch jack on the left panel. At the Device’s rear panel, there’s a power jack that allows the Pedal to be powered via a 9V DC power adaptor (sold separately).
Equipped with a vast array of sound effects, this dedicated Fuzz pedal is straightforward and just as intuitive. The Device offers true Bypass, which could be a convenient feature in some situations, such as during a live-performances. The Device has a solid steel chassis.
The Pedal can only be charged via a power supply (sold separately). It may not be the best option for those who prefer a wider variety of sounds. The Pedal offers good value, but multi-effects pedals are available at a similar price tag, arguably bringing better value.
3. Electro-Harmonix Bass Big Muff PI
Encased in a robust metal chassis, this Fuzz effect feels durable and offers excellent functionality, especially considering its mini size.
Mike Matthews founded the Electro-Harmonix company in the year 1968. Based in New York City, the company’s initial way of operation allowed them to provide state-of-the-art pedals at affordable prices. Since then, EHX guitar pedals have gained worldwide popularity.
Many music megastars prefer using EHX equipment, including John Frusciante, Thurston Moore, Miguel Angel Hidobro Preciado, Bootsy Collins, Noel Hogan, Jeff Matz, Daniel Barros, Philip Jamieson, J. D. Cronise, Seth Avett, Simone Ulino, Shane Parsons and James Frost.
- 3 Control Knobs and a Switch
The Device’s 3 control knobs are for ‘Vol,’ ‘Sustain,’ and ‘Tone.’ The Volume control knob regulates the overall output level. You’ll need to adjust the Sustain (Fuzz) control knob to adjust the distortion and sustain amount. The Tone Control knob is responsible for the sound range between deep Bass and high treble. Turning this knob right allows for increased treble, whereas turning it left introduces increased Bass. The 2-way on/ off switch can be used to determine whether Tone control should be removed from the circuit.
- Footswitch and Connectivity
The Pedal’s Footswitch activates the effect or deactivates it. If the effect is deactivated, bypass mode will be enabled. The LED indicator nearby denotes the status of the signal. If the effect is active, the indicator will light up. The LED indicator will remain unlit when the bypass mode is active. The right panel of the Device houses a quarter-inch Input jack, which has a 55 kΩ impedance. Similarly, the left panel hosts a quarter-inch Output jack. The rear of the Device comprises a 9V power socket. The Device should ideally be connected to the ‘US96DC – 200BI’ Electro – Harmonix AC Power Adapter (sold separately). The Device may also be powered via a 9V battery (included).
The Device packs high and mid-forward tones, which are unique. The distortion spectrum is quite even. The Device allows you to cut through the sonic cutter. The Pedal is compact and straightforward to use. Priced around the $80 mark, it does well to justify its value.
The Pedal misses out on some fat low-end features in previous models. The high levels of gain may sound thin. Though compact and easy to use, the Pedal may not be suitable for those who seek a larger multi-effects device.
4. JOYO JF-12 Voodoo Octave Fuzz
This fresh green old-school Fuzz pedal packs a unique set of features, including octave settings.
The company focuses on R & D, manufacturing, and marketing. The brand produces many products, including Metronomes, EQ Systems, Tuners, Drum Practice Pads, Guitar Amplifiers (Acoustic, Electric, and Bass), Audio Interfaces, and Effects Pedals.
The brand is known for packing a lot of value in its products, all the while, somehow, keeping the price affordable. This Fuzz pedal is no different. This impressive boxy-looking Pedal possesses several handy features, including ‘True Bypass’ and ‘Octave-Up.’
- Look and Feel
The vibrant color of the Pedal goes well with the name of the model, the font type, and the Ram image. The Fuzz pedal’s front hosts 3 shiny control knobs, a two-way switch in between, 2 footswitches, and 2 LED indicators. A Joyo logo rests next to the Image of the Ram. The left side of the Pedal houses a quarter-inch Output jack. The Device’s right side hosts a quarter-inch Input jack and a power socket.
- Knobs and 2-Way switch
The 3 black and white knobs are for Fuzz, Tone, and Volume. The Fuzz control knob can be turned in either direction to regulate the amount of tone distortion to your liking. To remove the harshness required, you can set the Tone control accordingly. This control knob may also add jazz, mellow, or a dramatic effect. The Volume control regulates the Output level. The 2-way switch lets you pick between Normal mode or MID Cut mode.
- Footswitches & LED indicators
The left Footswitch for Octave sets the ‘Ottava Alta’ effect, whereas the right Footswitch allows True Bypass. The 2 nearby LED indicators denote the power statement and the status of the effect.
The Device is versatile and packs excellent value, offering the functionality of 2 pedals at less than $50. The Pedal is a lot of fun to use, owing much to the 3 control knobs, which the Pedal makes combinations unique and in accordance with the user’s preference.
The Fuzz pedal, however, does leave room for improvement. The Pedal isn’t the best when it comes to responsiveness. The tone could be cleaner. Though the Pedal offers excellent value for its price, it can’t compete with multi-effect pedals from higher price brackets.
5. Boss FZ-5 Fuzz
If you’re looking for a comprehensive solid Fuzz Pedal, this might just be the one for you.
Boss has come a long way since it was founded around 1973 in Hamamatsu, Japan. The company has made a name for itself with its comprehensive effects units that pack a lot of quality, and this Fuzz effects pedal is no exception.
Music equipment by the brand is sought after the world over. It is currently the preferred choice of bands and musicians, such as Ozzy Osbourne, Firewind, The Neighborhood, Orianthi, Gus G, Steve Vai, Kirk Fletcher, John 5, Marty Friedman, and many others.
The face of the Device hosts 3 knobs, 2 of which are dome-shaped and represent Level and Fuzz controls, whereas the third is a rotary knob for Mode control. Above the knobs is a red LED for the status ‘Check.’ The lower half of the same panel holds a pedal switch, the base of which features a Thumbscrew. The right side of the Device houses a quarter-inch Input jack, and the Device’s left side hosts an Output jack. The power socket is placed at the rear of the Device.
- Control Knobs – Level & Fuzz
Located close to the upper-left corner of the top panel, the ‘Level’ control knob can be turned in either direction to adjust the Fuzz effect’s volume. The upper-right corner features a Fuzz control knob which can be used to set the applied effect’s amount. Turning this knob right, between zero and mid position, will increase the distortion’s Intensity. Turning the knob further beyond that position will ‘Boost’ the distortion.
- Rotary Control Knob – Mode
The rotary Mode control knob allows you to select 1 out of 3 modes, namely Face (F), MST Fuzz (M), and Octave Fuzz (O). The Face Mode introduces a Fuzz sound reminiscent of the late ’60s psychedelic sounds. The MST FUZZ reintroduces sounds of previous Boss offerings equipped with germanium transistors (2N2614). The Octave Fuzz Mode forces the original signal an octave higher.
The Pedal is a comprehensive Fuzz pedal that offers various effect combinations thanks to the 3 control knobs and 3 modes (F – Face, M – MST Fuzz, and O – Octave Fuzz). The Device also offers a smooth transition to a battery if the power supply is suddenly removed.
The Pedal is a great Fuzz pedal, but it’s not for those who prefer a more oversized multi-effect Pedal. Some users have complained they experienced difficulty with the Device powering on and off at will. A few have also criticized the Pedal for malfunctioning in specific settings.
6. MXR Bass Fuzz Deluxe M84
The MXR offering brings thick-sounding Fuzz effects that work especially well with bass guitars.
Co-founded by Terry Sherwood and Keith Barr in 1972, MXR is over half a century old and is easily one of the most recognized and established brands in the world, especially when it comes to effect pedals for Electric and Bass guitars.
Musicians loyal to the brand include the likes of Jim Root, Tom Morello, Josh Paul, Billie Joe Armstrong, Billy Gibbons, Slash, and John Petrucci. Several world-famous bands such as Trivium, Metallica, and Smashing Pumpkins also prefer music equipment from MXR.
The face of the Pedal hosts 4 shiny black control knobs for ‘Dry,’ ‘Wet,’ ‘Tone,’ and ‘Fuzz.’ Below, you’ll find the Brand logo with ‘Bass Innovations’ printed underneath. A bright yellow LED indicator and a Footswitch follow this. The mention of the model sums up the front panel. The Pedal’s left side houses a quarter-inch Output jack, and the right hosts an Input jack and a Power socket. The Device’s front and rear panels are plain. The Device’s base is also pretty plain, with a screw and a small rubber resting pad on each of the 4 corners.
- Control Knobs – Dry & Wet
The Dry control knob is placed in the top left corner of the Device and can be turned to either side to adjust the output level of the direct signal. Placed parallel to the right of the Dry Control, the Wet control knob can be used to set the output level of the Fuzz effect signal.
- Control Knobs – Tone & Fuzz
The Fuzz signal’s color can be adjusted using the Tone control knob. In other words, it allows you to set the harshness of the signal. The Fuzz control knob can be turned in either direction to adjust how clean the Fuzz effect should be. This allows for a variety of combinations and an overall enjoyable experience.
- Footswitch, LED & Connectivity
The Footswitch can be pressed to activate or deactivate the effect. The LED indicator lights up when the effect is active. The Device allows True Bypass when the effect is inactive. The Pedal has an Input Impedance of 1 MΩ and an Output Impedance of 100 Ω. A 9V Battery can power the Pedal, a Dunlop 9V AC Power Adapter (ECB003), or a DC Brick power (DCB10).
The materials used and the construction quality make this Pedal very solid. The Device possesses many Fuzz effects, such as separate knobs for dry and wet signals, making it one of the most comprehensive Fuzz pedals available. The Device also features True Bypass.
The Device has a lot of functionality and is solid overall, but it misses the Level control knob, a standard feature on most Fuzz pedals. Though this unit is one of the most complete Fuzz pedals ever, it isn’t for those who prefer a multi-effect processor.
7. Danelectro Eisenhower Fuzz Pedal
This Pedal intentionally gives a Vintage worn-out look. It promises an enjoyable experience.
Danelectro was founded in the year 1947 by Nathan Daniels. The company was bought by The Evets Corporation in the 1990s. The company began by producing amplifiers and, at present, has established itself globally.
Today, Danelectro is known for its electric guitars, amplifiers, microphones, vintage effects units, and effect pedals. Jeff Lang, Ira Kaplan, Richard Barone, and many other Musicians use Danelectro equipment. Rene Hall also preferred equipment from the brand.
- Look and Feel
The Pedal bares a Vintage look. The design is simple and makes the effect pedal look like it’s possibly as old as the brand itself. The control knobs also seem like they’ve aged, and the use over time has given the previously ivory color a worn-out, overused appearance.
There are 4 control knobs on the top of the Pedal for ‘Volume,’ ‘Treble,’ ‘Fuzz,’ and ‘Bass.’ A bright LED indicator is placed between the Volume and Treble knobs. Under the 4 knobs, you’ll find a 2-way switch for 2 modes, ‘Flat’ and ‘Sculpt.’ Then there’s the ‘Danelectro’ Logo followed by a golden scuffed-up footswitch. The rear of the Device hosts 2 quarter-inch jacks for Input and Output. In between the 2 jacks is a Power socket. The side panels and front panel of the Device are entirely plain.
- Control Knobs – Volume, Treble, Fuzz & Bass
The Volume control knob can be used to adjust the Input level, simply put, the instrument’s volume plugged in. The Treble control knob lets you set the instrument’s high-frequency sounds to your liking. The Fuzz control allows you to regulate the Fuzz distortion circuit. The Bass control knob, as the name suggests, sets how much Bass there should be in effect.
- 2-way switch and Footswitch
The 2-way switch allows you to select one of 2 modes, Flat and Sculpt. Both modes are enjoyable and bring new dimensions of combinations for you to express yourself. The Footswitch can be pressed to activate or deactivate the effect. The Footswitch is very tactile and responsive. When the effect is switched off, it’ll allow True/Relay Bypass.
The Pedal is versatile and produces octave Fuzz effects that sound terrific. The Device works well with most amplifiers. The Pedal also reacts well to the tone controls of guitars. Contrary to how the Pedal looks, it feels solid. The Device brings a thoroughly enjoyable experience.
The Relic look isn’t everybody’s cup of tea. The look is unique to the Pedal but may seem out-of-place on most pedalboards. The Pedal offers a lot, and though it may justify its value to those who only want Fuzz effects, it may not be for those looking for multi-function pedals.
8. Way Huge Swollen Pickle Jumbo Fuzz MKIIS
This bright green offering by Way Huge can be counted among the most versatile on the list.
Jeorge Tripps Founded Way Huge Electronics in 1992. The company enjoyed a minor stint in Los Angeles before closing down 7 years later (1999). The Jim Dunlop group of companies acquired and added some brands to their portfolio, including MXR, Cry Baby, and Way Huge.
Way Huge has primarily focused on effect pedals ever since. The company has delivered some great pedals to the market. Many musicians prefer Way Huge music equipment, including Cole Crutchfield, Issac Hale, Zach Stephenson, Mich Peregrina, Joey Santiago, and Michel PT.
- Look and Feel
The company has graced the market with several great pedals, many of which share the same design and layout. This offering by Way Huge incorporates the same minimal design as the Fat Sandwich, Pork Lion, Green Rhino, Overdrive Effect Pedal, and Russian-Pickle, differing in terms of paint color, the color of accents, and course, model name, and functionality. The green brushed metal paint job with the yellow accents aligns well with the name of the Pedal, the ‘Swollen Pickle,’ which has been placed near the center of the Device with a funky font type. The Device measures 6″ x 7″ x 10″ and weighs 2.1 lbs.
The face of the Pedal houses 5 control knobs, the larger 2 of which are for ‘Loudness’ and ‘Sustain,’ followed by a ‘Filter’ knob and 2 mini rotary switch knobs for ‘Scoop’ and ‘Crunch.’ You’ll find the model below, followed by a shiny silver footswitch and the brand logo. The Device also hosts 2 mini knobs inside the chassis for ‘Voice’ and ‘Clip.’ The sides of the Pedal have been kept plain, and the rear of the panel hosts 2 quarter-inch jacks for Input and Output, with a power socket in between. A power status LED indicator is in the middle of the 2 big Loudness and Sustain knobs. The Device base has information about power, operation, Dunlop company address, Jeorge Tripps’ signature, and a Way Huge logo. The bottom also hosts 4 rubber legs, one at each corner.
- 7 Control Knobs
The conveniently sized Loudness control knob can regulate the volume or Output level. The other big Sustain control knob allows you to set the Intensity of the Fuzz effect. Filter control can adjust the tone between bright and mellow. The Crunch rotary switch knob can be used to set the Compression Intensity. The amount of midrange frequencies cut can be determined using the Scoop rotary control knob. The Voice and Clip control knobs inside the chassis add versatility to the Device.
The Way Huge offering features a robust metal chassis. The Pedal packs a very versatile and unique set of features. The synth sounds and low-end capabilities, in particular, make this Pedal a great option, and priced around the $150 mark, the Pedal more than justifies its value.
Placing 2 control knobs inside, only accessible after removing the chassis, isn’t something that’ll appeal to everybody. The Pedal offers many possible combinations, but not all lead to great sounds. Some effects sound flat, unrealistic, and plastic-like.
9. JHS Pedals Mini Foot Fuzz V2
Including a toggle switch, the V2 brings more versatility in the same mini form factor as its predecessor, the V1.
Founded in 2007 by Joshua Heath Scott, JHS effect pedals are unique in hand-made in the United States of America. That’s also why pedals by the brand are considered pricier than pedals with similar features to most other brands.
JHS released 2 mini effects pedals simultaneously, the Mini Tidewater Tremolo for Tremolo and the Mini Fuzz V2 for Fuzz effects, which we’ll discuss in this article. Both pedals are similar in design, layout, dimensions, and weight, differing in color and functionality.
The Device features a very simple and plain design. The magenta high-quality magenta paint job goes great with the contrasting green control knobs and LED indicator. The silver footswitch and 2-way switch also assist the design, as do the white disc around the Footswitch and the sock sketch oddly.
The Device is very simplistic. You’ll find 2 big control knobs on the top panel for Volume and Fuzz, a 2-way switch for positive and negative polarity modes, and a green LED Status Indicator standard footswitch. The sides of the device house 2 quarter-inch jacks for Input and Output, and the rear panel features a power socket.
- Knobs and 2-Way switch
The big green Volume control can be turned on either side to adjust the level of Output. The Fuzz control knob regulates the amount of Fuzz effect, making this Pedal extremely easy to understand and use. The minus polarity mode or – mode is a low-gain mode that introduces broken speaker kinds of vintage sounds. The positive polarity mode or the + mode is a high-gain mode, bringing you a more modern yet classic sound.
The Pedal’s mini, almost pocketable size makes it hugely portable. With its simplicity and ease of use, the Pedal would be great for those who prefer simple, dedicated pedals and for the new entrants of the Fuzz effects world. The Pedal is very robust.
The Device is highly portable, but the size means that the Device hosts fewer features than some of the other pedals on the list. The Device isn’t for those who prefer larger, more complex devices like multi-effects pedals. It’s expensive, considering its size and functionality.
10. Catalinebread Giygas Fuzz
The Device looks very interesting with the red monster on the matte black paint.
Nicholas Harris founded Catalinbread in the year 2003. The brand has launched some effect pedals that gained popularity worldwide, like their ‘Dirty Little Secret’ and ‘Echorec Delay.’ The brand is generally regarded as the Boutique Guitar Pedal Industry’s leading brand.
Catalinbread equipment is the choice of many megastars across the globe, including Paul Gilbert, Joe Perry, Eric Johnson, Wes Borland, Billy Corgan, Josh Smith, Brendon Eckstorm, Misha Mansoor, Corey Stroffolino, Christo Bowman, Emily Elbert and so many more.
The chassis is pretty solid. There are 5 control knobs surrounding the floating eye for ‘EQ,’ ‘Mids,’ Blend,’ ‘Loud,’ and ‘Fuzz.’ You’ll find a bright LED indicator between the Loud and Fuzz controls. The monstrous character’s wings span out, pointing to the 2 parallel quarter-inch jacks on the Device’s left and right sides. The left side panel also hosts a power socket. The Pedal has a smooth feel and measures 1.96″ x 2.36″ x 4.33″. It weighs exactly half a pound (0.5 lb.). The playful and unique design makes this Device stand out on a pedal board.
- Control Knobs – EQ & Mids,
The EQ (‘detented’) control knob can set the tilt style (Center Frequency of 900Hz). 10dB is the maximum limit for both cut and boost. The Mids (detented) control knob allows the Fuzz effect to grow more or less prominent in the mix.
- Control Knobs – Blend & Loud
The Blend control knob determines how dry or wet the signal is, with a maximum limit of 100 for each. This will allow you to choose between the amount of Fuzz and clean sounds. The Loud control knob, as the name suggests, can boost the signal to your liking. This works exceptionally well when teamed up with the Blend control knob.
- Control Knob – Fuzz
The Fuzz control knob brings a ton of variety with Fuzz combinations. When the knob is turned to zero Fuzz, the Pedal retains the chime owing to its ‘treble retention circuit. The Fuzz control knob can also introduce a ‘garage rock’ texture.
- Footswitches and LED Indicator
The Device hosts a shiny silver footswitch which can be pressed to activate or deactivate the effect. When the effect is active, the bright white LED Indicator on the monster’s forehead lights up. When the effect is turned off, it allows Bypass.
This comprehensive Fuzz pedal provides a thoroughly enjoyable experience. The 5 control knobs complement each other and allow a large variety of different combinations to be created. The Device is pretty solid, and the playful look of the Pedal inspires creativity.
Though the Pedal will more than justify its value to most, the price is on the higher side of the spectrum, close to the $200 mark. Around or below this price point, you’ll also find multi-effect pedals that may bring more value, depending on the user’s requirements.
11. Walrus Audio Eons Five-State Fuzz
This Walrus offering is a part of their 5-State Series and possesses some significant Fuzz effects.
Brady Smith, a former employee of Keeley Electronics, is accredited with founding Walrus Audio in 2011. The company initially released Deep Six Compressor, Iron Horse Distortion, and Voyager Overdrive. All 3 offerings by the brand remain part of the product line-up to this day.
Walrus Audio is one of the younger brands to have their Fuzz pedal feature in this list of top 13 Fuzz pedals. Some famous artists that prefer Walrus equipment include the likes of Ed O’Brien from Radiohead, Joe Bonamassa, John Cummings (Mogwai), and Scott Shriner.
The Pedal hosts 5 identical control knobs. These knobs represent ‘Volume,’ ‘Voltage,’ ‘Gain,’ ‘Bass,’ and ‘Treble.’ The Rotary knob for the ‘Mode’ selection also looks identical to the rest of the knobs. The front of the Device stages a footswitch and a bright LED indicator. The rear panel features 2 quarter-inch jacks for Input/Output and a power socket. The Device measures 2.62″ x 4.77″ x 2.25″, weighs just less than half a kg at 0.44 kg, and feels very solid, with the knobs, Footswitch, and sockets all feeling pretty snug and durable.
- Control Knobs – Vol, Voltage & Gain
The Volume control knob can adjust the Pedal’s overall output level. The Voltage control sets the circuit’s operating voltage. The knob can introduce a starved sound, with a frequency response brighter than usual or a gating effect. The Gain control knob regulates the gain amount. The Gain and Voltage control knobs are interactive.
- Control Knobs – Bass & Treb
The Bass control knob lets you boost or cut low frequencies. The knob can be turned in either direction allowing you to increase or reduce Bass according to your liking. The Treble control knob lets you increase the clarity of the high frequency. The knob will also let you tame the high-frequency region.
- Mode Rotary Knob, Footswitch, LED Indicator & Power
The Mode Rotary knob allows you to select one out of 5 modes, each with its own set of characteristics. The Footswitch, located at the base of the top panel, can be held down for effect to be activated. It can also deactivate the effect, allowing true Bypass. The bright LED indicator lights up when the effect is active.
The Pedal features 5 unique Fuzz modes and 5 control knobs, allowing you to form many enjoyable combinations. The voltage control is a rarity in most Fuzz pedals but is helpful. The Pedal is compact and robust in terms of build quality as well as a set of features.
Though the effect pedal justifies its value, it’s on the expensive side of the spectrum, priced around the $230 mark. Several competing pedals bring somewhat similar features while carrying a smaller price tag. Certain multi-effect pedals also exist at a similar price point.
12. Aguilar Fuzzitor Bass Fuzz
This Fuzz offering from Aguilar offers comprehensive and unique Fuzz effects.
Aguilar was Founded in the year 1995 by Dave Boonshoft. The company designed the very first tube preamp to record Bass, which later played a significant role in revolutionizing live amplification. Today, the company is world-renowned for its bass equipment.
The brand’s equipment is the preferred choice for globally acclaimed music artists such as Oscar Stagnaro (Paquito D’Rivera), Rhoda Smith (Jeff Beck), Tully Kennedy (Jason Aldean), Sharlee D’Angelo (Arch Enemy), Adam Nitti (Stephen Curtis Chapman), and so many more.
- Look and Feel
The Device features a bright, energetic orange paint job. The front of the Pedal houses 4 control knobs for ‘Blend,’ ‘Level,’ ‘Tone,’ and ‘Fuzz.’ Below, you’ll find the Aguilar Logo with the LED indicator placed cleverly posing as the dot on top of the ‘I.’ Following the Logo, you’ll find a shiny ‘Engage’ Footswitch that can activate or deactivate the effect. The bright blue LED indicator will light up when the effect is engaged. The sides and the front of the effect pedal are entirely plain.
- Control knobs – Blend & Level
The Blend control knob can set the mix ratio between distorted and clean signals. Turning the knob left will make the mix ratio clean. Similarly, if the knob is turned to the opposite extreme, it introduces a distorted signal. The level control knob is essentially a volume control knob. It can be used to increase or decrease the output level.
- Control Knobs – Tone & Fuzz
The Tone control knob adjusts the signal’s tone, and the Fuzz control knob can set the distorted signal’s character. The knob intensifies the distortion. It improves the sound’s harmonic content.
- Other Features
The Pedal is equipped with silicon transistor distortion. The control knobs are very intuitive, and the Footswitch is very tactile. The Pedal also holds a rare function of Gig-saver bypass, so if the battery is completely depleted, the signal will pass through.
- Connectivity & Power
The Device’s rear panel features 2 quarter-inch jacks for Input and Output. A Power socket is located between the 2 jacks so that the Device may be powered via a 9V DC power supply (center terminal negative). The Device can also be powered via a 9V battery. To replace the battery, you must unscrew and remove the Device’s base plate.
The Pedal has a robust metal chassis. Coupled with the sturdy knobs, the Device is very durable. The Device hosts a wide range of Fuzz effects. For people looking for a comprehensive Fuzz pedal, you don’t need to look any further. This brings tremendous value.
The Device features a wide variety of effects and combinations. Some may want a more straightforward pedal with fewer options and less to experiment with or figure out. Others looking for a more versatile product may want to check out multi-effect pedals instead.
13. Darkglass Electronics Duality Fuzz
This offering by Darkglass Electronics is a significant improvement over its predecessor, the Duality.
Darkglass Electronics was founded by Douglas Castro, a Chilean Engineer, in 2009. The company has its headquarters in Helsinki, Finland, and is amongst the youngest brands to have its product feature on this list, which is impressive, to say the least.
The company’s product line includes a number of effect pedals designed and produced especially for bass guitarists, some of which cater to overdrive, compression, and Fuzz. Most of their products have created quite a stir in the market, and this Fuzz pedal is no different.
The top panel of the Device features a concentric knob which is the most prominent, followed by the DFZ bold letters with ‘Dual Fuzz Engine’ mentioned just below in small text. Just below, you’ll find a shiny footswitch. The sides of the device host 2 quarter-inch jacks. The right panel also houses the Device’s power socket. The base of the Device is divided into two sections. The bigger section is the same color as the rest of the Device and has 4 black screws in each corner. It also reads the Device’s serial number and carries a QR code. The other section lets you use your guitar pic to access the battery compartment.
- Concentric knob
The Inner part of the knob serves as ‘Volume’ control. It can be turned in either direction to adjust the overdriven signal’s level. The Outer part serves as a ‘Duality’ control. You can use this to fully utilize the Device’s 2 discrete Fuzz Circuits. When it’s turned to the left, you’ll get a saw-tooth gated wave. Turning it in the opposite direction will introduce a high-gain raunchy Fuzz effect.
- Footswitch, Connectivity & Power
The quarter-inch jack on the left side of the panel is an Output jack. You can use it to hook your Device to speakers or an amp. The opposite side hosts a jack for Input that can be used to attach your musical instrument. The tight side also holds a power socket for a 9V DC power adaptor (center-negative).
The Device looks unique and futuristic. It also feels great with a matte finish all around. Using a guitar pic to access the base compartment is a nice touch. The single concentric knob makes the Device very easy to use. This Pedal would be great for those who prefer simplicity.
The Device delivers what it’s meant to do and justifies excellent value, but it doesn’t hold many functions like multi-effect pedals available at a similar price point. The Pedal is compact and pocketable, but it only hosts a single Input and Output jack.
Zoom MS-60B Multistomp
It’s unbelievable how Zoom can make a multi-effect pedal with great value at such a price.
With the company headquarter in Tokyo, Japan, the Zoom Corporation was founded in 1983. Since then, the company has established itself on a global scale. The brand’s product line includes recording devices, digital mixers, samplers, multi-effect processors, and effect pedals.
This multi-effects Pedal offers exceptional features such as Synth sounds, significant distortion, and fantastic Amp Sims. The Device’s vast array of features makes it a solid jack-of-all-trades pedal with possibly the best value for money in this entire list.
The digital display is the most prominent element on the Pedal’s front panel. You’ll find 3 parameter control knobs under this, followed by the MultiStomp Logo and model number in clear white paint. You’ll also find 4 cursor keys around the Footswitch, forming a disc-like formation. The Device measures 13.03 cm x 7.75 cm x 5.85 cm and weighs 0.35 kg (without batteries), owing much to the lightweight plastic chassis. The knobs, Footswitch, buttons, and sockets are all firmly in place and feel sturdy.
- 3 Parameter Control Knobs (Left, Center, and Right)
The 3 parameter knobs are angled towards the display and located near the middle of the Pedal. The left knob allows you to rearrange, remove or set effects. It also allows you to view the current firmware version. The center knob lets you access the memory screen. You’ll be able to modify, choose and save patch memories. To scroll through the various pages of parameters, you can simply turn the knob to the right.
- Footswitch and Arrow Keys (Up, Down, Left, and Right)
The Footswitch allows you to activate and deactivate the effect. The LED indicator lights up accordingly. If the Footswitch is pressed and held for about a second, it’ll access the Tuner or Tap Tempo. Out of the 4 arrow keys, simultaneously pressing the up and down keys will let you select the effect category. When the left and right keys are pressed, it’ll let you add an effect on either side of the currently selected effect.
- Mini USB port, Software, Quarter-Inch Jacks, and Power Socket
You can connect your music Instruments to the Device through the quarter-inch Input jack on its right side. The Pedal’s left panel houses 2 quarter-inch Output jacks for connectivity with a speaker or amp (Mono and Stereo). To upgrade the firmware, you can connect the Device to a PC system via the mini USB port. The Device may also be bus powered. It can also be powered via a power supply (sold separately) or batteries.
The Pedal is very affordably priced at around $130. The Pedal has many effects and features which justify its value for money. The firmware can be updated via PC. The Pedal can be powered by batteries, via bus power (USB), or a power supply/adaptor.
Some tones aren’t as impressive. Some users have complained a few effects sound plasticky and unrealistic. This jack-of-all-trades pedal could be considered a king of none since there is still room for improvement regarding some effects and sounds.
Fuzz pedals are great. They are just so much fun with the effects they bring to the table. If you still haven’t used them, what are you waiting for? It’s an absolute must-try. Take our word for it. Pick up one of the pedals we’ve recommended, and you won’t be disappointed. You’ll love the experience they bring. Don’t worry. We know some of you might still find it challenging to choose, so we’ve drawn up this conclusion section.
If you’re a beginner, you’ll want something simple like the mini-sized Electro-Harmonix Op-Amp Big Muff Pi, JHS Pedal’s Mini Foot Fuzz V2 or the Darkglass Electronics Duality Fuzz, which only has a single concentric knob but packs quite the punch. JHS’s Pedals 3 Series Fuzz and Boss FZ-5 Fuzz bring slightly more complex but with more features. If you’re looking for a budget-friendly pedal, JOYO’s JF-12 Voodoo Octave Fuzz and Behringer’s Super Fuzz SF300 are the pedals for you, priced below the $50 price point but promising excellent value.
The Danelectro Eisenhower Fuzz Pedal is a tremendous vintage pedal in terms of looks and functionality. Then come 4 comprehensive Fuzz pedals, the MXR Bass Fuzz Deluxe M84, Catalinbread’s Giygas Fuzz, Walrus Audio’s Eons Five-State Fuzz, and Aguilar’s Fuzzitor Bass Fuzz. Each of these possesses its unique but similar set of Fuzz effects, and if you’re to choose one of them, it comes down to your preference of brand. The Way Huge Swollen Pickle Jumbo Fuzz MKIIS and Zoom MS-60B Multistomp are the most versatile of the lot and pack the most features.
Sultan Zafar is a guitar player from Islamabad, Pakistan. He has been playing music with various mainstream musicians for over 20 years. He is a song writer and music producer. These days he spends his time exploring different music genres and collaborating with fellow musicians on various projects. Read more..