Choosing microphones can be a real challenge. Luckily, this article will show you The 13 Best Mics For Recording Live Band 2023.
You can easily get confused if you need to choose microphones for recording a live band. That’s because many options on the market differ in type, features, and prices. Luckily, we’ve selected the best choices for your budgets and needs. They all have many positive reviews online and perform their functions well.
Before we start, let us give you some insights regarding the microphones. First of all, remember that in a live recording environment, you will need microphones with a tight polar pattern. That is, to reject background noise well. Overall, dynamic microphones are a good option if you’re dealing with loud sound sources such as drums or guitar cabs.
Consider condenser microphones if you need to work with ambient vocals or orchestral and acoustic instruments. They generally have a smooth sound and a wide frequency range. But keep in mind that these units, with a few exceptions, do not always cope with background noise. All of these options are present in our list. So please scroll down and see what we have prepared for you.
12 Best Mics For Recording Acoustic Guitar 2023
The 13 Best Mics For Recording Live Band 2023
1. Shure SM57 LC
The Shure SM57 is one of the most popular microphones, which is reasonably priced and suitable for many applications.
We start our list with one of the most well-known microphones, the Shure SM57. If you’re familiar with the music industry, you’ll know its advantages. And if you are, let us assure you that this is one of those units you can take to a desert island. And all this is thanks to its versatility and affordable price.
This microphone can be used for almost anything. For example, it is often used to pick up snare and other drums. You can also use it to record acoustic guitar, electric guitar cabinet, or vocals. But let’s take a closer look at its advantages to understand this product better.
- Contoured Frequency Response
The frequency response of this microphone is contoured, which means that it is not flat, but full of various boosts and cuts. For example, there is a cut below 200 Hz to prevent boominess. There is also a slight boost at 4 kHz and two dips at 7 and 8 kHz. In general, the frequency spectrum of the microphone reaches from 40 to 15000 Hz.
- Cardioid Pattern
Like most dynamic microphones, the Shure SM75 is cardioid. It means that sound from the front will be captured best, while sound from the back and sides will not. It is ideal for use on stage or if you have a poorly treated room.
- Can Handle Loud Sources
This microphone is also known for its good pickup of loud signals. That’s why it can be used on snares and toms. In addition, it works quite well with loud guitar amps and vocals. In terms of pre-amp, it requires 56 decibels of gain for optimal signal. It is a fairly low threshold compared to other dynamic microphones.
- Robust Housing
Another thing that many people love about this microphone is its robust housing. Its body is metal, so you’ll feel its reliability when you pick it up. It means that it can withstand heavy use in a live environment. Plus, almost every component of this microphone is replaceable.
The Shure SM57 is a legendary microphone that has long been considered the industry standard. You can use it for almost anything and get excellent signal quality. It’s also rugged enough to withstand the rigors of live use. And the icing on the cake in this story is its price, which is about $100
This microphone is probably not suitable for quiet ambient vocals. In this case, you should pay attention to condenser microphones. Also, some users claim that it has a rather high noise level if you try to record quieter sources with it.
2. Sennheiser E906
The Sennheiser E906 is a super-cardioid dynamic microphone that will delight you with its versatility.
Sennheiser microphones can be found on literally any stage or studio worldwide. Now we will talk about the E906, a slightly updated version of the E609. They appear very similar, but the E906 has a presence control feature.
Also, this unit has a rather convenient shape, adding comfort to use. The frequency range is also wide, so you can experiment with recording various instruments with this microphone, from percussion to guitar amps. But let’s talk about all this in more detail.
- Wide Frequency Range
The frequency range of this microphone is from 40 to 18,000 Hz, which is quite wide for dynamic microphones. It means you can even use it on kick drums and bass cabinets. It also picks up well on guitar cabinets, snares, and brass.
- Supercardioid Polar Pattern
This microphone is a super-cardioid, which means it has a tight pickup pattern. It will be very good for rejecting feedback, sounds, and noises of instruments behind the microphone. For example, it can be useful for isolating guitars if you record them in the studio.
- Presence Switch
The Presence Switch is one of the most important features of this microphone. You will find it on the back of the unit. There are three positions: Presence Boost, Flat, and Presence Cut. As for the boost, it is set around 4 kHz, which will help guitars cut through the mix.
- Convenient Shape
This product deserves special attention for its convenient shape, namely the flat front grill design. That means you can hang the microphone by its cable on your guitar cabinet without using a stand. Nevertheless, using it with a stand to move around the speaker is also quite comfortable.
- Metal Housing
This microphone is also quite reliable, as it has a metal housing. It applies to both the chassis and the grille. Thus, this unit can withstand transportation and other harsh conditions, such as stage use.
The Sennheiser E906 is a great dynamic instrument microphone that you can use for recording various instruments. First of all, it has a Presence Switch to give you versatility. Also, it handles loud signals well, so it’s perfect for drums and guitar cabs. In addition, the unit has a comfortable fit and good build quality. As for the price, it can be called moderate – it is approximately $160.
If you suddenly want to use this microphone for vocals, you can’t do without a pop filter – the plosives will be massive. But remember that this unit is not designed for vocals but is purely instrumental.
3. Rode NT5 Matched Pair
The Rode NT5 is a condenser stereo pair that will give you a detailed sound.
Rode is a well-known audio equipment manufacturer from Australia, which is known for its high-quality products at affordable prices. Now we will show you a stereo pair, which means you will get not one, but two microphones here. These are NT5 Matched Pair condenser “pencils.”
These microphones have a wide frequency spectrum and are suitable for many applications. For example, you can use them to record acoustic guitars. For drums, these stereo pairs are most commonly used for overheads, but you can experiment with other placements as well. Now let’s take a look at the features of the Rode NT5.
- Cardioid Characteristic
These microphones have a cardioid pickup pattern. You’ll see a sign on the tips of both microphones that tells you this. Thanks to this characteristic, you can isolate what the microphone picks up and thus avoid unnecessary noise.
- From 20 to 20000 Hz
Like most condenser microphones, these have a very wide frequency range. To be precise, it ranges from 20 hertz to 20 kilohertz. It is suitable for recording any source. For example, you can capture the sound of an entire drum set with two microphones.
- Gold Sputtered Capsule
Each microphone has gold sputtered 1/2″ capsules that you can unscrew and replace if damaged. Or replace them with capsules with a different pickup pattern, such as Omni.
- Minimalistic Design
It’s also worth noting that these capacitor pencils have a minimalist and restrained design. They are made in a satin nickel finish and have no on/off buttons. They are also quite lightweight and weigh only 101 g each.
The Rode NT5 is a great compact stereo condenser pair that will delight you with its crisp and natural sound. You can use them to record overheads, shells, or an entire drum kit. They are also quite good for recording acoustic guitars. And, of course, the price, which is about $300 for a pair, is also a very good option.
Remember that, like all other condenser microphones, these also require phantom power. Overall, we don’t see any negative aspects of this product and recommend that you check out the user comments online.
4. Sennheiser E 945
If you need a professional dynamic microphone for vocals, the Sennheiser E 945 might be the right choice.
Now we will show you another cool product from the German company Sennheiser. It is the E 945 vocal microphone. Of course, you can also use it for other instruments, but it will be most suitable for voice. And this is because of its frequency response.
As for the main characteristics, it is a super-cardioid. It also has a somewhat high price. So, if this is a hindrance to you, then check out the E843 model. It has a looser cardioid pattern and a narrower frequency range but costs less. But let’s get back to the features of the E 945.
- Supercardioid Pattern
This microphone is supercardioid, which means that it will pick up sound that is directed directly at its head. As such, it has very good side rejection, making it ideal for recording vocals in a live band setting with multiple instruments.
- Boosted Presence
As for the frequency range of this microphone, it is quite extensive and reaches from 40 to 18000 hertz. You will get a slightly rolled-off low end up to 200 hertz and a smooth midrange. As for the high frequencies, the microphone has a shelved boost after 2000 hertz, a dip at 9000, and another boost at 11 kHz.
- Strong Housing
It’s also worth noting that the E 945 has fairly sturdy housing made of metal. On the head, you will have a grille, which is also quite sturdy. In addition, it is relatively heavy and weighs 365 g.
The Sennheiser E 945 is a great super-cardioid dynamic microphone with a tight pattern. So you can easily use it to record a live band. It has a distinctive presence, so it will make your voice cut through the mix. In addition, it has a sturdy housing that makes it reliable for heavy use.
Some users claim that the microphone does not handle plosives very well and sometimes sounds a bit sibilant due to the boost in high frequencies. It also has a rather strong proximity effect, especially for lower voices.
5. Shure SM58 LC
The Shure SM58 is a dynamic vocal microphone that has long been legendary.
Now we’ll tell you about another microphone that’s hard to imagine the music industry without – the Shure SM58. It was created in 1966 and remains one of the main vocal units for use on stage and in the studio. It also gained popularity because of its outstanding reliability.
The SM58 has a cardioid polar pattern and enough frequency response shaped specifically for vocals. But that doesn’t mean you can’t use it for other purposes, such as guitar and bass cabs, snare drums, trumpets, saxophones, and even pianos. But let’s talk about its features in more detail.
- Cardioid Directivity
Like most dynamic microphones, the SM58 has a cardioid polar pattern. That means you can easily use it in live environments, as its signal will be well isolated. It can also be used in rooms with poor acoustics.
- From 50 to 15,000 Hz
Speaking of frequency response, it’s not too wide but sufficient – from 50 to 15,000 hertz. You will get a small roll-off of low frequencies up to 100 hertz, a boost in the region of 3 to 7 kHz, a dip around 8 kHz, and another boost at 9-10 kHz.
- Integrated Wind/Pop Filter
A great advantage of this microphone is that it has an integrated wind and pop filter. This mesh can be seen under the metal grille. That means the unit will cope well with plosives, and you will not need to install filters separately.
- Robust Construction
Many people call this microphone unkillable, and it makes sense. The principle of its operation is mechanical, so it is quite difficult to damage it. The body itself is made of metal, as is the grille. You can find videos online where the microphone is used instead of a hammer, and it still works. But we don’t advise you to do that.
The Shure SM58 is a legendary dynamic vocal microphone known for its high-quality sound and insane reliability. You can use it for live band recording thanks to its cardioid pattern. In addition to vocals, it’s also great for guitar and bass cabinets and other instruments. And a great bonus is the price, which is about $100.
The sensitivity of this microphone is somewhat low. It means that you will need to crank up the preamp of the audio interface to achieve the optimal signal. To make the best performance out of the unit, we recommend using it with a cloud lifter to get a higher and cleaner gain.
6. Behringer XM8500 (Budget)
The Behringer XM8500 can be a great option with a limited budget.
Behringer is known for its budget products. Of course, like other budget equipment, they can have some drawbacks. But this does not mean that these products are not functional. And now, we will talk about one of these units – the XM8500 dynamic microphone.
By the name of this unit, you can guess what it was inspired by. The same goes for the look, which is quite minimalistic. You will find only the grille, the base, and the XLR cable port. There are no switches here. But let’s take a closer look at its features.
- Sufficient Frequency Range
As for the frequency spectrum, it ranges from 50 hertz to 15 kilohertz in this microphone. You will have several boosts in the high frequencies and a roll-off in the low frequencies up to 100 hertz. In general, this is enough for vocals and other applications.
- Cardioid Polar Pattern
It is a dynamic microphone with a cardioid polar pattern. Accordingly, you will have the rejection of sound on the sides and behind, and the microphone will only pick up the signal directed to its head. It also has a 150-ohm impedance.
- Pretty Durable
Despite its low-cost status, this microphone boasts quite high reliability. Its body is made entirely of metal – a grille and a chassis. Therefore, you can be sure this unit will be fearless of active use in live conditions.
First of all, it’s worth noting that the main advantage of the XM8500 is its price, which is almost $20. For this money, you get a fully functional dynamic microphone for vocals. In addition, you can also use it to pick up guitar cabinets. And another advantage is the fairly high reliability of this unit, which is simply amazing given its low price.
This microphone does not do well with handling noise. It’s especially unfortunate because this is a microphone for holding. In addition, it needs to handle plosives better, but the presence of a pop filter easily solves this problem. Also, the proximity effect of the unit can get out of control.
7. Neumann KM184 Stereo
If you need a professional stereo pair suitable for acoustic instruments, the Neumann KM184 is for you.
Neumann needs no introduction, as it is one of Germany’s most popular microphone manufacturers. You can find their products in many top studios around the world. Now we will show you a great stereo pair that will surprise you with its crystal clear sound – the KM184.
These microphones are extremely sensitive and have a natural sound. It makes them ideal for recording acoustic guitar, piano, orchestral instruments, and more. In addition, they have a very low noise floor. Let’s now move on to take a look at their features.
- Smooth Frequency Response
The frequency range of these mics is from 20 to 20,000 hertz. As for the response, it can be called smooth and rather flat because you will only have a small boost at 8 kHz and a low-frequency cut of up to 100 Hz. That’s why these microphones provide a fairly natural sound.
- Low Noise Level
In addition, this stereo pair can boast a rather low noise level. In terms of numbers, the equivalent noise level is 13 dB-A. Thus, you can be sure that the signal recorded with these microphones will be clean.
- Cardioid Condensers
And, of course, it is worth noting that the polar pattern of these condenser microphones is cardioid. Thus, even though they are quite sensitive, they will reject sound coming from the sides or back of the microphone head as much as possible.
First of all, the Neumann KM184 stereo pair is a professional small condenser microphone that will give you extremely clear and detailed sound. They have a relatively flat frequency response and are ideal for acoustic instruments. You can also use them for pianos, drum overheads, choirs, and classical instruments.
Since this is professional equipment, it is quite expensive – about $1200 per pair. Also, these microphones do not handle plosives and wind well. So, keep that in mind if you need to use them outdoors or in a windy environment.
8. Shure Beta 91A
The Shure Beta 91A is a good option if you need a kick microphone that can handle a powerful signal.
Now it’s time to talk about kick drum microphones. It is a different type of equipment that is designed to be able to handle powerful signals and low-end. In particular, we will now consider one of them – the Shure Beta 91A condenser microphone.
It is a combination of two models – Beta 91 and SM 91. But, unlike the Beta 91, the big advantage of this one is that it has a built-in preamp, not a separate unit. It also has a distinctive shape, designed to fit inside the kick drum. Now let’s talk about its features in more detail.
- Halfcardioid Mic
This microphone has a halfcardioid polar pattern. That means it will pick up sound in front of it at a 60-degree angle. That’s why it has a flat design, so it’s easy to place on the floor. By the way, there is a sponge texture on the back of the microphone so that it does not slide on the surface.
- Tolerates High SPLs
Also, this mic has a very high output signal. In addition, it can tolerate very high SPLs. Specifically, we’re talking about up to 155 dB SPL max levels. That’s why this microphone is perfect for low-end instruments.
- Wide Frequency Range
As for the frequency spectrum, it is quite wide, which is not surprising for a condenser microphone. The range is from 20 to 20,000 hertz. If you look at the EQ curve, it is quite flat up to high frequencies, where you will have a boost starting at 3 kHz.
- EQ Dip Switch
Another great feature of this microphone is the EQ switch on the rear panel which will create a cut at 400 hertz. So it can be useful if you’re working with problematic kick drums that need to be cleaned up in this range.
The Shure Beta 91A is a high-quality condenser microphone for kick drum recording. However, you can also use it for piano and other instruments. This unit has a convenient design that allows it to be easily placed inside the kick without needing a stand. And, of course, a great bonus is the presence of a special EQ Dip Switch, which will give you a little more versatility.
Some users claim this microphone has very strong feedback when placed too close to the speakers or monitors on stage. Besides that, we don’t see any other drawbacks to this product.
9. Beyerdynamic M201TG
The Beyerdynamic M201TG is a dynamic instrumental microphone with a neutral and smooth tone.
Don’t be fooled that the next item on our list looks like a condenser microphone. It’s a dynamic microphone and a creation of the famous German company beyerdynamic. This model is called the M201TG, and TG stands for “touring gear,” so you can be sure the unit will withstand tough conditions.
The unit looks like a pencil and is quite straightforward. You will not find any switches here – only a membrane and a port for an XLR cable. Let’s look at the features of the M201TG so that you know what applications it might be suitable for.
- Hypercardioid Microphone
The polar pattern of this microphone is hypercardioid. That means that its pickup angle is slightly tighter than that of conventional cardioid microphones, which will give you a good rejection of the signal from the sides. However, remember that such microphones have some sensitivity to the sources behind them.
- Smooth Tone
Speaking of the frequency spectrum, it ranges from 40 to 18,000 hertz. In general, the EQ curve is quite smooth. You will have some high-frequency boosts, but they are less strong than in other dynamic microphones, such as the SM57.
- Sturdy Design
It is also worth noting the build quality of this microphone, which is surprisingly durable. The unit’s body is metal, so it should serve you well for many years. As for the dimensions, the microphone weighs 220 grams and is 160 millimeters long.
The Beyerdynamic M201TG is a great dynamic microphone with a minimalist design that delivers a natural sound and can withstand the rigors of live use. It is compact in size and hypercardioid, which allows for good side rejection. As for the price, it’s neither too much nor too little – around $250.
First, this microphone is low sensitivity – on par with the SM7b. Therefore, remember that you will have to use a strong preamp. Also, the unit is very poor at handling plosives, wind, and holding noise. But this is not surprising because it is designed for instruments rather than vocals.
10. Shure Beta 52A
With the Shure Beta 52A, you can easily record kick drums or bass cabinets.
The next microphone on our list is one of the most popular for kick drum recording, and it’s the Shure Beta 52A. The bottom line is that it captures low information perfectly and has a high SPL or sound pressure level. So this unit can be seen in many studios and stages worldwide.
However, this does not mean this microphone is designed for only one purpose. It can also be used on bass cabinets. In addition, if you need a fuller sound for your electric guitar, you can try it on a guitar cab. Now, let’s learn more about its features.
- From 20 to 10,000 Hz
Compared to other microphones, the frequency range of this unit is limited – from 20 to 10,000 hertz. This microphone is specially designed for low-end instruments. But the bottom line is that it will be more than enough for you to use it for other applications.
- Supercardioid Pattern
The pickup pattern of this microphone is supercardioid. That means that it will pick up wherever you point it and give good rejection on the sides. Overall, the unit will have low background noise.
- 174 dB SPL
If we talk about the sound pressure level, it is quite high in this microphone. In numbers, it is 174 dB maximum. So, you can be sure that Beta 52A will easily handle the powerful sound of a kick drum or a loud cabinet.
- Convenient Design
The design of this microphone deserves special attention. It has a portable stand adapter located near the XLR connector. Also, the head is movable so you can direct and fix it in the desired direction.
The Shure Beta 52A is a well-known kick drum microphone suitable for studio and stage use. It has good low-frequency pickup and can withstand high sound pressure. In addition, it has a sturdy and comfortable design. And, of course, it has a relatively affordable price – about $170.
Some users note that this microphone has a somewhat scooped sound on a kick. But, in the end, it also depends on the bass drum tuning and microphone positioning. Apart from that, we don’t see any other nuances that can be considered disadvantages.
11. AKG C451 B
The AKG C451 B is a condenser microphone ideal for overheads that gives you extra features.
If you want a microphone with a sound character, the next item on our list might appeal to you. It’s a creation of the AKG company, the C 451 B. This unit is called the magic microphone for recording overheads, and that’s because it has some sheen in the high frequencies.
In terms of its size, it is compact, i.e., a so-called “pencil.“ However, an important nuance here is the presence of several additional functions that will help you get the necessary sound at the recording stage. Let’s take a look at what’s available here.
- Cardioid Microphone
First of all, it is worth noting that the polar pattern of this microphone is cardioid. You can record instruments by pointing the microphone head at them. Of course, the CK 1 capsule is removable if you need to replace it with another one with a different pattern.
- Wide Frequency Range
What makes this microphone so versatile is that it has a wide frequency spectrum – from 20 hertz to 20 kilohertz. You will get a natural and bright sound in high frequencies. It also means that you can use this condenser for overheads and other applications, such as vocals.
- Switchable High Pass Filter
A great bonus in this unit is the presence of a small High Pass Filter switch. It has three positions: Linear, 75 Hz, and 150 Hz. This way, you can eliminate unnecessary low information, which may be necessary when recording overheads or high-hats.
- Pad Switch
This microphone is also suitable for recording loud sounds. The thing is that there is also a separate Pad switch with three positions. In particular, you will find 0 dB, -10 dB, and -20 dB. Condenser microphones are quite sensitive, so this will be a great bonus.
The AKG C451 B is a great condenser microphone for overheads and high-hats. In addition, thanks to its high-frequency sheen, it can be easily used for acoustic guitar, percussion, and vocals. The unit has a compact size and High Pass Filter and Pad switches. As for the price, it is slightly higher, but reasonable – about $280.
Keep in mind that condenser microphones require phantom power. Besides, we can’t think of any other disadvantages and encourage you to check out the user reviews online.
12. Neumann KMS 105
The Neumann KMS 105 BK is a professional condenser handheld microphone designed specifically for vocals.
The next item on our list looks like a dynamic microphone but is a condenser microphone. It belongs to the category of those designed for live performances and thus has a fairly good isolation of the signal. It is the Neumann KMS 105, and we are sure that this unit can pleasantly surprise you with its sound quality.
This microphone is pricey, but that’s the price you have to pay for audio equipment of this level. Another significant advantage of the unit is that it promises to handle plosives well. But let’s analyze all its features in order.
- High Transparency
This microphone promises high transparency for vocals and voice. In general, its frequency spectrum ranges from 20 hertz to 20 kilohertz. The curve is quite smooth, but there is still a boost after 8 thousand hertz. As for low frequencies, they roll off to 200 hertz.
- Innovative Filter
In addition, this unit has an innovative filter that is designed to tame plosives. If you unscrew the grille, you will see another layer of protection inside. It’s a pretty good solution because, as we know, condenser microphones are surprisingly sensitive.
- Supercardioid Characteristics
Of course, the polar pattern of this microphone is supercardioid. As a result – you will get a tight signal pickup. So it will reduce feedback as much as possible on a stage with many other sound sources.
The Neumann KMS 105 is a professional condenser handheld vocal microphone that can be easily used for live band recording. It has a wide frequency spectrum and a fairly smooth sound. In addition to vocals, you can also use it on guitar cabinets. But remember that the proximity effect can make the sound a bit bass-heavy.
Despite the innovative filter, this microphone still lets some plosives through. As for the price of this unit, it goes over $500. So keep this in mind if you are on a budget.
13. Audix i-5
If you need a snare microphone at an affordable price, the Audix i-5 might be the one for you.
At the beginning of our post, we talked about one very popular microphone used for snare. We want to show you a good alternative to do the job perfectly. It is the Audix i-5 dynamic instrument microphone.
Not only that, but this unit can also be a great option for guitar cabs. That’s because it can handle high-volume signals. In addition, it has a compact size and reliable build quality. Now let’s talk about this product in more detail.
- From 50 Hz to 16 kHz
The frequency range of this microphone is from 50 hertz to 16 kilohertz, which is more than enough for snare and guitar cabinets. The curve is generally somewhat scooped and should be after 100 hertz and after 5 kilohertz. It will give the snare body and presence.
- High SPL
As for the sound pressure level, it is high and amounts to 140 dB. That means that the microphone can easily handle loud signals. By the way, thanks to this, you can also try using it on a bass cabinet.
- Cast Zinc Alloy
Another important characteristic of the i-5 is its reliability. The body of this microphone is made of zinc alloy, which makes it extremely durable. The appearance of the unit, with its unique basket design, also deserves special attention.
The Audix i-5 costs about $100, which makes it surprisingly affordable. This cardioid dynamic microphone is a great option for recording snare, guitar and bass cabinets, and other instruments. You can also try it for loud vocals. This mic is also durable and compact.
We do not see any drawbacks in this product. So we recommend you check out the comments of users online.
1. Behringer C-2 Matched Pair
The Behringer C-2 is an excellent stereo pair if you’re starting in music recording.
We know how important the budget issue is when starting music production. Sometimes, you may not have enough money for equipment. That’s why we will show you a stereo pair of condenser microphones that is ridiculously cheap but will do the job. It’s the Behringer C-2 Matched Pair.
These are two small diaphragm microphones that are very compact. Each has a switch with additional functions. You will also receive a stereo screen in the kit to help you record a stereo signal or at least practice doing so. Now let’s dive into the features in detail.
- Cardioid Mics
This matched pair has cardioid polar patterns. That means you can easily use these microphones in a live recording environment. For example, they can be used as overhead mics or for picking up acoustic guitars and other instruments.
- High Pass Filter And -10 dB Pad
A very important feature of these microphones is that each has switches with Flat, High Pass Filter, and -10 dB pad functions. This way, you can filter out the low-end or lower the signal if it’s too hot. But remember that you can only apply one mode at a time here.
- Wide Frequency Range
Since it is a condenser stereo pair, it has a wide frequency spectrum. To be more specific, from 20 to 20,000 hertz. The curve is smooth with a rolled-off low-end and a slight boost after 5K.
- Set Of Accessories
A great bonus is getting a set of accessories with this stereo pair. In particular, there will be a transport case, stereo screen, windscreen, and two microclips. Thus, you will have almost everything you need to use the microphones.
The Behringer C-2 Stereoset costs only about $50, which is the most important advantage. You will get a stereo pair that you can use to record percussion, overheads, acoustic guitars, and guitar cabinets. A great bonus is the built-in high pass filter and -10 dB pad. And you’ll also get a variety of accessories to make your life easier.
Keep in mind that these microphones do not work well with plosives. But this is not surprising because they are not designed for vocals. In addition, a big drawback is that you can choose a high pass filter or a pad without the possibility of using them simultaneously. In addition, some users complain that the high frequencies of these microphones sound somewhat unnatural.
2. Rode M2
The Rode M2 is a condenser handheld microphone that won’t make you rob a bank.
If you’re looking for a budget-friendly condenser microphone that can be used in a live band recording environment, the next item on our list might interest you. It is a product of the Australian company Rode, which is called M2. In addition to its reasonable price, it may also surprise you with its sound quality.
As for the characteristics, this model has an on/off switch and a smooth and natural sound. Also, the mic does a pretty good job of rejecting background noise, especially considering the fact that it is a condenser microphone. Now let’s move on to a more detailed look at the features.
- Supercardioid Characteristics
The Rode M2 has a supercardioid polar pattern. You will get quite a good rejection of the sound from the sides. In addition, it does a good job of handling noise. However, remember that such microphones slightly miss signals from directly behind them.
- From 35 to 20000 Hz
As for the frequency spectrum, it ranges from 35 to 20,000 hertz. In general, you get a smooth EQ curve. However, there is still a slight boost after 8 kHz, which concerns airy frequencies. It will have a good effect on vocals and voices.
- Metal Housing
Another significant feature of this model is its robust metal housing. The microphone has a sturdy grille and chassis, which means it should withstand use in live situations. As for the weight of the unit, it is 308 grams.
The Rode M2 condenser microphone costs about $80, which makes it a great bang for the buck. This unit has a natural sound and handles noise, plosives, and feedback well. Therefore, it can be very suitable for recording vocals during a live performance. You can also use it on guitar cabinets.
Some users note that this microphone has a rather low sensitivity. Also, like other condenser mics, it requires 24V – 48V phantom power.
3. Behringer XM1800S 3-Pack
If you need more than one microphone at an affordable price, the Behringer XM1800S Set is a great option.
The next item on our list includes not one but three microphones, which you can get at a very nice price. We are talking about the Behringer XM1800S set. This option can be quite good if you need budget microphones for backing vocals. Or it could be useful as a separate set of mics for rehearsals.
Each of these microphones has a metal body. There is also an on/off switch, which can be useful for using these units for speeches. Let’s now take a look at the other features of these products.
- From 80 to 15,000 Hz
These microphones have a frequency range of 80 Hz to 15 kHz. Since they are focused on vocals, you will get a boost in the midrange. In addition, they have a fairly high output signal, which also helps with voice reproduction.
- Cardioid Polar Pattern
As for the polar pattern of these units, it’s cardioid, which is appropriate in live conditions. In general, these microphones’ developers promise you will get a minimum of background noise. There is also feedback protection.
- Strong Durability
Of course, the reliability of budget units is always questionable. Nevertheless, these models are quite durable because they are made of metal. It applies to both the grille, which is quite strong, and the chassis. As for the weight of the units, they weigh 270 grams each.
The main advantage of the Behringer XM1800S 3-Pack is its price, which is about $40. It’s hard to believe, but you get three dynamic microphones for this money. These units generally have a sufficient frequency spectrum and a supercardioid polar pattern. You also get a slightly higher output signal than other similar products.
These microphones do not cope well with handling noise. And this is a rather unfortunate fact, considering that they are designed to be held. Nevertheless, if you use them static, they should perform their function quite well.
As you can see, there are plenty of different options. But let us give you a few more tips to help you better understand which microphone options you should consider.
If you need a versatile microphone that can be used for many situations, then the #1 on our list is the Shure SM57. It’s suitable for drums, vocals, and guitar cabinets and can be a to-go tool for beginners.
As for the best budget options, we recommend 4 Sennheiser E 945s, 6 Behringer XM8500s, and 13 Audix i-5s. In addition, check out three bonus items on our list: Behringer C-2 Matched Pair, Rode M2, and Behringer XM1800S 3-Pack. It will be a nice bang for a buck if you’re starting in music production.
And, of course, if you have a budget and want to spend money on the highest quality equipment, then 7 Neumann KM184 Stereo and 12 Neumann KMS 105 will be good options. The last one is a condenser handheld mic which will be perfect for a live band situation.
We recommend you start with microphones that can perform several functions at once. You’ll be able to learn how they sound and move on to more specific equipment over time. Good luck with your choice!
Ilarion Ivanenko is a remote mixing and mastering engineer from Ukraine, a musician with more than 15 years of experience. Specializes in rock, metal, progressive and the other genres. He can’t imagine his life without music, as it is the biggest passion in his life