Looking for effect pedals that reproduce the sound of plate reverb? Well, today we’re going to talk about the 12 best options regarding plate reverb pedals of 2023.
A pioneer in the field of synthetic reverb, plate reverb was introduced in the early 20th century. A steel plate was suspended by springs at its corners and then attached to an outer shell to create this effect. If a transducer were to send a signal to the plate, the plate would shake, and the resulting sound would be picked up by a second microphone and transmitted as the unit’s output signal.
Plate reverb is best understood by tapping on any sufficiently large metal object. When it was first introduced, plates quickly gained popularity because they were cheaper and more convenient than echo chambers. They weren’t always small, but they rarely made an intruding appearance. Although plate reverb was the norm until the advent of digital reverb, spring reverb also saw a lot of use.
Below we discuss the best options for Plate Reverb Effect Pedals of 2023.
Top 12 Plate Reverb Effect Pedals 2023
1. Universal Audio UAFX Golden Reverberator Pedal (Spring, Plate & Hall)
The Golden Reverberator is Universal Audio’s flagship reverb pedal with multiple effects.
On the Reverberator, you find three different effects inspired by classic reverb sounds from the golden era of music. Through the 3 ways selector switch, you can toggle between “Spring 45”, “Plate 140,” and “Hall 224”. If that isn’t enough variation, you can access 3 different versions in each effect by toggling the plate A, B, and C settings.
So, the solidly built Golder Reverberator is all you need to take care of all your reverb needs. The pedal’s versatility can also be seen on the back as it offers both mono and stereo connectivity, opening doors to some creative applications. Whether a studio setup or a live performance, you can count on this reverberator to give fascinating results.
A couple of mono input/output and similar stereo input/output pairs are on the back of the Golder Reverberator. Typically, the mono connects a guitar to the unit, while the mono out can be connected to an amplifier. You can also connect another amp to the stereo out port.
The USB port on the back of the pedal can be used to hook it to a computer for software updates. Finally, the Reverberator works on 9V and has a power port on the back.
- Reverb Controls
The first knob on the pedal controls the “Decay” of the reverb effect and adjusts how quickly or slowly the tail of the reverb effect is supposed to fade away. Next, the “Predelay” control sets the gap between the dry signal and how soon the reverb comes into effect. Finally, the “Mix” knob, the last parameter on the top row, helps to decide the mix between the dry signal and the reverb effect.
Cranking this knob up will completely mute the dry signal, and all you’ll hear will be the reverb taking over. The “Live” mode can be activated by pressing the left foot switch twice while pressing it a third time will switch it off.
In the live mode, the pedal will react according to the current settings on the interface. In “Preset” mode, however, the current controls will be ignored, and the saved preset will come to life. Flicking the “Store” switch downwards activates storage mode.
- EQ & Mod
The Golden Reverberator has a 2-band EQ to get the most out of your reverb sounds. The “Bass” knob is centered at 12 o’clock and enhances the lower frequencies when rotated to the right. The “Treble” knob controls the response of the higher frequencies for the reverb tail. Finally, the “Mod” controls can adjust the intensity of the modulation depending on the selected effect.
- Plate 140
The “Plate 140” gives a tremendous amount of shimmer in the reverb tail. If you want to immerse yourself in the ambient sounds of the late 50s with its warm body and wide feel, the plate 140 will not disappoint you.
The three variations include a bright sound with a definitive roll-off, an older plate sound with a longer fade away, and a new plate sound with a longer tail and sensitive response along all frequency ranges.
- Chamber & Plate 224
Registering your device unlocks the “Chamber & Plate” effect, which gives you a taste of three additional variations called “Percussion Plate,” “Constant Density Plate,” and “Acoustic Chamber.” The percussion plate setting is ideal for percussive riff work and exhibits a high initial density.
The second variation gives way to a plate sound with a high density that remains stable over time. Finally, the chamber setting has its best application in shorter reverb time. The effect sounds like a chamber with a low-density output.
- Spring 45
The “Spring 34” effect simulates the tube-based spring reverb sounds of classic guitar amps from the 60s. The folks from the R & D wing at Universal Audio went to great lengths and auditioned more than 20 spring tanks to pick three of the best-sounding ones to program onto the Golder Reverberator.
The Spring 45 effect pushes out a version of reverberation that is whistly and clangy and embodies the characteristics of the tube spring reverbs of the past. The “Bright DLX” variation has touch sensitivity and adds a whole new dimension to your playing, as the more aggressive the pick attack, the more profound the reverb splash will be.
Feel free to channel your inner John Mayer and play those percussive riffs on this setting. The next variation, the “Smooth Show,” has an enhanced mid-response and impressive warmth. Finally, the “Ambient DLX” setting has a longer decay with great resonance.
- Hall 224
Inspired by the Lexicon 224, the “Hall 224” combined with the bass and treble knobs gives way to ambient sounds that remind one of the alternate rock tones of the 80s. This mesmerizing ambiance can be further enhanced when tweaked with the EQ on board the Golder Reverberator. Moving the bass knob to the right increases the decay and makes the tail sound like there’s a choir in the background.
The three variations you get here are “Room” settings, “Small Concert Hall,” and “Large Concert Hall.” In-room mode, you’ll experience low levels of coloration with medium-level density. This variation sounds extra wide when used in a stereo setup.
The slight hall sound is bright and trebly in its decay. The density experienced here is moderate. However, the giant concert setting is the way to go if you’re looking for longer reverb time.
Character & Sound:
The EMT and 224 algorithms sound remarkably similar compared to their UA forebears. The EMT plate is a massive and expensive piece of gear, and UA did an incredible job conveying its warmth and depth. The Lexicon unit, widely credited with helping to define the sound of the 1980s, is likewise evoked by the pedal, adding sparkle and transparency.
Meanwhile, UA has introduced new spring settings; their sole previous spring plug-in was a clone of the AKG BX20, a vintage outboard spring unit that sounds somewhat like an old-style Fender tank and is featured in some amp-model plug-ins. The Golden Reverberator is excellent for reproducing that characteristically optimistic, percussion-like, and somewhat sloppy Fender tone.
With so many effect variations, the Golden Reverberator is more of a comprehensive effects processor than a simple reverb pedal. Moreover, when you register your Reverberator on the Universal Audio website, you get an additional reverb effect called Plate and Chamber 224. This multidimensional pedal is highly customizable, so you won’t look elsewhere soon.
The Golden Reverberator isn’t midi enabled. Upgrading the device’s firmware is a hassle as the downloading process doesn’t go as smoothly as it should on slightly older operating systems. It would’ve
been better if the package included a power supply.
2. Strymon blueSky Reverberator Pedal
Each Strymon BlueSky unit is handcrafted, so you can be sure of getting a quality product when you buy it.
Under the solid chassis of the blueSky Reverberator lives a highly advanced circuit board with high-performing converters that keep noise to a minimum. The Reverberator has several types and modes, which combine to give outstanding results. The user interface is easy to use, and the multipurpose foot switch is solid in construction.
The think tanks at the Strymon company know what they’re doing and have packed their Reverberator with innovative ideas. For instance, having limited real estate on the control layout, the blueSky Reverberator uses button combinations to implement some hidden features.
The Strymon blueSky is powered by a 9V power adapter, so the first thing you see on the back is a power port. The Reverberator Pedal has mono input/outputs and another pair of input/output ports for stereo processing. In the simplest setup, your guitar can connect directly to the mono input, and the guitar amp can connect to the mono output.
- Basic Controls
The Strymon blueSky is similar to the Golder Reverberator in its control layout. The pedal has the same “Decay” control that can manipulate how long the reverberated signal takes to wear off. For smaller rooms, a lower decay can be set, while for larger setups, a higher decay will build a broad surround-type feel which won’t fade away too quickly.
The “Pre-Delay” parameter is very important and sets the gap between the original signal and the associated reverb effect. Setting this parameter right is crucial to ensure your sound remains clear and pronounced.
Next, you get dedicated “Mix” controls to decide the original and wet signal ratio. Moving the mix knob to the extreme ends makes for some interesting results. Strymon recommends a lower mix setting for more natural-sounding tones when the pre-delay is set high.
- Foot Switches
You’ll find two metallic foot switches on the Strymon BlueSky labeled “Favorite” and “Bypass.” The favorite foot switch, when long pressed, allows you to save the current control settings as a favorite. Then, a single button press at any time lights up the favorite LED, and your favorite tone can be instantly recalled. The bypass button on the right acts as a true bypass. Also, pressing the button while powering the unit on will switch it to analog bypass mode.
- EQ Settings
The next two knobs on the interface, labeled “Low Damp” and “High Damp,” act as a 2-band EQ. Both these knobs act like tone controls and target the reverb decay.
Moving to a lower setting will cause a dampening of relevant frequencies in the decay trail, while a higher setting will show more representation of these frequencies in the tail. Pressing both foot switches together and moving the mix knob gives the user options to cut or boost the highs and the lows by -/+3dB.
The 3-way toggle switch can select options between “Plate,” “Room,” and “Spring” reverb. The circuitry of the Strymon BlueSky simulates plate and spring vibrations very accurately and shows off some vintage-style sounds.
The room setting allows the user to choose between smaller setups like a 3 bedroom feel or the widespread ambiance of an arena. Using the low and high damp settings with these reverb types can bring some unique sounds. For instance, you can manipulate the damp controls to recreate the sounds of spring tanks of different ages.
Just like the types section, a toggle switch can help choose between “Normal,” “Mod,” and “Shimmer” modes. The mode settings are used in combination with the reverb type. In normal mode, the selected type remains and isn’t modified.
However, different modulation effects are applied when the mod is selected for the chosen type. Shimmer is the more advanced mode that works on the principle of regenerative octave shifting. When the room and spring type are selected, a fifth plus an octave is added to the sound.
- Sample Settings
The documentation with the Strymon blueSky has some handy suggestions to get you going as soon as you unbox the unit. The samples include multiple effects, each showing helpful diagrams of the user interface so that the setting can be easily implemented.
Character & Sound:
The variety of furniture and decorative accents on display was the most eye-catching of this space. It was a breeze to create a plausible simulated environment, whether a carpeted basement or a concert hall, using the Low Damp and High Damp controls in tandem with the Decay and Pre-Delay knobs.
The plate variety has the most profound tone of the three, making it ideal for single-note riffs in the style of composers like Ennio Morricone. An eerier atmosphere is achieved by using the plate in mod Mode. Because you may adjust neither the rate nor the amount of modulation, only a single voicing is available.
On the other side, the Shimmer mode is flawless. When utilizing the spring setting, the upper octave snuck in subtly when playing chords or single notes. Finally, maximum Mix and High Damp settings provide a spectral soundscape ideal for guitarists in the Robert Fripp vein.
The Strymon blueSky doesn’t only look good but sounds great too. There’s more to it than meets the eye, as button combinations reveal more features. The shimmer mode is great to experiment with and offers regenerative octave changes that help unleash creativity. The pedal is built like a tank, and the switch buttons make toggling different features a cinch.
Some connoisseurs may find the Strymon blueSky Reverberator Pedal very dry-sounding and digital. You may also be tempted to spend 50-odd dollars more to purchase the Strymon Bigsky, the flagship pedal that leaves the blueSky way behind in all aspects, including reverb types, preset recall, input/output options, and much more.
3. Keeley Omni Reverb Pedal (Spring, Plate & Room)
This tiny magic box is built to impress.
If your pedal board is missing a reverb pedal, you need to try out the Omni Reverb pedal asap. Built to perfection, Mr. Robert Keeley has outdone himself by packing this minuscule device with splashy spring sounds and shimmery plate simulations. In addition, the room settings will surround you with the perfect acoustics for the occasion.
Doesn’t matter if you’re in your garage phase or playing on a grand stage in front of a large audience. The Omni Reverb pedal proves you don’t need to break the bank to achieve professional-sounding reverb tones. Simply pop it into your guitar case and take it wherever you go.
The Omni Reverb pedal by Keeley Engineering is a small unit. Measuring just 1.85″ x 2.63″ x 4.37″, the diminutive pedal will hardly take up any space on your precious pedal board. Simplicity is the keyword when you think about the control layout, as even a layperson can use it easily.
Keeping input/output options to a minimum, the pedal has just one instrument input and an output which could go straight to an amp or to the next effects unit on your pedal board. The section on the back is reserved for the 9V power jack. The single-foot switch turns the unit on or switches to bypass mode. The “Power” LED indicates that the device is on.
- Knob Controls
The main interface of the Omni Reverb pedal has a couple of knob controls. The “Dwell” knob is where the magic happens. It adjusts the reverb’s tail and has different results in each selected mode.
The next knob on the device is the “Level” knob. Simply put, you can adjust the volume of the reverb effect by rotating it. The level control comes in handy, especially when playing over layers or soloing, and keeps the reverb effect from getting lost.
The Omni Reverb pedal has a three-way switch to select one of the three reverb effects. The first effect is the “Room” reverb. This emulates, with great accuracy, the acoustics of a small living room. Playing around with the dwell knob lets the effect shine through and can quickly get you the room sound you’re looking for, regardless of size and contents.
Keeping the switch in the central setting selects the “Spring” reverb. The spring effect on the Omni Reverb pedal is based on the sounds emanating from a two-spring tank. The spring reverb sound is splashy and, combined with the dwell knob, is enough to excite any blues guitar player. If you’re looking for a thicker sound, crank the knob controls up, and you’re good to go.
The last switch setting selects the “Plate” reverb modeled after the infamous EMT 140 classic plate reverb sound. The plate setting gives way to lush sounds with a longer reverb tail. If you want to set the mood for a ballad, the ambient plate sounds can create a nice platform for you to build on. You can also use these settings in the quieter parts of a song before you build up into an upbeat chorus or a face-melting solo.
Character & Sound:
We’re pretty close to the jarring slapback effect of an uncarpeted garage if we use a short dwell time and a high reverb volume. Still, by increasing both of these parameters, we may achieve a more natural, appealing decay. There is some additional hiss in the background, but it’s not too distracting.
When you switch to spring mode, the same knob settings produce significantly longer and livelier sounds; the Omni does a great job of recreating the splashiness of a natural reverb tank. The reverb in this pedal is more expansive and vivid, and turning up both knobs transports us to the ethereal realm of post-rock ambiance.
The aftereffects of a single note can linger for weeks, and by layering multiple notes together, you can produce ethereal, enveloping chord effects that complement whatever you play on top.
The reverb pedal has a very clear control layout with no hidden features. The dwell control knob is intuitive and reacts differently in each setting. The room mode will have you sounding great regardless of your surrounding acoustics, and you can’t beat the classic EMT plate sound this little wonder delivers.
While the Omni Reverb pedal is extremely simple to use, this simplicity comes at a price. What you see is what you get. You may not get as many effect combinations as from some of the bigger, more versatile pedals on the list. Also, you get just one mono input/output option on the pedal.
4. Electro-Harmonix Holy Grail Max Reverb Pedal
Holy Grail Max presents the amazing Spring and Hall reverbs of the Holy Grail.
The Holy Grail Max Electro-Harmonix lives up to its name. This pedal delivers four studio-quality reverbs—Spring, Hall, Plate, and Reverse—in a sturdy, pedalboard-friendly stompbox with intuitive controls that allow you to dial in the exact sound you’re going for in a flash.
To avoid any volume shifts when adjusting the wet/dry ratio, the circuit is set up in a dry path/Blend control configuration. Using the Time knob, you can adjust the decay of your verb, and lengthier settings are dreamy, especially in Reverse mode. Us guitarists consider reverb and delay to be a staple food category. Holy Grail Max, an electro-Harmonix, will cure your hunger.
Plate simulates the metal plate reverbs that were standard in the 1960s and 1970s recording studios. As a result, the Plate reverb has a smooth, well-rounded sound that complements various instruments and vocals.
To lengthen the Plate reverb’s decay, rotate the Time knob in a clockwise direction. For example, if you crank up the Plate reverb’s Time parameter, you will sustain each note for more than 30 seconds.
This effect is similar to the studio technique, where the reverberation of a note fades in before the note is played, but in reverse. Due to its real-time nature, you can’t use the HG Max’s Reverse reverb function before a note is played.
The Time knob sets the time between the beginning of a note’s playback and the end of the reverse reverb’s fade-in. A rightward shift of time causes the note to fade in (clockwise). You may generate a slap-back echo via the Reverse mode with short Time values.
- Spring And Hall
This “Spring Reverb” effect mimics the spring reverb used in numerous vintage guitar amplifiers. The Time knob adjusts the spring tension and the decay time while in Spring mode. Turning the Time control clockwise increases the duration and intensity of the spring reverb.
Using Hall, you can imitate the echoes you’d hear in a large hall or cathedral. You can adjust the reverb’s decay period in Hall mode with the Time knob. Turning time in a clockwise direction increases the reverb time, effectively expanding the reverberant room. With the Time knob, you may create reverb environments from a small studio to a huge concert hall.
The reverb settings are adjusted using the reverb switch knob. In that order, the modes are Spring, Hall, Plate, and Reverse. To modify the duration of the Spring, Hall, and Plate reverbs, turn the Time Knob. The Time control determines how quickly or slowly the reverb should kick in after a note is played while using the Reverse setting.
When the Time knob is turned to the right in Plate mode, the reverb tails off for more than 30 seconds, giving each new note a thick reverb wash. From dry (counter-clockwise) to wet (clockwise), the Blend Knob determines the ratio of wet to dry ingredients (clockwise position).
The total loudness of the output rarely changes while the Blend knob is turned. Your Dry signal will stay analog from input to output through the HG Max.
- Housing and Connectivity
The Footswitch toggles between active and passive HG Max operation. A light-emitting diode (LED) is activated whenever the effect is active. This 1/4″ jack is the HG Max’s audio input. The incoming signal is met with a 1M input impedance. Additionally, the HG Max may transmit sound through the Amp Jack.
This device has a 550 output impedance. Located at the very top of the Holy Grail Max’s housing, the 9V Power Jack is where You can plug in the AC Adapter’s output. The HG Max requires 9 volts DC at 80 milliamperes and has a center negative connector compatible with Boss® and Ibanez® style AC Adapters.
Character & Sound:
It works wonderfully for creating ambient sounds and for experimenting with such sounds. It’s straightforward, just like it meant reverb and distortion to be from the start. It avoids the tinny quality of most reverb pedals in favor of an “analog,” if such a term can be applied, sounding very much like the reverb of an old amplifier.
As a result of its ease of use, it is perfect for experimenting with new sounds while achieving the ambient tone and feels associated with artists like Sigur Ros, Radiohead, and Coldplay.
Since this pedal hasn’t much of a learning curve, you can start using all of its functions immediately. Also, unlike reissues of the tube screamer, which offer numerous settings even though the majority of users only ever employ a single setting, this one has only one.
One drawback to this pedal is its relatively short life expectancy. After only two months of light use, it stopped functioning for many people, which is a severe drawback. While the dealer may cover this under warranty, changing the pedal every few months is still a pain.
5. Catalinbread Talisman Classic Plate
The Catalinbread Talisman Plate Reverb has a luscious, 1970s-style reverb.
Catalinbread pays close attention to every aspect of a pedal’s design and development. To mimic the rich, natural sound of a plate reverb in a compact, portable pedal, the Talisman does an admirable job.
To do this, Catalinbread aped the original machines’ usability and organic sound by recreating its side-chain effects. Controls are backed by a solid metal chassis and a reliable footswitch, and they can be driven by any decent 9V-18V DC power supply (not supplied).
They created the Talisman in Portland’s Jackpot Studios to be a faithful recreation of the original EMT-140 pedal in tone. The Talisman does a fantastic job of reducing muddiness and low-end looseness while being able to give both light and heavy very.
But Catalinbread has continued at a simple emulation; the pedal includes several functions typically used in conjunction with plate reverb in recording facilities.If you’re playing in a dense mix, the high-pass filter can help you hear individual instruments more clearly by reducing noise in the upper frequencies.
In addition, there is an additional 100 milliseconds of delay due to the pre-delay before the reverb is activated after you make your selection. Combined with chordal playing at a slower tempo, this effect provides an ethereal, nocturnal ambiance. Last but not least, the Talisman is pre-set to incorporate the reverb tail into your signal even when it is turned off.
Time, level, and blend knobs are included on the Talisman reverb pedal, as they are on the vast majority of similar devices. In addition, the time knob adjusts the duration of the reverb tails, the volume knob modifies the overall level of the audio, and the mix knob varies the amount of reverb added to the dry signal. Also, the high-pass and pre-delay filters can be adjusted independently using separate knobs.
- Plate Tones
This pedal is ideal for guitarists who want to experiment with a wide range of plate tones, thanks to its high-pass filter’s gradual blend-in feature. As a result, you may acquire the exact sound you want with minimal effort, rather than the jarring shifts in tone quality that often result from toggling filters.
The Talisman’s adjustable pre-delay periods also make it suitable for various musical genres and styles, from brief slapbacks to expansive, luscious reverbs. Those unfamiliar with delay on guitar will be fine getting started, but those seeking a more aggressive effect will also find what they’re searching for.
Character & Sound:
Those familiar with multi-style reverb pedals will know that the plate reverb option rarely lives up to the hype, sounding either indistinguishable from the other settings or providing only a thin, tinny facsimile of true plate reverb at best. So, those players can be excused for failing to recognize the Talisman for the rarity it truly is.
This foot stomp box produces rich, full tones that are remarkably clear and vibrant. The Talisman is a fantastic always-on effect that may provide color and space to your signal at lower volumes. Cranked to its limits, this box produces magnificent, cavernous’verb with a delicate, gossamer feel.
Even at its most swampy underwater sounds, the Talisman maintains an exceptional level of integrity, never losing the center emphasis on your signal. This pedal’s depth and breadth of the reverb and the purity of the dry signal are perhaps its most impressive features. Players should be fine with blending in with the rest of the field because of this unit.
Catalinbread’s Talisman is a plate reverb with studio quality at a fraction of the size and price. Its exceptional definition and musical range set it apart from most other general reverb, even outside the plate category. If you’re a guitarist searching for a vintage reverb sound that stands out but blends well with other instruments.
You’ll need to switch to true bypass, as the reverb signal leaks into the output in soft mode even with the mix control at zero, and it has horrible feedback at extreme positions.
6. tc Electronic Hall of Fame 2
The TC Electronic Hall of Fame Reverberation Pedal is a reverb pedal that fits easily on a pedal board and features multiple reverb settings.
The TC Electronic Hall of Fame 2 reverb pedal features new shimmer reverb algorithms and a novel Mash footswitch for expressive effects, building on the success of the original Hall of Fame, one of the most popular reverb pedals.
You can use the pressure applied to the Mash footswitch like an expression pedal to adjust the reverb’s depth and decay time. In addition, if you’re a lover of TonePrint effects settings, you’ll be happy to know that the Hall of Fame 2 reverb pedal has three TonePrint preset slots. This means you can have three different, uniquely tailored reverb effects at your fingertips.
To produce ethereal, ambient effects, TC’s shimmer reverb algorithms transpose the reverb effect up an octave. One of the newer algorithms in the Hall of Fame 2 pedal is a shimmer reverb, which works well with shoegaze, worship, and other ambient styles.
- Mash Footswitch
The MASH footswitch may look like any other pedal switch, but it’s very advanced. The pad’s pressure sensitivity makes it possible to use any of the eleven reverb types as an expression pedal. In addition to the eight preprogrammed reverbs, this pedal has three empty slots with TC Electronic’s TonePrint technology (via the USB mentioned above connectivity).
- TonePrint Slots
Pedals like the Hall of Fame 2 with the TonePrint feature let you download artist-created presets directly to the pedal via the TonePrint mobile app. The TonePrint editor program also allows you to make your unique verbs. The Hall of Fame 2 pedal lets you simultaneously load up to three TonePrint settings to give you more options while performing.
Standard controls are featured on the Hall of Fame 2: Decay, Tone, Level, and a rotary switch for selecting the several reverb types. A lot of it is fundamental. However, we find it incredible how much control the MASH footswitch affords. The footswitch functions as a volume pedal for the Plate reverb and as a reverb decay control for the Church reverb, depending on the selected setting.
Acclimating to the MASH may take some time, but once you do, you won’t want to be without it. The level of pre-delay can also be adjusted using a simple toggle switch. Short makes your reverbs feel like you’re playing close to a wall, while long provides a slightly more distant and ambient tone.
Character & Sound:
The original Hall of Fame’s legendary reverb tones were already excellent in their own right, and the HOF 2 raises the bar even higher. All the sounds are rich and complete, and the MASH feature allows you to get sounds out of it that you can’t get from any other reverb pedal.
The three TonePrint options also give a great deal of freedom, allowing you to explore many possibilities. Just picture the new Shimmer reverb mixed with a touch of vibrato, flanger, TC’s TriChorus, or the Church reverb setting with these added. This is an exceptionally powerful pedal that, thanks to its stereo operation, entire bypass arrangement, and sturdy build, has the potential to be a permanent fixture on your pedalboard.
You can get sounds out of the TC Electronic Hall of Fame 2 that aren’t possible with a regular reverb pedal. But, most remarkably, it does not cost noticeably more than any other high-quality equipment. Additionally, the new additions to the HOF make it a serious contender as a replacement for the original HOF.
Some users have complained that the app’s performance could be better because it needs to be fine-tuned. Also, the quality of the jack connectors appears to have declined; some devices appear to wear out fast, and in extreme cases, rust can build up inside the jack and prevent it from being used. Finally, potentially more space between the footswitch and the knobs would have been ideal.
7. Boss RV-6
Boss hopes to woo guitar players with the RV-6 reverb pedal, which has improved algorithms and a revamped DSP.
The RV-6 gives you access to eight distinct, highly musical reverb effects, from room and hall algorithms to plate and spring reverb to immersive, modern-sounding textures. In addition, the dynamic mode adapts itself to your playing, providing a rich atmosphere without muddling your Tone. The BOSS RV-6 has an expression pedal input, auto-switching for simple setup, and high-quality analog signal processing.
You may adjust the intensity of the effect and smooth out any kinks in the chain with the first component of the line, E. Level. The next slider is Tone, which adjusts how much of the higher frequencies in your sound are present; as a result, your Tone will become either lighter or darker.
Also, there’s Time, which you can use to adjust the reverberation time. Finally, you can select from +Delay, Room, Dynamic, Shimmer, Plate, Hall, Modulate, and Spring, with the last encoder here, Mode selector.
Modulate is unquestionably this kid’s trump card. This setting combines reverberating effects with the smooth sweetness of modulation. There’s something unique about how the sounds of this one surround you and refuse to let go. Reverb is made invisible by the shimmer effect. It enhances the sound by an octave and produces novel tonal effects, and all the reverb types sound rich and natural.
Most of the time, a single 9V battery or an adapter will be sufficient to power your RV-6. It’s not recommended to do the former because it’s a significant drain on the batteries. Despite how roughly you treat it, this pedal’s housing is tough enough to withstand the test of Time.
The digital effect is mixed in, but the guitar’s natural qualities are preserved thanks to the analog dry route. Because it has two audio inputs and two outputs, you can use it in stereo mode. This way, your music will have more depth and dimension than you imagined.
To adjust the amount of reverb, you can use an expression pedal with the RV-6. This pedal provides unprecedented flexibility because of its eight distinct reverb effects.
Character & Sound:
The Boss RV-6 is a pedal that, amazingly, generates reverb of the same studio quality found in high-end rack units. Each reverb parameter, be it spring, hall, room, or plate, is fine-tuned to provide a rich and enveloping reverberation. Although reverbs are typically “set it and forget it,” the RV-6’s additional effect modes, such as shimmer and +Delay, give it unprecedented flexibility.
+Delay features an ideal blend of delay and reverb designed to give your soloing more depth. Delays can be adjusted in duration using the provided timer. Shimmer creates an overtone of high frequency that oscillates in the vast reverb, resulting in an ethereal sound ideal for layering in the background.
One of the notable modes that can produce a warm and luxuriant reverb wrapping around chords and single notes with a hypnotic expanse is dynamic.
This pedal has a fantastic stereo sound, a robust boss construction, a five-year guarantee, and the ability to run on a battery if necessary. There are several reverb pedals in this price range, but most are mono. The sounds of the spring and the plate are great.
There is rarely much room for the knobs on a Boss pedal because of the enormous footswitch. Because of this, the RV-6’s mode selection titles are crammed like sardines, making it difficult to find what you’re looking for. In addition, a dim stage makes it difficult to discern what is happening in modes. This is a minor problem, and you may or may not care about it.
8. Empress Effects Reverb
Regarding spatial effects pedals, none compare to the Empress Reverb.
This pedal’s over 32 individual reverb algorithms properly mimic classic reverb sounds, even in stereo. Its main merits, however, lay in the wide variety of reverbs it provides, which range from ambient to experimental and include effects like dazzling octave reverb, lo-fi, ambient swell, and ghost mode. In addition, the EQ controls and the two movable “Thing” knobs allow for infinite fine-tuning of all parameters.
Out of 32 reverbs, 12 are accessible via the interface, including classic and experimental styles. Various sub-options allow for interesting alterations to the default tones, such as hall mode for clean, modern reverb, sparkle reverb for octave-up, and positively otherworldly down reverb.
These choices are a ton of fun, and they feature widely used voicings for adjusting your sound in certain ways, such as bright spring and dark spring or traditional plate and studio plate. Each mode has an infinite option that may be activated by holding the footswitch in place for a continuous, alien ambient wash and tap tempo control.
You may save 35 different reverb settings in the Empress Reverb, all of which can be quickly accessed with the help of the streamlined interface. You can easily see where you stand in your bank by the LED lights, which change color as you progress through the five groups of presets that you can access by using the central scroll footswitch. To start, select a profile by pressing the left foot switch.
Payers like this system because it’s so easy to use, but it doesn’t rely on any screens, which can break and cause problems. But if you want to experiment with various preset arrangements, you can do so via the pedal’s advanced options, which give you a great deal of control.
In addition to the internal quality of the Empress Reverb’s controls, the pedal’s abundance of external controls sets it out from the pack of pedal sharks. An expression pedal can be connected to MIDI, an external audio controller, or even the pedal’s voltage to fast change the tone. In addition, the three-mode cabinet simulator helps track live performances and dry runs.
This pedal is powered by robust firmware regularly updated with new effects and algorithms. All you have to do to update the firmware on your Empress Reverb is locate the appropriate files on your computer and insert the SD card into the slot provided.
Multiple delay lines are usually routed ingeniously to create a reverb tail with a natural-sounding decay. When a pedal modulates the delay line, the repeats take on a faint chorus quality. Since all of the delay lines in a modulated reverb tail are also being modulated, the overall effect is similar to that of a chorus. Still, the individual pulses are lost in the din.
These settings are compatible with a wide range of musical genres and instrumentation. This is the place to go if you want to add bulk and warmth to an item. To use a metaphor, it’s like a Canadian winter night, and the guitar sound is wrapped in a giant fluffy blanket.
Character & Sound:
The numerous modes available on each pedal could fill a dissertation, so we’ll only cover three here: Spring, Plate, and Hall. Even though the Empress has three Spring modes, you can adjust fewer parameters than the Emperor and the Prince.
The Bright mode, which emulates a Fender Twin Reverb, is the most desirable of the three effects pedals. It also features Dark, which emulates a Fender Deluxe, and Overdrive, a novel concept that, when applied to our Fender Hot Rod Deluxe, results in a pretty nasal tone after 2 o’clock on the Mix knob. Dark mode on the Empress makes it sound wetter and less defined than the Hot Rod’s integrated analog spring reverb.
Only those willing to spend time crafting nuanced textures can benefit from the Empress Reverb. Although fantastic tones may be quickly and readily achieved using the standard reverb simulations, the type of player who appreciates spending a weekend exploring every possibility will find that Empress rewards them.
There is a good chance that players with no desire to engage in this kind of discovery will only be able to afford to buy it. However, individuals who enjoy delving further into a topic likely find the flexibility and user-friendly interface well worth the cost.
These pedals provide a fantastic sound, but if they stop working, you’ll be glad you saved up some money. Some units are of low quality and malfunction frequently, making repair costs prohibitive (some dealers charge money to repair them even if the pedals are under warranty). Given the high price tag, they might easily ignore the power supply for this pedal.
9. Joyo R-14
The Chinese manufacturer by the name of Joyo has earned its chops over the years.
The Joyo R-14 not only has a ton of options for producing those wide-sounding, immersive ambient sounds to serenade your listeners, but it does so by looking extremely flashy and illuminated. In addition, in the R-14, you get a quality “Atmosphere” reverb pedal with solid controls, which hardly costs anything.
Here’s a reverb pedal that will turn some heads when you use it on stage under dim lights. The Joyo R-14 is surrounded by strategically placed LEDs, making it stand out on your pedal board. The blue LEDs follow the same theme as the text on the user interface.
- Inputs and Outputs
The Joyo R-14 is fairly simple regarding the input and output jacks. The unit has a single quarter-inch input jack for the guitar signal and has an impedance of 2.2 MΩ. The R-14 also has one quarter inch output jack with a resistance of 10Ω for connecting to an amp or the next pedal in the effects chain.
The Joyo R-14 looks cool when switched on, thanks to the 2 LED strips on the back and front of the pedal, which have an electric blue glow like the power LED on top of the interface. These lights can be programmed to stay off, on, or synced with the footswitch. This can be done through the LED switch on the underside of the R-14.
- Knobs, knobs, and more knobs
There are two large silver-colored knobs on the interface labeled “Mix” and “Decay.” As you may be familiar with these two controls found on most reverb pedals, the mix knob alters the wet and dry signal ratio while the decay controls the reverb’s time. There are two smaller black colored knobs on the interface marked “Tone” and “Mod.”
Through the tone knob, the output signal can be darkened by moving anticlockwise and brightened by moving the other way. The mod knob controls the modulation of the selected effect. The Joyo R-14 also possesses a switch that can help set how the reverb trail will react when the unit is powered off. You can choose between an abrupt stop or a smooth fade away.
- Effects Knob
The effects knob is the reason why someone will choose to buy the pedal. All the magic happens here as you get whopping 10 different types of reverbs. Starting with the first few settings, you get a simulation of the huge “Plate” reverb units and classic “Spring” tanks of the past. Next, you find the “Church” setting, which simulates a large hall feel.
The “Eko-Verb” is another interesting effect that combines echo with a repeated reverb for some exciting applications. The “Shimmer” setting produces a brightly spacious ambiance that, combined with the mix control, can create intoxicating effects. The “Comet” setting manifests like a space-based reverb as if an active comet is orbiting around you.
When the knob is set to “Rewind,” the effect sounds like an old tape being rewound and has a subtle difference compared to the previous setting. The “Forest” mode feels like the reverb sound spreads out sideways and behind you for a surround-type feel. Finally, the “Pulse” mode is almost like a tremolo effect.
Character & Sound:
The Joyo R-14 octaver functions adequately. The low octave has a robust, full sound, while the high octave sounds thin and synthetic. In addition, it’s polyphonic so that it can keep tabs on chord progressions with more than two notes.
When the rate increases, the additional modulation feature creates a warbling chorus effect. The pedal adds thickness to metal and rock riffs and doubles lead lines with soaring notes. The note tracking of the Joyo R-14 is robust and comparable to other octaves; however, players have reported difficulty with intricate chords.
The people of Joyo have tried to equip the R-14 with every fathomable reverb type and have somewhat succeeded in their implementation. The R-14 offers 10 different reverb types, each of which has 5 parameter controls aiding you in getting close to how you wish to sound. The electric blue light looks unique, and the trail switch is an important feature.
Some of the modes controlled through the effects knobs sound quite similar. An untrained ear may not be able to pick the difference, but a seasoned veteran will surely notice this and perhaps choose to go in another direction. The build quality is a bit flimsy, as it feels like the unit will fall apart after a few stage performances. The reverb effects lack a bit of clarity.
10. Harley Benton Duality
The Harley Benton Duality is a mono pedal that combines a 3-mode digital delay and digital Reverb using algorithms initially developed for the Mooer’s original small pedals.
They’ve been combined in a single housing to create a new low-cost delay+reverb pedal with three ingenious routing options.
The Delay includes Analog and Tape-style repeats of 5 ms to 780 ms, as well as a “Real” mode that stands in for digital, while the Reverb features Studio, Church, and Plate modes. Each effect has its own set of controls, with three knobs for Reverb’s Mix, Decay, and Tone and the Delay’s Time, Level, and Feedback.
The Duality is a convenient one-stop shop for all your time-based effect needs, combining a reverb and a delay into a single unit. There are three distinct reverb types available in Effect A, each of which is of good quality. Then, Effect B provides you with three distinct kinds of delay: analog (a traditional analog stompbox delay), natural (a spatial delay), and tape (vintage tape delay).
Even picky gamers should be pleased by the range of delay time available (5ms-780ms). The effects can be used singly, in tandem, or in whatever order you desire, as is standard with the Dual Pedal series.
Two giant knobs control the most crucial aspect of the effect; in the case of a delay, this is the delay time, and in the case of a Reverb, this is the so-called “Decay,” or the reverb time.
You may adjust the effect’s volume and the feedback or how much of the signal is looped back to the beginning of the effect using the two smaller pots, the values of which are audible as the effect repeats itself for longer or shorter periods.
However, the two knobs determine how the Reverb’s sound interacts with the dry signal. Three different types of Delay and Reverb can be configured using the small switches at the top of the cabinet.
Character & Sound:
In particular, with the Reverb and the Delay, the high frequencies are reproduced with much restraint. There aren’t nearly enough knobs on this pedal to allow dazzling reverb fantasies or crystal-clear delay orgies. However, the effects are practical and may be used in any situation.
There’s no way someone could reasonably expect studio-quality reverb and delay for that price. If you’re looking for a delay or reverb effect, you’ll find three excellent options on each page that are simple to tweak and fine-tune. The small switch in the middle has three different routing options, allowing you to change the order of the effects in the signal chain.
Although the lack of a Tap function for time adjustment is disappointing, given that the vast majority of delay pedals include this feature, the fact remains that this pedal provides a lot of bang for the buck.
11. Flamma FS02
When it comes to inexpensive pedals, the Flamma FS02 is genuinely remarkable.
Seven reverb kinds are available: Room, Hall, Church, Cave, Plate, Spring, and Mod. With its low-noise floor and high-quality buffer, your signal will be unaltered whether you’re using the pedal or not. In addition, it offers stereo in/out connections for even more stage depth. If reverb is your favorite sort of effect to the extent that you desire the variety, flexibility, and presets offered by high-end current pedals.
If you’re familiar with TC Electronic’s Hall of Fame Reverb, you’ll know that it only has three controls: volume, decay, and tone. Many reverb pedals feature a decay control and a pre-delay that, when combined, allow for a wide variety of reverb effects.
The Hi-cut and Lo-cut controls are the FS02’s strongest suit. Use these two knobs to adjust the reverb’s frequency range and tailor it to your guitar’s tone. You can adjust your reverb’s frequency range from complete to narrow.
However, the Hi-cut and Lo-cut controls allow you to adjust the position of the reverb on the guitar. You can reduce the highs to create a reverb that subtly supports your guitar tone rather than overpowering it. You might think of it as creating a spacious environment for your guitar tone while maintaining a beautiful background.
- Stereo In And Out
While you likely use a mono setup exclusively now, it’s comforting to know that you can always upgrade to stereo if you want. Late-stage effects pedals typically have stereo inputs and outputs, including modulation, delay, and reverb. Stereo inputs and outputs are present on the FS02. So, you can use the FS02 to its best potential in a stereo setup.
What kind of a change there is audible while switching from mono to stereo depends on the reverb settings. The two streams will blend seamlessly with a short, mild reverb. However, when employing extended and luscious reverbs, the stereo impact becomes more apparent, and the music fills the room.
- Preset Strip
The seven knobs on this pedal give you access to seven unique reverb effects. A different colored light will illuminate when you hit the Save/Select button to switch between the available reverb kinds. If you glance down at the pedal, the different colors indicate whatever preset or reverb is currently used. You’ll need to commit the reverbs and the corresponding colors and locations to memory.
Confusion is inevitable because you must label the different reverb kinds on the pedal. The FS02 is unique among multi-reverb guitar pedals because it allows you to store individual presets for each reverb type. There is also a preset storage feature for each of the seven reverb settings.
Once you find the ideal reverb level, you can save that setting by depressing the Save/Select button. When you successfully save a preset, the indicator will flash several times.
The Flamma FS02 requires only a regular 9-volt, 300-milliampere supply for electricity. Unfortunately, the adaptor is not included, as is the case with most pedals you can buy today. Which implies you’ll have to look elsewhere to get what you need. Those who have previously invested in a pedalboard can add another effect. You should be concerned about the power source, though, if this is your first one.
You can look into both of those choices. If you plan on purchasing more effects, a daisy chain power supply may be more convenient than purchasing separate adapters for each one. Also, remember that you can’t power this pedal with a 9V battery, so don’t even consider it a possibility.
Character & Sound:
Flamma FS02’s flexibility is one of its best features. With seven reverb modes at your disposal, you should be able to pick one that suits your taste. The knobs on top allow you to fine-tune its form to your liking. There is also a trail-on feature on the pedal for a smooth transition to the next section of the song. If you’re unfamiliar with the term, trail-on is when an effect gradually fades out after being turned off.
Of course, you may use the switch to turn it off, just like any other pedal. The trail-on feature is optional and can be triggered by holding the switch button. This is a stereo pedal, which is something to keep in mind. That’s why if you want to use it in stereo mode, you’ll need two cables: one for input and one for output.
If you’re in the market for pedals, the Flamma FS02 is a must-have. It adds great depth to your sound and is one of the best effects you can discover. If your amp doesn’t have reverb already, you will need it.
This pedal has a reasonable price, is quite flexible, and is high quality. Flamma FS02 is a steal at this pricing, and you won’t find anything else that comes close. The pedal is versatile enough to function with various musical styles, but it comes into its own when used with a modest amount of gain.
This pedal requires a 300mA power supply which is not included in the package. Also, this pedal lacks a battery power option, which may be a tiny negative for some people. And numerous types of reverb are not labeled on the pedal, so be careful when using it, as you can get a pleasant surprise.
12. Strymon BigSky
The Strymon Big Sky is a potent reverb generator that offers brave musicians endless options in the studio and onstage.
There are 300 inbuilt preset slots, but the effects can be fine-tuned and made accessible at the flip of a knob. A robust digital signal processor guarantees the greatest possible audio quality. With its immense power, the Strymon BigSky reverb may take the place of multiple reverb pedals at once.
- 12 Reverb Styles
The BigSky has various built-in reverb effects, from natural spring reverb to the shimmering, ethereal washes of the Strymon pedal. These simulations are based on the most popular reverbs of all time. The DSP engine ensures high-quality audio playback. Strymon also widened the scope of customization options for these noises, letting you create unique textures and tones as you see fit. Presets allow you to store up to 300 unique sound configurations to recall your favorite reverb effects instantly.
BigSky’s aren’t merely recreations of classic sounds, either. Even while the unit’s sounds are based on several well-known verbs, Strymon included a variety of tone-shaping controls to give you complete freedom in achieving the precise effect you require.
The two knobs labeled “parameters” can be changed to adjust different characteristics for each setting. As for inputs and outputs, the BigSky has plenty on the rear for stereo operation, and MIDI control, and with an expression pedal, you get instantaneous manipulation of settings.
- Strong I/O
Reverb’s sound quality would be worth the price of admission. However, this effective atmosphere maker hides a plethora of additional features. Inputs and also outputs galore may be found around the back, allowing for seamless connection to any system.
Character & Sound:
You would be disappointed if the BigSky seemed normal, given the very academic tone of Strymon’s research. However, the preparation paid off, as each of the 12 reverb devices may sound either realistic or spectacular. The adaptability of each machine is a contributing factor; for instance, the spring setting is quite realistic and lets you get very specific with the sound you want by adjusting the number of springs.
In addition, Strymon has generously supplied the BigSky with atmospheric settings that are popular with ambient and post-rock composers. The Shimmer setting’s two chromatically-adjustable voices make it ideal for creating absurdly epic sonic landscapes, and how you pitch them is remarkable. The Chorale mode is similar to having a vocal chorus accompany your every note, thanks to the vowel filter applied to its verbs.
Everything from commonplace reverb use to exploring alien textures with luxuriant verbs is included. It does it all in signature Strymon fashion, so this reverb pedal will more than satisfy your needs. With 300 different presets available, everyone can discover the perfect one.
The perfectionists have had a blast making and altering reverbs to get them just right, but there are plenty of great sounding presets available that can be used with almost any genre of music.
If you want to replace your 30-year-old reverb unit with something simpler, search elsewhere; the Big Sky isn’t it. Simply put, it’s for musicians and studio technicians who value perfect ambiance in a live-ready instrument and get giddy at discovering new reverb landscapes that are idyllic or wondrously horrifying as the imagination allows.
Of course, it’s pricey, setting you back $480. In reality, it’s a steal when you think about how much power it packs and how easily it can be adapted to any live or recording setting.
Source Audio SA 263 Collider
The Collider is a tiny delay/reverb unit incorporating the best features of Source Audio’s Nemesis and Ventris.
Source Audio’s mad scientists smashed together the Nemesis Delay and the Ventris Reverb at high speeds to find out. After all the dust settled from their experimentation, the One Series Collider Delay + Reverb was born, incorporating the greatest qualities of the individual pedals.
Intuitive controls allow you to quickly toggle between the pedal’s seven reverb varieties and five delay engines. It has two 56-bit digital signal processors to play with both effects simultaneously. For the guitarist who is always looking to push the envelope, Source Audio’s Collider Stereo Delay + Reverb is the pedal to have.
With the Collider, you get five of the most sought-after delay engines from the Source Audio Nemesis delay pedal. There are two types of effects available: traditional and contemporary. Tape, analog, and oil can delays are all available under the Classic set. On the contemporary side, you can play in reverse or use digital delay. You may adjust the volume, tape age, modulation depth, and rate with the knobs.
- Reverb Effects
To access the seven reverbs culled from the Source Audio Ventris twin reverb pedal, flip the selector switch to the reverb position. These fall into the same Classic and Unnatural groups as delay engines. In the Classic section, you’ll find a natural room, ’80s hall, and plate and spring reverb, respectively.
There’s a vast E-dome, a shimmer that changes the pitch, and a significant swell feature in the Unnatural group if you’re up for some strangeness. The delay switch also has tap tempo functionality, and there are individual ON/OFF footswitches for both the delay and reverb engines.
The Collider Delay + Reverb’s user interface and controls couldn’t be easier to use. Individual footswitches control both the delay and reverb effects. With a toggle switch, you may independently adjust each audio engine’s settings contributing to your effects.
When the switch is in the Reverb position, each of the knobs affects the reverb time. Changing the delay time is as easy as flipping a switch. Flip the Lock switch if you don’t want your knob settings to get jiggled around by accident. Your tone will remain unaffected even if you accidentally bump the knobs.
Character & Sound:
The reverbs and tape delays sound right at home in a studio setting, while the analog delays add a dreamy, analog feel that sits wonderfully in the background of the dry sound. In addition, many listeners enjoy combining analog or tape delays with the Swell effect and, of course, the ever-present Shimmer. The reverse delay can be used as an alternative to create “backward” guitar solos or add depth to an existing sound.
While the Collider, a “best hits” compilation of the Nemesis and Ventris, sacrifices some effects programs, it nevertheless includes what many guitarists consider the most important ones.
Moreover, it provides a flexible, intuitive environment where users can build, save, and recall complicated effects with little to no training. Seek this out if you’re in the market for the high-quality delay and reverb effects and want to keep a small, minimalist rig.
Using this pedal’s various features can be nerve-wracking while performing due to the complexity of the controls and the need for lightning-fast reactions. Additionally, the footswitches are near crucial pedal settings, necessitating extra caution when used on stage. Although the high price may be a negative, the Reverb and Delay settings are thoughtfully combined.
One can draw the inevitable conclusion that this top provides for every possible requirement of an instrumentalist. We’ve studied every option available in the market as of 2023 and can confidently declare that there are many viable choices.
When discussing affordable pedals, the Harley Benton Duality is inevitably mentioned. This effect pedal offers a choice of delay times, reverb depths, and flexible signal routing. In addition, the pedal has a wide range of high-quality effects to choose from. The Harley Benton Duality is a fantastic alternative to this pedal, which lacks a tap option for the delay effect.
Another excellent choice is the Boss RV-6. Features eight reverb effects with super straightforward controls for optimal sound transmission. Combining the reverb and the delay will give your solos a new dimension. This effect pedal can produce stereo sound, but it’s challenging to use on stage due to its remote controls and the ease with which you can accidentally alter them.
If high-priced pedals are what you’re after, look no further than the Strymon Big Sky. These pedals are the most high-tech and pricey option available. The Strymon Big Sky features 300 internal preset slots and 12 different reverb kinds. The manufacturer has an established online reputation, and the pedal’s “academic” tones make it simple to create post-rock and ambient sounds.
We hope that the variety of these products has helped you find what you’re looking for and given you insight into the manufacturers’ strategies for growing the market.
Death metal enthusiast here. I am a Romanian musician and producer with over 13 years of experience in the music industry. I’ve experienced all types of Metal up until now, playing Melodic Death Metal, Brutal Death Metal, and Black Metal with different bands. Learning by doing is my base principle, which is why I’ve been drawn to sound design from an early age. Read more…