Top 20 Native Instruments Plugins & Kontakt Libraries 2022

Native Instruments has already familiarized us to plugins for all tastes thanks to a great deal of user confidence. For you, we’ve chosen the Top 20 Native Instruments Plugins For Musicians 2023.

We have become accustomed to a variety of options that allow us to create music in a more organic and efficient manner. In any case, Native Instruments has gotten us used to plugins that may fulfill a variety of purposes.

Sample libraries are collections of pre-recorded audio samples that include keyboard mappings. You may hear the actual recordings being played back in real-time when you play the instrument with a MIDI controller. This frequently consumes a lot of RAM, so you should be cautious about how many sample libraries you load at once to protect your computer’s memory.

An acoustic instrument’s tone and playing technique might need many terabytes of sound. Contrarily, synthesizers produce sound from code. Therefore there is little to no pre-recorded sound.

Here are the Native Instruments plugins that will be available in 2023:

Contents show

Top 20 Native Instruments Plugins For Musicians 2023

Plugins

1. Guitar Rig 6 Pro (Amps, Cabs, Effects)

More Info & Price (Trial Available)

Guitar Rig 6 Pro has a slew of new features, effects, and amplifiers, as well as a far more user-friendly interface.

A renowned workstation for processing is called Guitar Rig Pro. The Native Instruments Guitar Rig gradually established itself as a standard for software-based multi-effects processing, much like many of its hardware predecessors from decades before.

The plugin’s primary function is to emulate vintage amp, pedal, and cabinet tones effectively. But it also became a component of a wider arsenal for giving music personality and tone.

Key Features:

Additional Tools
You may split the audio stream, for instance, and route various effects or amplifiers to either the lower or higher frequencies using the “Crossover” tool. Therefore, you may add a phaser or other effect pedal to the higher frequencies before adding reverb to the lower frequencies. This feature gives you a clear phaser effect and a gentle reverb with lots of space in the mix.
Modifiers
You have a few other modifiers that may be utilized in addition to the routing tools mentioned above to offer intriguing control over effects and tones. These modifications could appear strange if you’ve never used anything like this before. For example, synth plugins frequently use sequencers, LFOs, and envelopes, whereas guitar plugins do not.
This helps to explain why non-guitarists have historically found Guitar Rig 5 to be so appealing. It would help if you experimented with these modifiers to take your guitar tones in new directions.
Artist Presets
Yvette Young, Vernon Reid, Pete Thorn, Zola Jesus, and Eric Krasno are a few accomplished musicians, bassists, producers, and composers who have contributed presets to GUITAR RIG 6 PRO. Many more will be included in later releases.

Compatibility:

This plugin is available for macOS 10.10 or higher (64-bit only) and Windows 7 or higher (64-bit only). It runs in standalone mode and VST2, AAX, and AU plugin formats.

Summary:

Overall, you get a ton of versatility and equipment that can be used with the voice signal, a synth, bass, and guitar without even touching amplifiers for the price of the program, which is approximately the same as a high-quality boutique pedal.

The amp may then be used with additional amp plugins using Ownhammer and 3 Sigma Audio IR that are included in the package or with your cab IR. So this most recent release has a lot to get enthusiastic about!

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2. Massive X (Synth)

More Info & Price (Trial Available)

Native Instruments’ much anticipated close to one of the best-selling soft synthesizers of all time is called Massive X.

Massive is one of the most well-known and well-liked soft synths from the preceding 10 years. It is quite flexible, but its capacity to produce enormous growling and throbbing noises is frequently linked to dubstep and its offshoots.

Massive is still around, keeping old tunes compatible and giving NI a tasty synth with Komplete hardware and software at a mid-level. NI has entirely rethought the architecture and user interface, which is positive.

Key Features:

Oscillators
Wavetable oscillators with banks of pre-programmed wavetables continue to be the major source of sounds in Massive X. Although there are a few remastered versions of some of the first set’s hits, the wavetables themselves are all brand-new. More than before, wave tables may be bent and altered.
The original included a formant processor, several bend modifications, and a spectrum filter. To thoroughly bend the sound at the oscillator level, you now have ten modifiers with several submodes and individual settings.
Inserts
Inserts are one of the sections that receive the most remarkable and helpful improvements. You may add up to three more modules here, and each can be routed separately using the routing map.
Numerous effects and signal processors are available, including modernized versions of classics from the first Massive like Frequency Shifter and Bit Crusher. The input signal modulates a Phase Mod oscillator in addition to a straightforward Sine, Saw, Pulse oscillator.
Effects
Main effects are provided in three extra effect slots and can be altered differently. Some of them, like Reverb and Dimension Expander, have names similar to effects from the original Massive but of far higher quality. In addition, the Nonlinear Lab effect suite includes drive and amp sim effects and Quad Chorus, two recent highlights.
Modulation
A more beneficial redesign has been made to the capacity to scale one modulation assignment with another. The scaling/sidechain source on each control is now positioned in the middle of the three mod input slots.
The dials give a way to set the scaling value when the slot is occupied, and they are located adjacent to the other direct modulators. Sidechain modulation in the older version of Massive was all or nothing. The first version of Massive contains four envelopes and four multi-mode modulators with LFO, Performer, and Stepper mode switches.

Compatibility:

This plugin is available for macOS 10.10 or higher (64-bit only) and Windows 7 or higher (64-bit only). It runs in standalone mode and VST2, AAX, and AU plugin formats.

Summary:

There are plenty of classic wavetable synths available if you’re seeking one that does the wavetable thing beautifully but not too. On the other hand, the Massive X is something to consider if you’re looking for something distinctive, something very different from anything else that is currently available, something that incorporates wavetable synthesis but for which wavetable capability isn’t its only claim to fame.

3. Native Instruments Kontakt 7 (Platform For Libraries/Sampler)

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Get Free Kontakt 7 Player

KONTAKT 7 is the latest version of the popular sampler, and it includes a reworked HiDPI Factory library and new instruments from companies like Orchestral Tools.

KONTAKT is the best instrument-building tool on the market, and it also serves as a source of quick musical inspiration for composers. This mutating platform is much more than a sampler; it has fueled two decades’ worth of Oscar-winning film scores, Billboard singles, and hundreds of instruments.

We’re taking KONTAKT’s 20-year history into the future with the seventh iteration. First, the new adjustable browser makes it simple to locate any sound. Then, you can experiment with new musical ideas and find new inspiration using the updated Factory Library, new effects, and other audio enhancements.

Key Features:

Effects
The numerous effects modules in KONTAKT are detailed here, along with information on adjusting their settings. Audio processors that alter the signal in a typically non-linear fashion, such as reverberation, fingering, and distortion, fall under the category of “effects.” Open the drop-down menu of available effects by clicking the plus sign in the lower right corner of each effects slot to access these modules.
New Sound Quality
In KONTAKT 7, the Factory Library has been updated to raise the bar in terms of both sound quality and quantity, and it also brings our flagship sampler up to date with modern features like large, attractive, HiDPI user interfaces. In addition, learn to play and modify an extensive library of acoustic and electronic instruments, including Orchestral Tools’ brand-new collection of sampled, full-orchestra soundscapes.
Faster Interface
It can be difficult to maintain momentum if you’re constantly on the lookout for your preferred tunes. So to make things clear, we’re introducing a brand-new way to search through them. You can now import your independent libraries and homemade instruments and search, filter, and individual audition sound across your collection.
Build Instruments
KONTAKT 7 also comes with brand new libraries like Orchestral, Acoustic, Band, Beats, Choir, Synths and Vintage. It also includes existing Kontakt libraries Ethereal Earth, Hybrid Keys, Analog Dreams and Retro Machines MK2.
Hardware
Load KONTAKT into KOMPLETE KONTROL or MASCHINE to manipulate key settings with specialized knobs, listen to sound libraries, and more. S-Series keyboards have an even tighter integration because all the key switches and zones are conveniently located on the Light Guide.

Compatibility:

This plugin is available for macOS 10.10 or higher (64-bit only) and Windows 10 or higher (64-bit only). It comes in VST/RTAS/AU/AAX formats and supports 32 and 64 bit systems.

Summary:

The music industry is reacting positively to this upgrade. This software improves complexity, efficiency, and audio reproduction every day. Developers have provided us with a rich palette of virtual instruments thanks to their work, and this upgrade will undoubtedly aid in the progress of that effort.

4. Battery 4 (Drum Machine)

More Info & Price (Trial Available)

A fundamentally intuitive approach and an upgraded library are combined in BATTERY 4 to preserve the emphasis on innovation. BATTERY 4 ushers drum sampling into the future with a simple, captivating interface.

Although there have been some good adjustments since then, there haven’t been many noteworthy enough to demand the publication of a new edition. The drum was created and Native Instruments didn’t deal with packages but specialized software apps, each of which handled a different function.

Key Features:

Cell
In Battery 4, cell playback is, therefore, new. This makes it possible to copy a processed cell to a disk quickly. If you enjoy creating bespoke libraries, this might be incredibly fun for you, and Battery has sound sculpting capabilities to produce fresh and intriguing sounds.
What you should watch out for when rendering cells is this. The cellular playback options are located under Preferences. Here, you may choose the rendering sample rate and format. Sadly, it is impossible to set a custom route, which would be useful. You may find the Note Length option in the MIDI settings section. One entire note is the maximum setting.
Articulations
The new version is accustomed to articulations, but they are still cool. They can reduce some of the labor involved in MIDI programming. You can build up a distinct Articulation for each Cell if I copy this Cell and paste it to several other Cells.
Nevertheless, it imitates basic drum techniques, including ruffs, drags, flams, rolls, and some additional effects-based material.
Round Robins
By shooting the same sample repeatedly in quick succession, Round Robins reduce the machine gun effect. In Battery 4, which well-known Kontakt drum libraries inspired, you’ll discover some excellent snares. The majority will use up to three Round Robin samples for the speed layer with the highest weight. You can put three of these samples into three separate cells.
Effects
With the Saturation, Transient Designing effects, and a full set of settings for the Compressor. In addition, the busses subgroup. The effects tab contains all of the reverb and delay modes, as well as compression and transient designing effects.

Compatibility:

Summary:

For any current user, the workflow and browser changes make the update worthwhile, and the improved effects are the cherry on top that elevates Battery to the top tier of drum sculpting programs. In my opinion, closer Maschine integration is the only thing still lacking.

It would be convenient for someone who utilizes both to control and sequence the drums using Maschine natively. Perhaps it will happen later. Meanwhile, Battery 4’s fresh features strengthen its already strong basis, making this an easy recommendation.

5. Reaktor 6 (Versatile/Modular Synth)

More Info & Price (Trial Available)

The potential of the series as a workable method for making your own instruments and effects is ultimately realized in Reaktor version 6.

Reaktor used to be a staple of the Native Instruments product line, but it has fallen out of favor recently, serving as a framework for other synthesizers like the Razor and Monark. It has always been a potent synth toybox, but it is frequently disregarded because of its intricacy in contrast to the rapid pleasure of other Komplete instruments.

Version 4 went beyond what was possible with Core by adding a deeper layer of elements and functions for assembling algorithmic structures. Although it wasn’t the modular Lego synthesizer that the rest of us had in mind, it did provide DSP programmers with the means to produce some spectacular instruments.

Key Features:

Interface
Reaktor 6 has an instant cleaner, sharper, and more appealing appearance. The flat contemporary designs of Maschine and Komplete Kontrol have replaced the previous generation interface shared with Kontakt.
There are no longer any unnecessary frames around panels, managing views is simpler, fonts are crisper, and structure cables are now somewhat anti-aliased and curve around the edges of objects, making it much simpler to trace connections in addition to improving the visual appeal.
Blocks
However, Reaktor 6 includes a significant new feature that sets it apart from previous versions. The notion of Blocks undoubtedly came to you immediately if you’ve seen any marketing images or videos. Finally, we’ve all been waiting for the virtual modular rack. The selection of pre-made objects housed in their folder beside the main library is the greatest place to start while learning about Blocks.
Bundles
Bundles are a novel connection that simulates multicore cables by packing numerous signals onto a single wire. Point-to-point connections between seats in any building tier are possible with covered buses. Base cells are lastly no longer categorized as audio events or processes.

Compatibility:

This plugin is available for macOS 10.10 or higher (64-bit only) and Windows 7 or higher (64-bit only). It runs in standalone mode and VST2, AAX, and AU plugin formats.

Summary:

It’s wonderful to see Reaktor reborn with a strong new release. Although it has long had some of the best synthesizers available, and I can’t get enough of the vintage sequenced synths and generators, there were moments when I thought I’d never be able to fully utilize it unless I took a year off to study the construction techniques.

For the more casual user, Blocks opens them with a brand-new approach to making their incredible-sounding synth compositions. That’s not to say it’s awful; you still need to have some knowledge of synth construction, but there are many examples to study.

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6. Replica XT (Delay)

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Along with an intriguing selection of spatializing, pitched, and offbeat effects, Replika XT offers a combination of standard, panning, and modulated delays.

Replika is a simple delay plugin with one feedback delay, phase modulation effects, filter effects, and three sound-shaping methods.

The majority of the changes they made to the plugin concern effects like delay, pitch shifter, many-mode flanger, and many more. These provide you the chance to customize your sound much more precisely based on your tastes.

Key Features:

Five Delay Modes
Clean, exact, and controlled repetitions are offered by modern.
Vintage Digital provides warm, crisp repetitions using early samples and digital delays as inspiration. Analog is capable of simulating the murky, analog brigade pedal sound. Finally, the tape gives both cassette tape’s strong, mellow sound and the natural quality of renowned tape echo systems.
Diffusion is a unique phenomenon that creates whirling, echoing motions unattainable in physical space.
Pattern Controls
Replika XT makes it simple to produce complex beats, enhance your mix, or explore various sound design options. Create rhythmic repeats that naturally shift with the music by swiftly manipulating the pattern parameters. Uncompromising control at a glance.
Modulation
To create timeless mixing techniques and add glitter, dimension, and movement to your music, combine delay modes with creative effects. Seven-time and pitch-based effects are included in Replika XT to enhance your repetitions. Or shorten the wait and utilize them independently.

Compatibility:

This plugin is available for macOS 10.10 or higher (64-bit only) and Windows 7 or higher (64-bit only). It runs in standalone mode and VST2, AAX, and AU plugin formats.

Summary:

In the field of production, it is called a Delay spread. It is practical and simple to use. Replika XT has a simple interface designed to make it simple and quick to create even complicated effects. Producers may use pattern settings to make rhythmic repeats that naturally vary in time with the music.

One may create bespoke stereo images using dry signal and each delay line’s own panning. The ducking feature gives a drum mix more room while maintaining the tightness of the percussion impacts.

7. Raum (Reverb)

More Info & Price (Trial Available)

With its ability to quickly create everything from abstract echoes to the ambiance that bends spacetime, RAUM was designed to sculpt any place.

Introduce yourself to RAUM, your all-purpose creative reverb. Designed to shape any area, RAUM can quickly create anything from abstract echoes to the ambiance that bends space and time. It serves as your utility tool, mix fixer, and space lab. Simple, adaptable, and, most significantly, it sounds fantastic.

Realistic cameras, experimental reflections, and sound design for space travel are all covered by RAUM’s three modes. It has you covered whether you want to extract high-fidelity textures from a single sample or add dimension to your pads.

Key Features:

Grounded
You may use this room-style reverb in small and big spaces, and it produces a lot of reflections in front of you and a long reverb tail. It’s ideal for giving percussion sounds weight and shine, but with a little experimenting, it can truly push sounds to their boundaries.
Airy
An early reflection reverb in the form of a hall that would naturally elevate voices, balance synthesizers, and amplify pianos. With the flick of a knob, the modulation control adds more movement to the reverb, changing sounds from lush to bizarre.
Cosmic
Your acoustic lab in microgravity. You can use a modulation knob for even crazier soundscapes, then work with the pre-delay section to produce everything from intricate resonances to gritty textures and metallic sounds. Reverb is reimagined in cosmic.
Feedback Knob
Using this knob, you can truly give your reverb a tone that changes depending on the pre-delay you select. If you select a short pre-delay, you will hear a very high-pitched tone with a fairly sharp edge that sounds glassy. It will sound strangely robotic if you select a larger pre-delay. Overall, it produces unique settings that Raum can only produce.
Pre Delay and Modulation
With a wide range of usages, the pre-delay part of RAUM is brimming with possibilities. For metallic, comb-filtered sounds, increase feedback with a little delay and sync it for echo or loop effects. Additionally, modulation gives RAUM’s reverb tails a dislocated, exploded sensation, or go all out in Cosmic mode for unsettling ambient soundscapes and distinctive gritty textures.

Compatibility:

This plugin is available for macOS 10.10 or higher (64-bit only) and Windows 7 or higher (64-bit only). It runs in standalone mode and VST2, AAX, and AU plugin formats.

Summary:

It’s always a delight to utilize it in your creations. It has three separate settings, making it adaptable as well. If you can apply pre-delay feedback softly, it’s a pretty intriguing concept that can produce some really fascinating tones.

8. Absynth 5 (Semi-Modular Synth)

More Info & Price (Trial Available)

Absynth’s fifth iteration aspires to be far more user-friendly than its forerunners by adding even more sound-manipulating tools.

The powerful software synthesizer Native Instruments Absynth 5 is famous for its original sound creation capabilities and distinctive, developing sounds and textures. Its cutting-edge sound-moving capabilities inspire intricate and distinctive sound design and provide the answer for musicians requiring something unusual.

Absynth has a vast collection of various sounds, ranging from classical piano presets to intricate and changing ambient sounds and an excellent selection of effects. Numerous original sound creation techniques, including subtractive synthesis, FM, wavetables, granular sampling, and others, are included in Absynth. Additionally, it has a special flexible envelope control that enables subtle or drastic sound modification.

Key Features:

User Interface
Native Instruments Absynth’s user interface is comparable to other products made by the same firm. However, the synthesizer’s futuristic and alien visual design creates a unique experience by establishing the synthesizer’s mood and tone.
As a result, the interface’s sole drawback is that it might be challenging to find what you’re searching for in some places. In addition, given the plugin’s high level of sophistication, NI had to jam many intricate sound design capabilities into a single plugin.
Mutator
The new Mutator will make you grin if you’ve always wanted to create new Absynth sounds but have never known where to begin. Choose an existing preset as your starting point, then pick a few of the Browser database tags introduced in Absynth 4 as your next step.
Instrument, Source, Timbre, Articulation, and Genre are a few of them. Your search is honed to a list of presets whose parameters will serve as the targets for your mutations as you add more tags.
Aetherizer
Absynth’s fundamental functionality has always included granular synthesis, but the new Aetherizer granular delay effect goes considerably farther. Every grain is placed randomly in the stereo field and can be moved before being fed back into the effect input.
Most parameters also include a random control to provide more erratic effects. For instance, increasing the unpredictability of the pitch-shifting produces everything from a soft chorus to an insect swarm.
Samples
You may explore and load your Absynth sounds in the Browser window and arrange them into programs. In the Browser window, you may play with the 1800+ available sound presets in Absynth. Absynth’s presets are broken down into five categories: Instrument, Source, Timbre, Articulation, and Genre—to make it easier to discover a certain sound.

Compatibility:

This plugin is available for macOS 10.10 or higher (64-bit only) and Windows 7 or higher (64-bit only). It runs in standalone mode and VST2, AAX, and AU plugin formats.

Summary:

Our only genuine complaint about this upgrade is the usability problem. Even though version 5 added some fantastic new features (the Aetherizer features and filter feedback alone will be worth the €69 upgrade price for the majority of users), the effort to make the synth more user-friendly was misdirected in the development of the Mutator tool.

It would have been better spent on redesigning the interface, in our opinion. Overall, Absynth 5 is still a beautiful synth; you must have it if you’re a professional sound producer.

Kontakt Libraries

9. Vocal Colors

More Info & Price

NI Vocal Colors is a Kontakt library that offers a wide range of expressive vocal samples and powerful modulation controls, making it a versatile tool for crafting hybrid textures that bring emotion to your music.

It explores the synergy between speech and synthesis, delivering inventive sounds that push the boundaries of the human voice. Whether working on cinematic compositions or forward-thinking pop productions, Vocal Colors provides hypnotic hues that ignite your creativity or add the finishing touches to your tracks.

It has five tabs: Arpeggiator, two Layer tabs, Particles, and Global. The arpeggiator tab can help you create interesting vocal chops and movements. The Layer tabs consist of parameters for editing the sonic characteristics of the sound, like Formant, Dynamic, ADSR, Breath, etc.

The Particles tab lets you add interesting textures to your sounds, and finally, the global tab gives you a single slider access to all the other tabs.

Key Features:

Expressive Vocal Samples
Vocal Colors includes over 19 GB of eclectic, double-tracked vocal samples that blend electronic and organic elements. These samples offer diverse vocal expressions, from gentle whispers to passionate shouts, allowing you to create unique and expressive sounds for your music.
Arpeggiator tab
You can program up to 32 steps on the arpeggiator and do advanced sequencing on them, like adding repetitions, chords programming, setting min/max limits, looping, adding a sustain pedal, adjusting the time, octave, length, velocity, etc., retriggering, and more. You can use that to add interesting movements to your music.
Presets
You can choose from various arpeggiator presets, like Single, Chord, Straight, Syncopated, Mixed, Free, Continius, Odd, Slow, Fast, Random, etc. Similarly, multiple Layer(s) presets consist of loops, one-shots, rhythm, reverse, and other samples categorized as Pure, Designed, Vowel, Consonant, Percussive, Bright, Smooth, etc.
Similarly, there are multiple presets for Modulation Sources, including many steps and LFO patterns. In addition, effects preset include categories like Analog, Crunch, Lo-Fi bits, Tape, Transistor, etc.
Enhanced COLORS Engine
The library features an enhanced COLORS engine, which enables you to blend and transform two layers of expressive vocal samples. This engine provides in-depth control over the sound, allowing you to shape and customize the vocals according to your artistic vision.
Specialized Vocal Shaping Controls
Vocal Colors offers specialized vocal shaping controls that allow you to customize over 250 presets or create sounds from scratch. These controls provide flexibility in modifying various aspects of the vocal samples, such as timbre, formant, vibrato, and more, enabling you to achieve the desired vocal character and expression.
Powerful Effects and Modulation
You can build your effects chains within Vocal Colors or utilize carefully designed effects presets to enhance and modulate your sounds. Effects in the plugin include EQ, Filter, Dynamic Processor, Drive, etc. This capability allows you to add depth, texture, and movement to your vocal textures, creating dynamic and evolving sonic landscapes.

Compatibility:

Vocal Colors is compatible with the free Kontakt Player and the full Kontakt 7.3.1 or higher version. To install and set up the library, you can use Native Access, Native Instruments’ software management platform. It is available for purchase on the Native Instruments website, and existing owners of Piano Colors can enjoy an additional discount.

Summary:

In summary, NI Vocal Colors is a powerful Kontakt library that brings the voice to the forefront of dynamic instruments. Its expressive vocal samples, enhanced COLORS engine, specialized vocal shaping controls, comprehensive arpeggiator, and powerful effects and modulation capabilities offer a versatile toolkit for creating unique and dynamic vocal textures.

Whether you’re looking to add depth and emotion to your compositions or explore innovative vocal synthesis techniques, Vocal Colors provides a rich palette of sounds to inspire your music-making journey.

10. Playbox

More Info & Price

The most innovative Kontakt instrument is Playbox. This unusual piece of equipment will inspire you to compose pop songs.

Without a sure, The Playbox is the most innovative and fascinating gadget I’ve seen in a very long time. If you compose music in any genre, this tool will immediately spark your interest in writing songs and creating an album as a whole.

A brand-new kind of musical instrument called a PLAYBOX blends distinct sound design, harmony, and layering. The tool is stuffed with samples, chord settings, effects, and presets, and it has everything you need to be creative.

Key Features:

Presets
There is also room for 450 user samples, which might be automatically returned to match the tones of a chord. With PLAYBOX, users may manage all sound kinds, from synthetic sounds to acoustic instruments and noise into chords and sound stacks, thanks to a variety of configurable preset sounds.
Samples
Using PLAYBOX, composers may create never-before-heard multi-stacked sound combinations by layering various samples of synthesizers, instruments, bass, voices, and noise onto each note in a chord. You may import up to 450 of your samples, which are automatically returned to the notes of the chords. This allows you to resurrect unused sample libraries clogging up your hard disk.
Effects
Arp, Strum, and Grain effects, together with more than 50 ambient samples, including nature noises, busy stations, and vinyl scratches, may be used to provide depth and texture while delivering rhythms and ambiance.
For stunning results, pick from up to 14 top-notch effects and alter their placement in your processing chain. Then, dial deeper with various assignable modulation sources, humanized velocity and sync settings, and dance-inducing noises.
Chord Progressions
Playbox was developed to assist musicians experiencing writer’s block. This library can be exactly what you need if you’re a musician experiencing writer’s block. Playbox helps rekindle your creative spark whether you’re an experienced composer or are just getting started.

Compatibility:

The full version of Kontakt 5.8.1 or higher is needed. It runs on macOS 10.9 or higher (64-bit only) and Windows 7 or higher (64-bit only).

Summary:

To summarize, Playbox is a unique and interesting tool that may help you add richness and depth to your music while also creating an alien ambiance. It comes pre-loaded with over 900 entertaining sounds and can be customized with your chords and noises.

11. Lores

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A special scoring tool for adding mystery, ambiance, and beauty to your tunes, Lores blends rich layers of traditional and ancient sounds.

Native Instruments releases LORES in collaboration with the Evolution Series. The new tool provides high-quality sounds, vibrations, and melodies in different genres.

A set of expressive and realistic instruments has been made by Native Instruments. The new Kontakt library provides a wide range of sound creation options in conjunction with the Evolution Series and is guaranteed to be a useful addition to any producer’s toolset. LORES is available now from the Native Instruments website.

Key Features:

Samples
LORES also includes 72.3 GB of audio files, and 373 factory presets. You may get into the engine and build brand-new soundscapes from scratch, or you can utilize the supplied presets for fast enjoyment. For example, you may amplify sounds with dynamic effects or stage them inside three-dimensional smoke plumes.
Instruments
Over 300 hand-played joints and 16 instruments make up the core. Woodwinds, traditional strings, rare chordophones, and unusual instruments like the guitar, shakuhachi, Mongolian violin, or medieval pipes are some sound sources used in the compositions. But then, all of this is included in a well-designed user interface that enables you to combine up to three separate sources.
Humanizer
The human experience of telling stories via song is universal, and LORES carries on this long tradition with unique embellishments. On the performance level, unpredictable swells, unanticipated tremolos, and stray harmonics produce genuine movement in the music played by the musicians who sampled.
In addition, instruments may be physically staged in three-dimensional smoke plumes using multi-mic recording, giving dynamic realism to your shows.

Compatibility:

The full version of Kontakt 5.8.1 or higher is needed. It runs on macOS 10.9 or higher (64-bit only) and Windows 7 or higher (64-bit only).

Summary:

This collection is ideal for those who wish to give their music a little more reality and motion. More than 300 hand-played articulations are used to voice the 16 instruments, allowing you a lot of flexibility in how you may design your soundscape. The outcome is a distinctive and adaptable collection since they meticulously captured the instruments to maintain their original character.

12. Symphony Series String Ensemble

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A 60-piece string orchestra is at your disposal with NI’s new Symphony Series instrument, which was developed in partnership with the creators of LA Scoring Strings.

The outstanding Brass Collection set the bar high for the second release in Native Instruments’ Symphonic Series of Orchestral Instruments, the String Ensemble.

The new Symphony Series instrument from NI has a 60-piece string ensemble and was developed in partnership with the creators of LA Scoring Strings.

Key Features:

Articulations
For each segment, there are up to 10 articulations. The eight key switch positions are pre-assigned articulations in the presets. The major feature is legato sustains, with the mode wheel controlling dynamic crossover layers.
Each layer gradually contains more vibrato, providing a broad spectrum of emotion, especially on the violins, from gentle, silvery serenity to the fulfilling intensity of El Cid. The Legato Vib Ctrl articulation has a vibrato amount knob that can be set to any MIDI CC if you want to regulate the vibrato amount manually. A portamento speed knob is included on each articulation.
Setup Tab
Section sizes may be chosen using the Configuration tab. There are times when you like the more personal sound of fewer players. Alternately, you can like to independently manage each player’s actions and group dynamics in the first and second portions.
Again, the violins offer the greatest alternatives, with the most players available, according to the Section Setups box, which shows the options available for each section.
Mixer
The mixer provides the stereo pre-mix, near, mid, and distant microphones, as well as panel control, volume, and on/off status. Here you can find parametric EQ, compression, and convolution reverb.
The reverb comprises 104 pulses, including four cinematography ambiances, most of which were developed especially for the SE by Audiobro. As long as they are in the same Kontakt instance, a helpful feature called Transfer Settings makes it simple to duplicate Mixer settings across all sections.
Auto Divisi
Each instrument’s A and B division portions were recorded separately. The well-regarded auto divisi engine intelligently divides the grades among different portions by grading norms. This enables the creation and arrangement of precise and lifelike performances for all articulations in a snap.

Compatibility:

The full version of Kontakt 5.8.1 or higher is needed. It runs on macOS 10.9 or higher (64-bit only) and Windows 7 or higher (64-bit only).

Summary:

The SE produces a luxurious sound, which cannot be disputed. It may be just as delicate and sensitive, but it also has a loud, strident character appropriate for dramatic orchestral work.

The incorporation of both legato and portamento transitions, as well as Auto Divisi, is very well thought out and well appreciated. Additionally, the option to limit the number of performers broadens the SE’s applicability beyond the traditional Hollywood method.

13. Symphony Series Woodwind Ensemble

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The Soundiron team produced the Native Instruments Woodwind Ensemble for NI along with their solo woodwinds as the newest addition to their Symphony Series.

The whole SYMPHONY SERIES version or the condensed SYMPHONY ESSENTIALS version is offered for both the ENSEMBLE and SOLO libraries.

WOODWIND provides an impressive array of instruments, including recorded arpeggios, real legato, and up to 462 total articulations. In addition, it is possible to blend ensemble and soloist portions in a way that is accurate and precise since ENSEMBLE and SOLO sections are offered as independent KONTAKT libraries.

Key Features:

User Interface
The interface provides three options for changing articulations: MIDI note, velocity range, or MIDI CC messages. With the Arpeggio system, it’s simple to save settings as snapshots for quick retrieval in another project and to create dynamic runs, arpeggios, and trills immediately.
In addition, the KOMPLETE KONTROL S-Series keyboard’s seamless integration puts key parameters at your fingertips right away, inspiring you to let your imagination run free.
Arpeggio Module
The Arpeggio module allows you to rapidly create arpeggiated phrases, sustained notes, trills, and chords in addition to the recorded arpeggios that are already present. Arpeggios can only be scales and patterns, and anything may be played in real-time.
Release System
The Expression Release method produces a natural decline of the sound whenever you release a key. This is still effective if the articulation being played demonstrates recorded dynamic variations, such as those in crescendos or swells.
Tightness
The “tightness” slider, which is designed to fix the issue, starts to make everything sound extremely artificial and unnatural. In addition, this collection oddly contains an ensemble of saxophones when the other instruments stated would be better suited to an orchestral environment. It also lacks an English horn or a bass clarinet.
Shapes
With the help of the Smooth Dynamics, Attack, Release, Tightness, and Motion controls in this library, you can create my performance easily. With automated repeat control, I quickly built single, double, and triple assaults for staccatos and sustains, phrases, and phrases with dynamic emphasis. The sound was still great.

Compatibility:

The full version of Kontakt 6.8.1 or higher is needed. It runs on macOS 10.9 or higher (64-bit only) and Windows 7 or higher (64-bit only).

Summary:

This collection sadly does not meet the quality expectations for contemporary orchestral sample libraries.

The samples themselves were of extremely low quality, sounded over-processed, and never truly convincing, despite their very reasonable pricing and abundance of information.

In addition, the fact that the samples contain so much ambient ambiance and reverb is another issue that detracts from this collection.

14. Symphony Series Percussion

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Percussion is offered in both a comprehensive SYMPHONY SERIES version and a condensed SYMPHONY ESSENTIALS version. A comprehensive collection of 55 orchestral percussion instruments, recorded at Budapest’s Studio 22.

Aimed particularly toward media composers wanting a higher degree of realism from NI’s orchestral sample offering, the Symphony Series Brass collection unites two orchestral libraries of Solo and Ensemble Brass groups. It was created in collaboration with Soundiron.

The Ensemble library, in contrast to the Solo library, records a 32-piece brass ensemble made up of the same four instrument groups as the Solo collection: trumpets, trombones, horns, and bass brass. There are more than 100 articulations in total in this collection, and you can quickly search for the performance styles you like, thanks to the shared file structure across the two libraries.

Key Features:

Sound
The sound quality is excellent overall, and some of my favorite parts are the kits that contain various instruments from each category and are mapped to the midi keyboard, as well as the strong kicks and rolls of the drums, the strong snares, the CC1 controllable cymbal swells, and the powerful kicks and rolls of the drums, regarding the different hammered instruments, present such as celeste, vibraphone, xylophone, glockenspiel.
Resonance Simulation
For unmatched realism, PERCUSSION employs a special sampling and playback mechanism. The Drum Head Resonance Simulation (DHRS) does the intelligent switching between fixed drum hits and resonant drum recordings. This makes it possible for round-robin setups that faithfully reproduce the sound of the drums being played while adjusting for performance and style.
Instruments
This varied collection of percussion instruments includes symphonic staples like timpani, snares, and concert toms, as well as tuned percussion instruments like the celesta, marimba, and vibraphone, as well as fun hand percussion instruments like the agogo, jawbone, cymbals, temples, and many more. You may perform each instrument separately or as part of one of seven deftly put-together sets.
Solo And Ensemble
The Ensemble library, in contrast to the Solo library, records a 32-piece brass ensemble made up of the same four instrument groups as the Solo collection: trumpets, trombones, horns, and bass brass.
There are more than 100 articulations in total in this collection, and you can quickly search for the performance styles you like, thanks to the shared file structure across the two libraries.
Effects
Alternate mic and panel volume sliders, as well as various internal effects, are all available on the mixer page. The EQ, Reverb, and Compression & Filter functions are on the left.
Click the button next to them to turn them on, then configure the parameters of each effect to your liking. The EQ’s low, mid, and high-frequency components are simple yet effective, and the mid band’s bandwidth is customizable.

Compatibility:

The full version of Kontakt 6.8.1 or higher is needed. It runs on macOS 10.9 or higher (64-bit only) and Windows 7 or higher (64-bit only).

Summary:

There is no denying that this symphonic percussion collection is good overall. But I don’t believe their goal is to offer the most astounding and authentic samples. At a good price, the Symphony Series may provide a lot of content that is ideal for use in any project.

11 Best Percussion & Drum VST Plugins (And FREE Plugins)

15. Symphony Series Brass Ensemble

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Top soloists and a 32-piece brass section were recorded in the renowned acoustics of San Francisco’s St. Paul’s Church.

The beauty of a sizable symphonic brass band in full flight is unmatched by many other sounds. Additionally, with the orchestral/cinematic sample library market becoming increasingly competitive, media experts Soundiron and Native Instruments collaborated to create the Brass Collection.

It is likely the first in a line of Symphony collections and is their homage to the powerful sound of laprosones. However, the items are only accessible for download, and because the Ensemble library is 28GB in size and the Solo collection is 18GB.

Key Features:

Brass
Performance controls are shared by the Ensemble and Solo library GUIs, which have a characteristic black/gray/gold appearance and feel. The display is dominated by a big Dynamics knob, with performance controls for Attack, Release, Tightness, and Motion below. In the Solo library, Vibrato takes the role of Motion performance settings.
The bottom section has two further performance controls, an articulation indicator, and a preset selection or articulation within a preset indication.
Articulations
Effects, Expression, Legato, Staccato, Sustain, and an all-purpose preset with the appropriate instrument’s name are included. You will find a variation of 8 articulations. These are normally associated with the key switches, although they may also be chosen via MIDI CCs or velocity.
Trumps
There are so many wonderful things to discover while exploring the specialized presets that we can showcase the “best portions,” beginning with the true-legato trumpet preset. An excellent test for legato transitions and they are fluent and seamless, with the tone being properly noble and booming.
Of course, no trumpet part is complete without mutes, and this collection offers three unique types: Straight, Cup, and Harmon, each of which adds the necessary edge and extreme intensity. Straight mute variations that decrescate, crescendo, sforzando, and swell are potent.
Mixer
Both libraries captured the close, mid, and far microphones. Additionally, a stereo pre-mix that is friendly to RAM is included for each of the three and is loaded by default in the factory settings.
Level and pan adjustments are available for each mic channel, and finishing touches include a three-band EQ, convolution reverb, compressor, and filter. Reverb has 100 great patches available

Compatibility:

The full version of Kontakt 6.8.1 or higher is needed. It runs on macOS 10.9 or higher (64-bit only) and Windows 7 or higher (64-bit only).

Summary:

While there is no doubt that the Ensemble library is the star of this specific show, the Solo library and its superb material should not be overlooked.

The solo instruments may have benefited from the dynamic crossover, but even without it, they offer lots of material for intriguing and intricate brass compositions, and when combined with the Ensemble, they constitute a strong set.

There are occasionally notes that are a little odd or tone-wise inconsistent with the others, but I haven’t yet seen a perfect library in that regard.

16. Piano Colors

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The most recent project created by Native Instruments and sample company Galaxy Instruments is called Piano Colors.

Piano Colors is the result of the most recent partnership between Native Instruments and Galaxy Instruments, a sample creator. But, then, in extremely strange and creative ways, these samples are processed, arpeggiated, and manipulated to produce sounds that he typically associated more with synthesizers than an acoustic instrument. So this certainly isn’t the collection for you if you’re seeking for typically sampled piano.

Key Features:

Layers
The ability to layer or cross between a variety of instrument sources is provided by Layers I and II. A wide variety of controls allow for the individual adjustment of sounds. These include resonance, pitch shift, color, and pan. Real-time controls, like the mode wheel or any other CC of your choosing, may once again be allocated a variety of characteristics.
Particles
Perhaps the most intriguing of the lot is the Particles option. Particles may be compared with a multi-layer Arpeggiator. In contrast to the standard Arpeggiator, Particles may switch between a variety of note values.
You may use this engine to provide delicate rhythmic activity over layers of fundamental instruments and the Arpeggiator, which is an awesome tool.
Noise
The level and sound characteristics of numerous noise kinds, including Pedal (resounding thuds), Mechanical, Felt Attack, Mic noise, and even the Pianist, may be fine-tuned via the Noises menu. I thought this was a great innovation, and I hope more libraries will do the same in the future.
Articulations
Various unconventional tools and materials, such as hammers, drums, rubber, screws, and multiple EBows, were used to record the large collection of source sounds in PIANO COLORS. The sound produced by preparing and playing a grand piano’s strings and body in extremely uncommon ways has been painstakingly recorded using the best recording gear, resulting in an astounding array of vivid resonances, vocal harmonics, and vibrant tones.

Compatibility:

The full version of Kontakt 6.8.1 or higher is needed. It runs on macOS 10.9 or higher (64-bit only) and Windows 7 or higher (64-bit only).

Summary:

Piano Colors provides a true gold mine of incredibly helpful presets with many customization choices because of its robust sound capabilities, a vast selection of presets, and thorough editing facilities.

One thing to keep in mind is that some of the more complicated settings are fairly CPU intensive, necessitating the freezing of tracks in DAW in some circumstances to prevent CPU spikes. It is unclear whether this can or will be solved in the future with more effective scripting.

Top 8 Piano VST Plugins For Musicians

Top 12 FREE Piano Plugins That Sounds Like Paid

17. Mysteria

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The best feature of Native Instruments’ Mysteria is how it combines a fantastic sample collection with a hybrid user interface.

Uli Baronowsky, one of Mysteria’s key developers, describes the creepy voice soundscapes as beautiful to dark, mournful to aggressive, dreamy to frantic, personal to enormous, or sacred to nightmarish when an XY pad switches between virtual instrument moods.

Native Instruments made the distinctive sampler instrument associated with Galaxy Instruments, Baronowsky, and four other group choruses. For Mysteria, voice and body sound like whispering and floor tapping was captured in addition to the choir vocals. The resultant textures can have an energizing and stunning sound.

Key Features:

Samples
Over 800 sound sources, including a big symphonic choir with separate male and female parts, a chamber choir, and a private New Music vocal quartet, were recorded in Bratislava and Cologne for the 29 GB sound library. The result is an incredibly adaptable sound that can use for anything from intimate whispers to powerful choruses and anything in between.
X-Y Pad
The X-Y pad in MYSTERIA, similar to THRILL from 2017, is crucial to the game’s effectiveness. By navigating groups of distinctive dynamic samples and modular effects, players may switch between many sound layers while concurrently controlling their intensity. Because of this, MYSTERIA works equally well for long-lasting thrills as it does for sudden spikes in adrenaline.
Blending
With the outstanding MYSTERIA instruments and the combination of 4 sound sources, you may rapidly create eerie tones that can be played. When you need to adjust the tone to match the mood of the scenario, Mysteria provides you the choice to mix a sound that is based on just four distinct moods or variations. You may play a tone with another random music library, but it won’t alter.

Compatibility:

The full version of Kontakt 6.8.1 or higher is needed. It runs on macOS 10.9 or higher (64-bit only) and Windows 7 or higher (64-bit only).

Summary:

The library contains a large range of sounds that are suitable for usage in any project. The collection is extremely simple to use, and the sounds are simple to locate. The library’s overall quality is exceptional, making it a wonderful addition to any filmmaker’s toolset.

18. Pharlight

More Info & Price (Trial Available)

With this one-of-a-kind tool from Germany’s brightest minds, you may manipulate vocals in a variety of phar-out ways.

Its unique sample library is the lifeblood of Pharlight. It claims to maximize the instrument’s granular and sampling engine, developed by 15 artists and sound designers. Additionally, there is a modulation/effects area.

You may choose from 319 sound sources, and 375 presets thanks to the library’s contributions from beatboxers, vocalists, and choir singers, as well as a few made-up words. Along with the dramatic soundscapes, you also receive several melodic, fast-attack sounds that may utilize for hooks and other similar purposes.

Key Features:

Grain
PHARLIGHT is built around a specific, user-friendly granular engine, which exploits its source samples to generate pitch- and time-independent tones, pads, pulses, and more. This feature implies that a whisper or whispered vowel can be played as a pad or keys, and the intricacies of small, brief sounds can be multiplied and enlarged to epic dimensions. In addition, transitions, sweeps, and drops may be generated directly on the beat, thanks to tempo-synced playback.
Sample
From wavetable-style synth sounds to pure vox and chopped, textured noise, these are employed to create multi-faceted tones with extreme adaptability. Grains are overlaid with various carefully recorded samples or ambient one-shots from PHARLIGHT’s Sample module that are nearly all voices. Consider low-end complements to textured pads, quick assaults for lead-based patches, and distinctive choir sounds.
Modulation
Modulation is essential to the PHARLIGHT sound, providing rapid and inventive methods to shape your sound. The X-Y pad provides real-time control over how sounds change, making it ideal for transitions, tension, and dips. Conjure up brilliant pads and colorful textures with gate and delays, organize things with drivers, fine-tune with EQs, shape with a plethora of filters, and explore unexplored sonic terrain with a chorus, flanger, and phaser from the mod pack.

Compatibility:

The full version of Kontakt 5.2.4 or higher is needed. It runs on macOS 10.9 or higher (64-bit only) and Windows 7 or higher (64-bit only).

Summary:

Despite the vast majority of vocal-based source material, there is an astounding variety of good genres available, with woods and atmospherics particularly well-covered.

Musicians and composers will like Pharlight’s rich and growing sound and its response to expressive performance inputs. In addition, sound designers will enjoy exploring Pharlight’s synth engine and powerful modulation features.

Top 6 Choir VST Plugins & Sample Libraries (+ Freebies)

19. Straylight

More Info & Price (Trial Available)

A distinctive soundscape, mostly focusing on textures, atmospheres, and pads, is provided by Straylight.

Straylight by Native Instruments combines a granular synthesis engine with sample playback to create playable instruments in addition to soundscapes, transitions, and ambient tones.

Paul Haslinger, a musician, and composer who spent several years with Tangerine Dream and has a long list of credits in the film, television, and video game industries, was engaged in the design.

Key Features:

Granular Engine
With the help of its unique granular engine, STRAYLIGHT presents your audio source in a robust, specialized, yet user-friendly interface. Utilize rich, organic timbres that can defy time and pitch while preserving the integrity of the original sounds and evolving musically through time. It may considerably expand small sounds in size and breadth without losing any sonic characteristics. Then, a layer from the sample module is combined with the granular engine to provide the same level of editing and modification.
Modulation
The modulation and effects parts of STRAYLIGHT guarantee a quick and imaginative workflow. Expressive direct-to-image performance and complete control over timing and intensity are made possible by precise X-Y control. Apply and modify up to 14 distinct effects, selected from nine categories, including chorus, flanger, and phaser from the MOD PACK, filters, dynamics, EQs, gates, drivers, modulation, delays, and reverbs.
Sounds
Without needing further processing, STRAYLIGHT provides screen-ready cinematic sound sources, letting you concentrate on creativity even when time is limited.
In search of the greatest and most fascinating sounds for the granular engine, such as the sound of a rubber ball rubbing against the glass, we spent a lot of time evaluating sources and playback methods. With over 300 presets, the result is a collection of over 360 distinct sound sources suited for granular modules and samples.

Compatibility:

The full version of Kontakt 6.8.1 or higher is needed. It runs on macOS 10.9 or higher (64-bit only) and Windows 7 or higher (64-bit only).

Summary:

The Straylight, on the other hand, offers a versatile and economical means to create your sounds—and it sounds great.

Top 11 Granular Plugins For Future Sound Design

20. Sequis

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Sequis is a veritable gold mine of rhythmic layering that may assist you in creating rhythmic bases for scoring almost without effort.

You may almost generate rhythm beds for notation using Sequis’ wealth of rhythm stacking features. Although a loop-based instrument, Sequis’ capability goes much beyond the capabilities of the built-in sequencer, thanks to the ability to be played in both loop and play modes. Sequis has a huge arsenal of tools, each separated into several articulations.

Key Features:

Effects
Using the “fx” button to obtain different effects depending on the sound. The effects include a filter with simultaneous Low and High-Pass modes and intensity settings, a delay that can be clicked on with Damping, Feedback, and Mix controls, and a reverb that can be balanced with Pre-Delay, Size, Damping, and Damping parameters. On the Perform page, you may choose whether your sequence will play at regular speed, time to your DAW tempo, double speed, or half speed.
Modwheel and Play Mode
You can quickly up the drama factor or scale your song to a basic pulsating pulse by using the mod wheel to add and remove layers from each patch. Sequis has apparent looping capabilities, but its Play mode enables you to use Sequis as a four-layer melodic instrument.
Edit
On the Edit page, you may edit each tool layer and design your own sequences. The order of the instrument layers is lowest to highest. For instance, the first ring on the edit page leads to the tool at the bottom. Until you reach the top tool layer connected to the fourth outer ring, each ring lights up as you add the subsequent tool layer.
Instruments
For each of the four levels, you can select a sound first. These are divided into two categories. Instrument and Articulation, and both columns offer a wide range of choices. With this plugin, you can find Nylon and steel guitars, a banjo, and many more.
Viola, Cello, and Bass are available for strings, and Flute, Bass Flute, and Contrabass Flute are available for wind instruments. A wide range of percussion instruments, including steel tongue drums, cajons, low and high tablas, metal and wood percussion, shakers, and hi-hats, is played after it.

Compatibility:

The full version of Kontakt 6.8.1 or higher is needed. It runs on macOS 10.9 or higher (64-bit only) and Windows 7 or higher (64-bit only).

Summary:

Sequis is an idea-generating machine that shows to be an invaluable ally in the creative process. It contains several well-integrated features, and the Pattern Sequencer provides a lot of freedom.

But I can’t think of any compilation that adheres so faithfully to authentic, recorded sounds while making them available for sequencing and arranging.

The results are amazing, and Sequis has the potential to become a helpful tool for many media composers to answer our questions.

Bonus:

Komplete 13 Production Suite (Best Value)

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Legendary synthesizers, sampled sounds, and effects are all included in the comprehensive production package known as Native Instruments Komplete 13.

These days, there are 4 Komplete 13 varieties to select from, making it a bit more difficult to choose the right one for you. Plus, the bigger variations are certainly “SSD Eaters” (the collector’s edition goes up to 1TB). . Although there have been some plugin changes, including Guitar Rig.

Key Features:

Effect
Everything you need to complete, shape, and modify your sound is in his effects package. More than simply guitar sounds may benefit from the new GUITAR RIG 6 PRO’s enhanced amp models, effects, and routing options. The CRUSH PACK gives a contemporary twist to distortion classics, and the RAUM elevates reverb to an art form.
Percussion
KOMPLETE 13 knows the rhythms. Discover the retro pulse of ABBEY ROAD 60s DRUMMER by tuning acoustic performances with studio polish. Additionally, there are the POLYPLEX and TRK-01 for bottomless layering and tuning, the POLYPLEX and TRK-01 for cutting-edge low-end techno sequencing, and the BATTERY 4 super-sampler for sequencing anything from cutting-edge electronic percussion to subtle human drum parts.
Instruments
Explore a collection of multi-sampled instruments from many musical styles and geographies. From the distinctive piano sounds of NOIRE and UNA CORDA to the modern SESSION GUITARIST, authentic sounds from CUBA, the MIDDLE EAST, and WEST AFRICAN, or the incredibly fun Play Series.
Synthesizers
The bundle comes with a selection of synthesizers that can create any sound you can imagine, ranging from classic analog recreations to cutting-edge digital ideas. Discover new organic sample-based textures with FORM, energetic FM8 sound, retro polysynthetic warmth with SUPER 8, and unknown sonic possibilities with MASSIVE X wavetable synth.
Expansions
It combines 13 expansions into 24, so you’ll always have the proper sounds available when you need them. The expansions are genre-specific sound packs consisting of samples, loops, and one-shots. In addition, each MASSIVE X expansion contains 150 presets for our flagship synth, which was mined from its intricate architecture for untapped sonic gold by skilled designers.

Compatibility:

The full version of Kontakt 6.8.1 or higher is needed. It runs on macOS 10.9 or higher (64-bit only) and Windows 7 or higher (64-bit only).

Summary:

The soundtrack artist appears to be something that Komplete 13 Ultimate Collector’s Edition is extremely interested in.

Suite Noire, Cremona Quartet, and even Mallet Flux have been added, covering conventional composers, but Mysteria, Arkhis, and Pharlight are upgrades that truly speak to the soundtrack writer who wants something a bit unusual.

And potentially conceal a hole that was present before this update in the Komplete universe, plugging it quite effectively.

Conclusion

The majority of music producers currently employ a variety of effects and virtual instruments in their work. In addition, most plugins have been used in video games, movies, and music. So it’s extremely likely that you’ve seen them perform at some point.

Unfortunately, because of the quality, most of the plugins in the collection I’ve shown cost more than $100 each. However, Native Instruments has also provided a bundle pack that includes practically everything you could need for music composition.

The plugins Lores, Piano Colors, Mysteria, Pharalight, Straylight, and Ashlight, are the most intriguing. They elevate creativity to a new level and are quite simple to utilize. In addition, the quality modeling amp Guitar Rig Pro 6 recently received a cool update that will add more features. Rammstein fans are undoubtedly pleased because one of the band’s guitarists used the plugin during live performances, which sounded great.

Finally, we can claim that we have some tools at our disposal. Use these if you want to take your music to a higher level. They will provide the greatest possible service for your demands, but caution must be exercised because they use up a significant amount of resources.

Alex Soare

Death metal enthusiast here. I am a Romanian musician and producer with over 13 years of experience in the music industry. I’ve experienced all types of Metal up until now, playing Melodic Death Metal, Brutal Death Metal, and Black Metal with different bands. Learning by doing is my base principle, which is why I’ve been drawn to sound design from an early age. Read more…