Top 11 Audio Interfaces With Loopback 2024

Top 11 Audio Interfaces With Loopback | integraudio.com

Are you looking for audio interfaces with loopback possibilities? We present the Top 11 Audio Interfaces With Loopback Available 2024.

Since reaction videos, live streaming, and video conferences are on the rise, loopback is gaining popularity. Mixing consoles and audio interfaces have a ” loopback ” feature that allows for a recording to be played back through the device.

It’s a convenient way to share sound files between programs. Loopback lets you capture the computer’s system audio in your DAW. Using the loopback function, you may transfer recordings made with a video conferencing program like Zoom to a live streaming service like Twitch. Loopback can be set up in several distinct ways. And your audio interface is the primary determining factor.

In a nutshell, here are our picks:

1. Focusrite Scarlett 4i4

2. IK Multimedia iRig Stream

3. MOTU M2

4. Audient EVO 4

5. Arturia MiniFuse 4

6. Antelope Audio Zen Go Synergy Core

7. Roland Rubix 24

8. Presonus Revelator io24

9. MOTU UltraLite-mk5

10. Lewitt Connect 6

11. Avid MBOX Studio

Which Audio Interfaces Have Loopback?

By providing virtual inputs and outputs that can be treated the same way as hardware I/O, a loopback interface eliminates many issues that have historically plagued virtual audio capture. The engineer can maintain all app audio in the computer, as it can be handled by both the source and the destination.

Of course, you can also use the interface’s hardware inputs to simultaneously plug in a microphone or other sources. At a minimum, a single stereo virtual output and a single input will be made available, but you will require regular checks on the originating code.

A growing number of standalone hardware units contain a software mixer for controlling the in-ear monitor mix without the need for a digital audio workstation (DAW); loopback interfaces typically also include their own virtual IO for convenient monitoring.

What To Look For When Buying An Audio Interface With Loopback?

The number of inputs and outputs, the simplicity of the loopback setup, and the cost should be prioritized while searching for a suitable audio interface with loopback functionality. You’ll need at least two inputs and four outputs, with the former being the more crucial of the two.

I/O

When shopping for an audio interface, the availability of inputs and outputs is crucial. A two-input audio interface is ideal if you intend to film and upload DIY video tutorials, such as those on music creation or video editing, or if you intend to stream your games.

However, if you want to record drums and numerous vocalists at once, or host a podcast in which multiple guests talk, then an audio interface with four or more inputs is what you need. The same idea works regardless of how many outputs you need.

An audio interface with four or more outputs is recommended if you want to connect additional studio monitors or if multiple people need their customized headphone mixes. If you’re only going to be using it with one set of studio monitors, a two-output audio interface should be plenty.

Setup

It’s also important to find out how simple the loopback setup process is before committing to a particular audio interface with this capability. Settling on a method for configuring the loopback should not take too long. In reality, there are two steps involved in establishing a loopback connection.

Connecting an external device to your interface is as simple as connecting the primary output to the input. By doing so, you will be well on recording audio from your computer. However, when you’ve done this, you’ll need to adjust your computer and mix control settings to perfection before beginning to record.

The specifics of establishing these preferences on a computer change depending on the audio interface used. You can easily configure the loopback feature in several audio interface models. And setting them up shouldn’t take more than a few minutes if you consult the user manual or a video guide.

However, although loopback is a standard feature on audio interfaces, it is not always easy to set up. You may require professional assistance in loopback configuration under these conditions. The loopback feature on your audio interface should be something you can set up on your own.

Price

In the end, the audio interface we choose will be determined by our budget unless you have unlimited funds. The more money you are willing to pay for an audio interface, the more ports,  quality, and special features you may expect.

Top 11 Audio Interfaces With Loopback Available 2024

1. Focusrite Scarlett 4i4

Check on Thomann

Check on Sweetwater

Top 11 Audio Interfaces With Loopback 2024 - 2024 Update

If you’re a musician or producer needing a little more connectivity for your recording setup, go no further than Focusrite’s Scarlett 4i4 audio interface.

The front panel features two acclaimed Focusrite mic/instrument preamps in combo inputs, while the rear panel provides access to two balanced line inputs, four flat line outputs, and MIDI I/O.

The third-generation product significantly improved over previous USB audio interfaces because of its two superior Scarlett mic preamps, high-performance converters, enhanced preamp gain structure, negligible latency, and instrument inputs that can tolerate extremely hot pickups.

Key Features:

  • Circuit

The exterior of the third generation has been given a sophisticated facelift. However, it has been improved and modified inside to provide superior audio quality, decreased lag time, and simplified operation. Sample rates of up to 192 kilohertz give you access to professional studio audio on the road.

Focusrite has added their famed Air circuit to their fantastic mic preamps. In addition, the instrument inputs have been upgraded to accommodate the most potent active pickups. Finally, input and output analog safety circuitry are hardwired, protecting your interface from disastrous power surges.

  • Latency

You know you’re performing at your best when your monitor mix has all the elements you need to hear to be motivated, such as reverb and delay on a guitar solo. With the ultra-low latency, you may listen with native plug-in effects as you record, giving you a more accurate representation of your musical ideas.

The Direct Monitor circuit can be activated if you’d rather have a direct view of your input at a guaranteed low latency. A pair of virtual loopback inputs simplify podcasting, live streaming, and sampling by capturing a stereo feed from any mixture of physical input and software playback channels.

  • Preamps

The two preamps in the interface are high-quality and lively. Award-winning pres have been proving their worth in professional studios worldwide for 25 years. All of the preamps in the Scarlett 4i4 are transparent, low-noise, and low distortion, thanks to their designers’ extensive experience.

Use your favorite dynamic, condenser, or ribbon mics on any source, no matter how loud, with the same cutting-edge technology found in high-end products. Mics that need phantom power are supported, of course. With the addition of the Air mode, this is the tune that started it all.

  • Indicators

Perhaps she didn’t, but you should nonetheless, and the 4i4 makes it simple. The unique halo indicators constantly inform you of the recording signal strength. You should reduce your gain if the halo turns red, indicating that your signal is clipping.

Once the mood has been restored to a positive state, the halo will turn back to its standard color (green) after briefly flashing amber.

  • Bundle

The software bundle with the interface is fantastic, with a 3-month Pro Tools membership and Ableton Live Lite as the standouts. To help you get up and running quickly, Focusrite does include everything you’ll need.

Furthermore, Focusrite has collaborated with Splice to provide third-generation Scarlett users with a complimentary three-month Splice Sounds membership upon creating a new Splice account. Provides access to millions of royalty-free loops, one-shots, and presets from today’s most innovative sound engineers, musicians, and producers.

Pros:
The Scarlett Audio interface has the shortest setup times of any audio interface you use. The entire process, including installing new software and updating drivers, takes only a few minutes. Likewise, you won’t have to do any figuring or fiddling to get the Control Software up and running.

People even discovered something hidden in plain sight after he switched to Air. What ultimately swayed him was the product’s exceptional gloss and depth. Its forward positioning let it cut through the thick of the mix without appearing forceful.

Cons:
Problems with the interface are their unique beast. After using it for a week or more, you may notice an unpleasant electrical noise that didn’t exist before. A high-pitched whine will emanate from the device itself and go through the headphone socket, rendering the jack inoperable until the interface is reset.

Using the monitors’ balanced audio, you can effectively cancel out the noise. If the interface is particularly loud, activating the 48V phantom power will often cause the interface to power cycle itself, suggesting that the electrical problems are severe enough to warrant that extreme measure.

2. IK Multimedia iRig Stream

Check on Thomann

Top 11 Audio Interfaces With Loopback 2024 - 2024 Update

If you want to record high-quality digital sound sounds with minimal equipment, the iRig Stream is a plug-and-play option that will help you do it easily.

This handy equipment is an on-the-go audio conversion system that lets pros record high-quality audio into their computer or mobile device. Connecting your system to your interface gives you access to several powerful tools perfect for content creation.

DJ allows you to link up with your other apps, create incredible music, and then easily store your device in your pocket until you’re ready to use it again. First, you may record audio from your computer or phone anytime; you don’t need to stream anything actively.

If you are a producer, this is a must-have. Connect your device to the Steam audio interface, start making music, and submit it whenever you’re ready. In addition to the direct mic input and headphone monitoring, there is a loopback capability and the choice to record in mono or stereo, among other valuable options.

Key Features:

  • Connectivity

It’s a new ballgame with the UI and won’t come cheap. A mini-DIN output and three cables (one each for Lightning, USB-A, and USB-C) are included, and the product is compatible with both Macs and PCs. Additionally, it may be powered by either USB or two AA batteries.

You can charge all Apple gadgets by connecting them to an external power source. Because the Android ecosystem is more decentralized than Apple’s, the prices of individual Android devices can vary widely based on their characteristics.

  • Inputs And Outputs

Up to four audio inputs are available on this larger model. Once again, there is an RCA input with a mixer or other device, a headphone jack, and a combined XLR combination connection for use with either a studio microphone or a line-level source like guitar or bass.

It can run on 48V phantom power for usage with condenser microphones. Still, for iOS devices, a battery or an extra power supply is recommended due to the higher power consumption of the latter.

  • Loopback+

Channels 3 and 4 can be processed by external audio applications in Loopback+ mode, allowing you to use them as live effects and send audio from your phone back into the interface. This lets you record guitar effects by sending the signal to an app that simulates a guitar pedal.

  • Circuit

The unit’s circuits can handle audio at sample rates of up to 96 kilohertz and bit depths of up to 24 bits; thus, recording in a professional studio is not an issue. It can send its sound out in either stereo or four individual channels, making it ideal for multitrack recording in a digital audio workstation like GarageBand.

A mic/instrument channel can be muted instantly, and there is a second set of headphones/line out for exporting your recordings. Manual volume knobs are conveniently located on both the ins and outs of the housing.

Pros:
The Stream is a part of the Stream family; however, it shares more in common with standard audio interfaces than with the rest of the Streamline. You can use it with your desktop computer or mobile device and attach an instrument like a guitar or a studio microphone that uses phantom power.

It can also output in up to four channels of high quality. However, it also lives true to the “streaming” part of its name by including the RCA inputs and combination headset mic/headphone connector seen on the Solo, allowing you to quickly and easily set up shop and begin broadcasting your content.

It’s worth noting that the standard iRig Stream, which offers the same networking features as the Solo but is also desktop-compatible and without a battery power option, costs 100$.

Cons:
Construction quality could be better. It sounds and acts like a toy you’d find at a dollar store. You hardly have to move or press the screen before the audio cuts out. You might be listening on an old-fashioned CD player.

You can’t pre-sound-check before recording duets if you have to run it on your phone, and the duets have to be recorded for your audio to play. Playing back audio from the device sounds normal at best.

The difference in quality between listening through the device’s built-in headphone jack and the main audio output through a headphone preamp or the Behringer X-Air headphone out is like listening through two entirely different machines.

3. MOTU M2

Check on Thomann

Check on Sweetwater

Top 11 Audio Interfaces With Loopback 2024 - 2024 Update

This two-in, two-out USB-C audio interface features a DAC for high-quality audio and drivers that have been designed for low latency.

One-touch hardware monitoring and two high-quality mic preamps with independent gain controls and phantom power guarantee seamless tracking. You’ll also have a full-color LCD screen at the front of the interface for easy front-panel metering.

The built-in loopback feature is a great addition for podcasters. The interface is bus-powered for maximum portability and is surprisingly robust, given its small size.

Key Features:

  • Connectivity

Similarly, the M2 can fit high-quality audio, incredibly low latency, and several connection options into a single rack unit. The interface’s analog audio quality matches that of the most cutting-edge electronic devices, thanks to 120dB of the dynamic range provided by renowned DAC technology.

With a 32-sample buffer and optimized drivers, the round-trip delay is negligible. The two mic preamps, stereo headphone output, and two DC-coupled analog outputs are all present. You also have MIDI input and output.

  • Loopback

Even if additional mixing, routing, and monitoring software are required, the driver’s built-in loopback feature will likely win over many customers. A virtual audio driver records output sounds into inputs and vice versa.

Let’s say you want to show off a plugin or any other DAW feature during a live broadcast. In this situation, you can reverse the output and input by selecting Loopback Out and Loopback In, respectively. Loopback can assist you to bring audio from a CD or another software into your digital audio workstation if you’re a podcaster who needs to accomplish this.

  • Layout

It’s easy to overlook the thoughtful additions made by MOTU because the configuration of the two front-mounted XLR/TRS combo jack inputs with independent gain knobs is so standard.

Thanks to the dedicated +48V phantom power switch for each input channel, you can use mics with different voltage requirements with greater flexibility. In addition, they get their very own Monitor button for instantaneous checking-in.

Therefore, you could use input one to listen to vocals while you used input 2 to play guitar through a virtual amp modeler.

  • LCD

They are always silent and of high quality when monitoring or recording. It is appropriate to bring up the screens at this time. While most interfaces provide a peak light or a few LEDs, the full-color LCDs offer accurate metering that you may use to gain a sense of the volume level.

It’s not the clearest metering I’ve seen on a product like this, and it doesn’t have a readout of the volume level along the side, but it’s the best.

  • Latency

The discomfort of latency can detract significantly from a performance. Therefore, the interface features hardware monitoring accessible with a single touch. To achieve zero-latency operation, this feature can directly connect the interface’s analog inputs to its analog outputs.

Because of this, there will be zero lag between your instrument and your internal speaker system. Inputs can be captured simultaneously, allowing for zero-latency monitoring while tracking, which is essential for a convincing performance.

Pros:
The Motu M2’s DAC implementation is impressive for the price. They made a lot of effort to ensure a high-quality final product. The DAC performance was deliberately capped at a level just over the minimum required by the M4.

From a power perspective, the headphone amplifier is barely adequate, but other than that, it’s okay. To conclude, the bundle is preferable to DAC-only options. For an additional $80, you can get decent headphone output, a mic, and an analog DAC. It’s a fair exchange.

Cons:
It sounds fantastic; however, two things bother me about the M4. To begin, the Mac OS does not support the Loopback function. Second, the interface is unreliable and stops producing sound after being powered off and on again or after a computer restart.

Some users have reported issues with the audio quality and stability of the Motu M4 after installing the company’s drivers. You can see the M4 in your system’s audio preferences, but it doesn’t produce any sound, and the volume controls don’t work.

If you turn on your device’s internal speakers, you should be able to hear everything just fine. As this occurred on M4, we conclude that a flaw exists in the Motu drivers that need to be improved. 

4. Audient EVO 4

Check on Thomann

Check on Sweetwater

Top 11 Audio Interfaces With Loopback 2024 - 2024 Update

We live in a new era of recording, with easy access to high-quality recording equipment at reasonable prices.

Audient has welcomed this shift, pushing the limits of what musicians may expect from their equipment with its relentless pursuit of innovation and dedication to excellence. Audient created this audio interface in response to the rise of DIY culture in areas such as music production, audio recording, and podcasting.

Everything you need to begin recording is included in this interface and the novel Smartgain automatic level control function. It’s highly portable and has excellent sound quality, making it a great choice for touring musicians.

Key Features:

  • Loopback

The interface’s loopback capability makes it great for live streaming. Assists with recording in-game audio, online conversations, and podcasts by blending the user’s microphone or other input signals with the computer’s output and returning the resulting signal to the computer.

You may easily record the computer’s input and output using this way. Further, a loopback mixer and associated software are integral parts of the interface. He provides a mini-mixer window in which you may take computer-generated audio, modify the volume, and record it in your DAW or send it straight to a streaming provider.

  • App

The Control app, a lightweight program on MacOS and Windows, is a part of the interface. This user-friendly program allows you to easily and quickly modify the EVO 4’s hardware from your desktop.

Without touching the audio interface directly, you can adjust and monitor levels, mute microphones, engage Smartgain, and more using EVO Control. The UI is just as stylish as the EVO 4, right down to the unit’s eye-catching meter ring.

  • Auto-Levelling

The unique Smartgain feature allows you to rapidly and correctly set gain, allowing you to focus on your creative process without interruption from clipping or distortion. The operation is straightforward. All you have to do is tap Smartgain and choose the channels you want to record on.

Indicating that it is actively listening, Smartgain’s LED will flash red. Start playing an instrument, singing into a microphone, or speaking into a recorder, and Smartgain will adjust the input level accordingly.

When you’re just starting as a recording engineer, podcaster, or solo artist, Smartgain may be a real game-changer by simplifying your workflow and guaranteeing professional-quality recordings every time.

  • Circuitry

When it comes to performance and sound quality, its interface is unmatched. Top-tier converters guarantee crystal-clear, noise-free recordings. To complement the high-quality construction, the transparent and appealing mic pres adds just a bit of color for a full and pleasing sound.

The interface is powered by its USB 2.0 connection, so there is no need for an external power adapter. It features dual monitor outputs and a front-panel headphone port. Additionally, the huge volume knob has a nice, solid feel and provides fine-grained management of the monitor mix and output volumes.

Pros:
The Monitor Mix knob can effortlessly mix your input signal with the DAW’s output while playing and recording. You won’t need the Smart Gain option to capture excellent quality input, although it does help with level setting.

A further aid is the Monitor Mix button, which lets you mix your input signal with the DAW’s output so you can easily play along with and record your tunes. EVO is a brilliant, space-saving desktop solution thanks largely to its one-dial-does-it-all technology, which has been elegantly implemented and conceived from the bottom up.

Cons:
The design of the user interface is relatively conventional. If you’re in the market for a tiny studio, you probably don’t want to settle for one that has a single knob that controls multiple functions. An interface with knobs will make it easy for even a novice to use. It also requires help to understand and use.

Having a single dial to adjust all the settings could be convenient after you’ve figured out how to use it, but it could be a hindrance in an emergency. Watching hours of tutorial videos is required before you can even begin utilizing it.

And then, if you need to make any adjustments on the fly, you’ll have to recall all these settings in real time. You need to take the time to study and memorize this information before you use the device to avoid ending up in a recording situation with no sound and no obvious way to rectify it.

5. Arturia MiniFuse 4

Check on Thomann

Check on Sweetwater

Top 11 Audio Interfaces With Loopback 2024 - 2024 Update

The MiniFuse 4 by Arturia is a tiny desktop USB audio interface perfect for home studios and portable recording rigs.

The interface has two professional-quality mic/line/instrument preamps and two line/instrument inputs and can handle sample rates of up to 192kHz. This simple interface has four line outputs for powering two sets of production speakers or sending sounds to outboard gear, as well as two front-panel headphone jacks with individual volume controls.

Many users like the inclusion of standard 5-pin MIDI DIN I/O connections to connect vintage keyboards and drum machines. There’s also a handy USB-A hub for connecting multiple USB-A devices, such as a MIDI interface, to a single port, reducing the amount of clutter in the studio.

The maximum current throughput for each port is 250 mA. The digital stereo loopback channel is a great feature for content creators since it lets you listen to and record your computer’s audio while simultaneously using the interface’s inputs.

Key Features:

  • Connectivity

A pair of XLR/jack combination inputs are conveniently placed on the front panel. These inputs go into a set of preamps that interface in this price range and are remarkably transparent and distortion-free across the audio spectrum.

The signal from the line output is just as clear and undistorted. Both sets of line outputs are physically connected to the two headphone outputs. In other words, the first headphone jack transmits the same signal as line outputs 1 and 2, while the second transmit the blend of outputs 3 and 4.

The headphone amps feature distinct level settings on the device’s front panel and are powerful when high.

  • Loopback

It has three stereo input buses: a loopback bus and two output buses that can stream audio from your DAW or other software. Each line output pair and the loopback bus can have its unique blend of internal and input signals, done through the Control Center app.

All USB-C connectors can act as USB hubs, connecting to the host computer and providing two additional USB-A ports. Besides being a high-quality input for your computer, it also has auxiliary inputs for things like keyboards and digital audio workstation (DAW) controllers.

  • Housing

Arturia includes a five-year guarantee on all interfaces because they’re made well. The metal housing is sturdy, and the rotary controls are responsive and easy to turn. Black and white color schemes are also available.

The unit’s backlit buttons and knobs improve the aesthetic value of both color schemes. The input-gain dials’ blue backlights show that a signal is there, while their red glow indicates that the signal is too strong for the preamp.

  • Bundle

Arturia’s Analog Lab Intro, five plugins from the company’s FX Collection, and a three-month subscription to the royalty-free Splice sample library are all included in the interface’s thoughtful software package.

The interface faces stiff competition, but the company kept the price down by prioritizing sound and construction quality above flashy extras. This audio interface is compelling for its diminutive size.

Pros:
Including a sound card is a fantastic bonus. They aren’t revolutionary or groundbreaking, but they meet expectations regarding quality, features, and price.

They don’t have monitoring software, but they do have an internal loopback, which is necessary for podcasting and live streaming so that you may record the output of one program and feed it into another.

Though the cases are made of plastic and seem flimsy, the USB host connection for your MIDI controller is a welcome addition and makes up for the boxes’ lack of weight. The drivers’ performance allows you to apply such software effects while recording with little to no difficulty, thus increasing the value of these interfaces.

Cons:
Because there aren’t any included instructions, the first thing to mention is that you need to look for the device’s handbook online and then follow those.

Even though You followed all the steps to create an account and download the necessary software, it turns out that when you plug in the 48v phantom power source, the resulting recording has a disturbing hiss. We have confirmed that the microphone is not defective by testing it with several devices; it usually functions in every respect.

6. Antelope Audio Zen Go Synergy Core

Check on Thomann

Top 11 Audio Interfaces With Loopback 2024 - 2024 Update

Despite its somewhat lengthy title, the Zen Go Synergy Core is simple, consisting of just two pieces.

The first is a USB audio interface with analog inputs and S/PDIF. The Core component is the processing platform included in many audio interfaces. It is home to the interface’s many plugins, which can be anything from modeled classic compressors to guitar amps to Auto-Tune.

Key Features:

Interface

This bus-powered audio interface has a secondary auxiliary USB-C connector in case the host USB bus cannot supply enough current. The unit’s LCD panel displays the input meter, the first headphones’ volume meter, and crucial clocking source and sampling rate statistics when powered on.

To the right of the screen are three knobs; two regulate the input gain and the volume of your headphones or monitor, respectively. You can use the large stepped knob next to them to set the desired gains or levels and clicking it will toggle between their available settings.

The +48v phantom power has a longer hold time, and there is a switch for selecting the microphone. You may silence the monitor output or the headphones with a quick clock, while a longer hold will lower the volume.

  • Antelope Switch

A third button, the switch, cooperates with the other two to allow for the loading and saving one of five possible settings. Any channel effects, as well as routing and monitoring, can be set up in this manner.

By holding down one of the top two buttons, you can access many configuration options, including sampling and more. Even if there is much wiggle room regarding the hardware, the user will still want to adjust the finer details in the computer’s settings menu.

  • Mixer

It’s worth noting that this mixer only has effects slots for the first four channels, and each can connect to a maximum of eight plugins. You can recall any saved combination at a later time, and when stereo is generated by combining two mono channels, the left channel takes center stage.

An auxiliary effect, accessible from any of the three primary routing windows, originates on this page. You can tweak the quantity of early and late reflections with the parameters of this room reverb. Excellent for helping to track a vocal or acoustic instrument or adding some atmosphere to an otherwise sterile recording or environment.

  • Loopback

While the second page shows the S/PDIF output, the third routing page displays two rows of eight-level meters labeled To DAW and From DAW.

The device’s potential as a recording and broadcasting tool is greatly enhanced by the fact that you can feed the top row from any of the sources in the monitoring area, including loopbacks of the two monitoring mixes.

Because of its seeming simplicity, it’s difficult to uncover serious problems with the interface’s adaptability. If the sound isn’t good, it won’t matter how good the pictures are.

  • Circuit

The monitor outputs are crystal clear, and the headphone amps have plenty of juice to power headphones of varied impedances. No discontent is indicated when a ribbon or low-output dynamic mic is plugged in.

High-quality conversion and timing are hallmarks of the hardware side of things, and the emulation feature may appeal to those searching for mic mojo. There is plenty of room to split wet and dry signals across eight USB recording channels.

Included effects cover a wide processing spectrum, allowing you to fine-tune recordings, liven up monitoring, and create high-quality, portable broadcast sets without taxing your computer’s resources.

  • Control Panel

The Monitors & Headphones page loads in the control panel, where an eight or 16-channel mixer with faders via a second tab. The preamps, microphone emulations, S/PDIF inputs, and two test oscillators can feed these channels.

In addition to the five hardware-based presets, the GUI provides a sophisticated system for storing and loading full or partial snaps of the configuration (e.g., only the routing, without the effects chains).

Pros:
The high-quality audio output, flexible routing choices, several channels, and user-friendly DSP administration make this interface a great buy. Despite being comparably priced to other high-end interfaces, it offers more features than cheaper alternatives.

The hardware is reliable while being light enough to be carried around quickly, and the software is intuitive and needs little manual scanning.

Cons:
When utilized with daw, the device produces distracting crackling and popping noises in the audio, no matter how small the sample size is reduced. You will have issues with plugin installation and recovering from suspension because the driver is too unstable, and support advises you to replace the driver.

Disabling Windows features like spatial audio and audio enhancement is required because they conflict with the drivers.

7. Roland Rubix 24

Check on Thomann

Check on Sweetwater

Top 11 Audio Interfaces With Loopback 2024 - 2024 Update

You can take your Rubix 24 audio interface anywhere and record high-quality audio.

This audio interface is designed for mobile devices, offering high-quality sound immediately, thanks to its insulated aluminum chassis and two low-noise preamps.

The sturdy metal casing and the fact that the interface can be powered by a USB bus mean that you can take it wherever you go without worrying about damaging it. You can also use this class-compliant interface to link an iPad. When it comes to interfaces, Rubix 24 is among the best.

Key Features:

  • Levels

Suppose you ask any experienced engineer or producer. In that case, they will tell you that capturing the greatest possible sound at the source will reduce the time spent editing throughout the mixing process. Adding a little front-end compression to keep your levels even is a simple approach to enhance your incoming audio.

While this would typically call for external compressors, Roland included a pair of 3-mode compressor/limiter circuitry in the interface. If you record live and are concerned about abrupt spikes clipping your levels and destroying your songs, you will welcome these circuits’ two moderate compression settings and more aggressive limiters.

  • Preamps

A pair of microphone preamps and the interface’s heavily insulated design work together to combat ambient noise. These passive noise-reduction techniques are fantastic most of the time, but unstable electricity may wreck your day.

In response, Roland installed a system-wide ground-lift switch that disables the power supply’s ability to hum. That’s a feature audio professionals have probably never seen on an audio interface before, but it’s perfect for capturing in-the-moment performances.

  • Mobility

Although Roland designed this to be a fantastic portable audio interface thanks to its class-compliant USB, sturdy build, and low-noise performance options, it also is a fantastic foundation for, or in addition to, a home recording studio.

Keyboards and more can all be used with a system with MIDI inputs and outputs. The ability to establish a separate monitor mix for recording with selectable headphone output sources is incredibly useful when working with other artists.

Last but not least, loopback recording lets you record your computer’s output sources. Useful in many contexts, but especially for podcasting.

  • Connectivity

In addition to the standard four TRS outputs, there are many strange controls around the rear for adjusting the level of compression/limiting, the source for your headphones, the amount of feedback, and the level of ground lift. Useful for real-time online streaming, loopback lets you combine audio from an external source with that of your computer.

As a bonus, the ground lift works with the interface’s increased shielding to reduce background noise during noisy live settings. We discovered that activating it resulted in a buzzing noise; thus, you should keep it disabled under normal conditions.

Last but not least, a group of level indicators displays if your signal is good or too high, and each button option around the front flashes a pleasant orange glow when chosen.

The input of condenser microphones can be powered by +48V phantom voltage, with Input knobs for all four inputs and controls for the device’s helpful built-in compressors for both sets of outputs.

Also, individual monitor controls for each stage of results, a master volume knob, and a headphone jack are all conveniently located on the right side of the unit.

Pros:
Several other devices offer the same thing, but their prices are significantly more than the interface. Additionally, the line of audio interfaces includes several very low-priced devices.

While their costs vary from those of the interface itself, they are still within the range of what one would expect to pay for a high-quality, low-cost audio interface in the market today.

By all accounts, Roland has succeeded with Rubix24, as it performs admirably and lives up to the market’s expectations. It’s a high-quality piece of equipment that many working audio engineers should consider using if they want to record two sources simultaneously.

The company’s advertising of the interface touts surprisingly high-quality sound, and the device itself holds up well compared to several devices in the same category. The price tag doesn’t compromise the interface’s quality, and the gadget performs admirably across the board.

Cons:
It is an extremely noisy interface and makes noise even when no instrument is plugged in. Almost certainly an issue with the manufacturing. After their interactions with Roland’s customer support team, we kept hearing similar accounts of satisfied customers.

Inputs have clean compressors, but you can’t change the settings. You’ll have to listen carefully to hear how the compressor is behaving with the audio you’re feeding into it and then tune your input to match that behavior.

For someone without prior experience, this will be challenging. Overall mix compression/loudness can be optimized using compressor mode 2 set at the mid threshold.

8. Presonus Revelator io24

Check on Sweetwater

Top 11 Audio Interfaces With Loopback 2024 - 2024 Update

The audio interfaces made by PreSonus are known for their high quality and low pricing.

It’s a highly lightweight, bus-powered interface with a lot of muscle. The signal processing DSP in Revelator is the same as that used in high-quality mixers, allowing you to apply effects internally.

Since a sound signal is essential for digital signal processing, this unit is equipped with two pristine XMAX-L microphone preamps and a generous amount of gain staging. MIDI I/O and optional wireless control via smartphone or tablet round out the professional features.

Key Features:

  • Mixer

The features have been designed with streamers and broadcasters in mind. You can use the digital mixer’s alternate virtual inputs and outputs to re-route audio from many applications into a single stereo stream.

In a wide range of streaming uses, the ability to record from a microphone while also listening to audio is beneficial. Given the rise in remote work, web conferences and presentations are becoming increasingly common. This eliminates the need to purchase expensive loopback software.

  • Converters

When put to use in a studio session, the inbuilt preamps sounded fantastic, and the DA converters wowed us with the clarity of transients in popular music.

Even while the converters’ dynamic range specs aren’t as impressive as those of some competitors in this price range, the interface still has a lot going for it.

Inputs with digital gain matching are uncommon in this price range, but they are ideal for stereo mic setups since they allow the user to balance the levels of both microphones.

  • DSP

The DSP’s high pass filtering stage comes before any others. Next comes the effect, which may or may not include good emulations of vintage analog gear that is more forgiving of the input signals than severe digital processors.

There are no antique preamp or instrument amp emulations, so don’t expect the same level of realism as you would with a device from Universal Audio or similar. What is provided, however, is more than adequate for mixing a soundtrack on headphones or via streaming.

The settings panel allows you to designate one of the two inputs to a second speech processor, which you can use to alter your voice in amusing or inventive ways. The user can keep all Fat Channel preferences and access them anytime.

The interface’s two primary settings are already programmed and prepared to go when you first turn it on. While we appreciate the convenience of presets for newcomers, we prefer to disable them initially and turn them on as needed.

  • Housing

It has a robust metal shell and responsive buttons, so it looks great on your desk right out of the box. The little LCD screen is a great new addition, but it’s annoyingly placed so that the interface is below your line of sight.

Putting it on a higher shelf, near your monitor speakers, improves performance significantly. To quickly toggle between different settings, push the rotary control. Each of the input buttons marked allows you to independently toggle phantom power, a high pass filter, and gain within the preamp.

  • Navigation

While the ease of use is great, people discovered that it was too simple to turn phantom power on and off, potentially harming microphones. On the screen for each input, you can see the gain level, the incoming input level, and a reduction in a gain meter that reflects the effects of any compressing or extension in the DSP chain.

  • Midi

The front panel houses two combo mic/line/instrument jacks, while the back houses the balanced line-outs and a lone headphone jack. Adding a MIDI in/out connection will please those still using older MIDI devices.

As for the controls, in addition to the rotary controller and the input selections, there are controls for accessing the DSP settings, going back to the menu, and muting the primary outputs that go.

Pros:
The designers of the Revelator io24 put a lot of consideration into its features. The result is an audio interface with two inputs that stand out from the pack. The digital user interface provides significantly more detail than is customary at this level and can be used independently of the underlying program.

Nonetheless, the excellent program prepares the ground for any use you might have in mind. It excels at meeting the needs of podcasters and live streamers for whom it was intended. It is also a respectable recording interface with enough digital signal processing to make a noticeable difference.

Cons:
The blue band on the encoder is too bright for a low-light studio, and users can’t choose all the settings from the front panel. Turning a knob to activate phantom power is another annoyance.

Some crackling was heard while adjusting settings in the Fat Channel, and the voice effects sound absurd because you can’t use the vocoder effect or ring modulator as intended. Still, these are small issues compared to the overall flexibility of the hardware and software. This audio interface is fantastic for musicians and streamers alike.

9. MOTU UltraLite-mk5

Check on Thomann

Check on Sweetwater

Top 11 Audio Interfaces With Loopback 2024 - 2024 Update

The MOTU UltraLite-mk5, a USB audio interface with 18 inputs and 22 outputs, boasts a stunning round-trip latency of 2.4 milliseconds and a reference-quality D/A.

The UltraLite-mk5‘s microphone preamps record music with startling clarity, and the generous assortment of inputs and outputs means you can easily connect your preferred external devices. The loopback feature of this high-performance audio interface simplifies podcasting and live to stream.

It is also easy to create professional-quality monitor mixes with the help of the redesigned CueMix 5 software and high-quality onboard digital signal processing (DSP).

Key Features:

  • Inputs and Outputs

The MOTU UltraLite-mk5 is a portable half-rack I/O unit that provides access to a total of 40 audio channels. The two mic/line inputs are apparent, and there are six line inputs and ten line outputs in total, making this audio interface a total of 18 inputs and 22 outputs.

In addition to its digital optical I/O and MIDI channels, the UltraLite-mk5 features a headphones output that delivers high-quality audio. As an essential tool for podcasting and live streaming, loopback is also included.

  • DSP

The internal digital signal processor (DSP) of the UltraLite-mk5 produces high-quality audio with features including an EQ, reverb, and dynamics. In addition to the DSP audio inputs and outputs, this audio interface features a monitor mixer that allows for individual monitoring of each analog output channel.

The MOTU CueMix 5 software is a powerful yet intuitive visual mixer controller. Furthermore, CueMix 5 has been redesigned from the ground up, with eye-catching optical mixing, eq editing, and a handy, interface sure to speed up your workflow.

  • Latency

Quality sound and reliable functionality are essential whether you’re performing live or recording in the studio. Both of these needs are met by the UltraLite-mk5. It has a 125dB dynamic range and -114dB thanks to the reference-quality D/A from ESS Technology.

The 24-bit/96kHz latency round-trip via USB is a big plus. The UltraLite-dependable mk5’s performance is supported by PC or Mac and iOS owing to updated drivers.

Pros:
The MOTU UltraLite mk5 is a portable USB interface with top-notch sound quality and surprising versatility in studio, bedroom, and live performance use cases.

This is due to the abundance of inputs and outputs (I/Os), each of which may be independently adjusted in software and, if necessary, subjected to audio processing using DSP FX. It performed consistently and admirably when tested with both macOS and iOS devices.

Cons:
It appears that the MOTU UltraLite-mk5 is a well-engineered interface with only a few noticeable flaws. At 192 kHz sampling, the worst problem is extreme distortion at mid and low frequencies. None of this belongs here. The second issue is less severe and has been fixed for some time in desktop DACs; this is the IMD distortion growing at mid-levels.

10. Lewitt Connect 6

Check on Thomann

Check on Sweetwater

Top 11 Audio Interfaces With Loopback 2024 - 2024 Update

Artists and musicians looking for a versatile yet eminently transportable audio interface will find it incredibly motivating.

The Connect 6 has two high-gain, low-noise microphone preamps, two independent headphone outputs, and many other cool features. Potent hardware-based DSP offers strong routing control, mixing, and effects. You can easily optimize for any source of audio with the help of the Auto Setup feature.

Since you can charge Connect 6 through USB-C, you can take it wherever the action is without worrying about dead batteries. Further, the Control Center software included with this audio interface lets you make two separate audio mixes.

Key Features:

  • Design

Connect 6’s bulky yet thin casing protects the interface’s PCB and connector mountings from the elements. It feels solid yet strangely sleeker and far less visually apparent than other desktop interfaces. The sharp edges may not appeal to everyone, but they add to the overall look and feel.

The vast rotary dial is not obstructed by any protruding elements, which may also assist in safeguarding it from accidental knocks and bumps. Together with the LED indicators and metering, this knob makes the entire interface function as an independent mixer, eliminating the requirement for a computer or other host device.

  • Interface

You will typically use the interface in conjunction with a host device. Mobile devices can use the interface, but the full range of features is only accessible when connected to a computer running the Control Centre software that comes with the package.

You can feed the system’s output busses from either two separate mixes you make from the various input channels or any other source you choose. Connecting mic and line-level signals are made possible via a pair of XLR/jack combination ports on the hardware’s rear.

Each of these inputs has its own phantom power, high-pass filter, phase-flipping capabilities, and high-quality preamps. Each channel also features many effects thanks to the superb on-board DSP processing. This is the ideal setup for processing speech.

  • Inputs And Outputs

A stereo mini-jack connection sits next to the mic/line inputs and can be used to link to the auxiliary input. This channel’s fixed input gain is insufficient for line-level signals but enough for lower levels, such as those produced by a laptop’s headphone jack.

It needs to be clarified how you will put this channel to use. The USB-C port makes it very obvious that the auxiliary input is not meant for usage with mobile devices. To put it another way, the Connect 6 can function as an audio I/O box for mobile devices while allowing for bidirectional audio transmission between a smartphone and the Control Centre mixer.

This effect is that you may utilize your mobile device as a video and/or live streaming device, receive phone calls, and play other audio from your handheld without sacrificing your audio setup or quality.

  • Control Centre

Three supplemental stereo buses are available within the software’s Control Centre. These can be used to incorporate the host computer’s audio software’s output into your broadcast. Similarly, you can send any output source or mix to a recording or streaming application via a stereo loopback bus.

The remaining Control Centre output channels serve the hardware’s primary left and right output jacks. For each bus, you can choose to use either of the two mixes or any of the input sources.

Here, a Maximiser process is provided for each blend, providing even more processing options. Because of this, the volume is increased, and a limiter is applied to the mix, but the process can only be controlled by changing the mix level.

Pros:
The Connect 6 system has a straightforward and logical architecture that makes it easy to set up and gives you a wide range of options for customizing your mixes and feeds. This processing already in place is a lifesaver for real-time broadcasting, as it solves the issue of conditioning and safeguarding speech input and output levels without delaying the video.

Nevertheless, the specialized mobile device is their brightest idea here. In addition to being used with a computer, many current interfaces also serve as audio I/O for portable devices like tablets and smartphones. Your mobile device can be far more versatile than it would be if it were treated as merely another input and output channel. This solves several problems associated with content creation.

Cons:
Buyers of this item should install the software control panel, then connect the hardware. This may seem inconsequential, but it isn’t. Since it is too modern, older versions of DAWs and software may not be compatible with the interface. In other words, you should hold off for a while longer.

We’d want a stronger headphone amplifier because the headphones’ adjustable monitoring volume can be too low depending on the impedance. The volume knob doubles as a source selector, which can destroy recordings or, at the very least, necessitate unnecessary reworking due to its loud pop acoustic and plastic construction.

11. Avid MBOX Studio

Check on Thomann

Check on Sweetwater

Top 11 Audio Interfaces With Loopback 2024 - 2024 Update

Avid’s Mbox Studio is a complete recording, editing, and mixing audio interface.

The high-quality audio, low-latency tracking, loopback mixing, and in-the-moment effects of this desktop USB-C audio interface are only the beginning. There are four high-quality mic preamps in MBOX Studio, and their variable impedance means you may use them with a wide variety of microphones.

You may plug in instruments with varying impedances because of the inclusion of line-level analog, digital, and MIDI I/O. There are two earbud jacks, and the monitor controller has all the bells and whistles, including talkback. Mbox Studio, driven by Pro Tools Studio, provides professional-grade audio for any studio engineer, voice actor, or podcaster.

Key Features:

  • Monitoring

The MBOX Studio from Avid simplifies the process of establishing reliable monitoring. There are two stereo monitor outputs, each of which may be quickly switched between for use as a reference. Essential monitoring controls, such as Mono, Mute, and Dim, are conveniently located on the top panel.

There are also two separate headphone outputs, each with its cue mix control.

  • Inputs And Outputs

Mbox Studio has enough input and output (I/O) to handle any kind of work. It has four excellent mic preamps with variable Z for various microphones. You can easily plug in your electric guitar or bass thanks to the two instrument inputs that include changeable impedance.

The Mbox studio features stereo Bluetooth I/O, so you can listen to your creations on the go, jam with your iPhone, or hook up your AirPods. In addition to the impedance-matched, hi-Z output and MIDI I/O, you also receive 8 channels of ADAT or two channels of optical S/PDIF and coax S/PDIF and MIDI I/O.

Mbox Studio has a lot of inputs and outputs, including two for footswitches and expression pedals.

  • Workflow

Mbox Studio is prepared to meet the needs of any form of creative endeavor. You may make beats and studio-quality recordings using its preamps, effects, low-latency monitoring, and AD/DA conversion. Separate cue and monitor mixes and simple monitor switching make it easy to record voice-overs and edit audio.

At the same time, guitarist-friendly features let you capture great guitar tones. Mbox Studio’s loopback mixing functionality makes it ideal for podcasters to record live audio and prerecorded dialogue. Four customizable buttons for frequently used actions will help you quickly get through tasks.

Pros:
The Avid MBOX Studio gives its consumers an excellent combination of the two options. However, don’t let its compact size and user-friendliness fool you into thinking it’s weak. A powerful and feature-rich device deserving of its place among the best digital audio workstation (DAW) interfaces.

This one could look unprofessional if you’re used to devices with a black-on-black color scheme and one blue LED next to the power button. Don’t let it throw you off; the construction and materials are top-notch. Spend less time in your DAW’s user interface and more time in the MBox Studio’s Control user interface to get the most out of your purchase.

This will require some adjustment time for many people. Included in the purchase of an MBox Studio is a one-year subscription to Avid’s Pro Tools Studio and a suite of additional software in addition to the 115+ plug-ins provided by Pro Tools. As long as you’re merely upgrading your old MBox or Fasttrack box, you may use the interface with your current version of Pro Tools.

Cons:
Pro Tools controls are rendered inoperable whenever the MBox Control program is running. Avid has said that the Pro Tools capability mapping to the User Action buttons and footswitch inputs would be available soon, even though it is not now accessible.

Bonus:

Roland Octa-Capture

Check on Thomann

Check on Sweetwater

Top 11 Audio Interfaces With Loopback 2024 - 2024 Update

Incredibly, eight high-quality preamps and AD/DA conversion are packed into this interface’s single, inexpensive USB 2.0 cable.

If you need a multichannel interface for your laptop Mac or PC that can handle many channels and still deliver high-quality sound, you’ll want to check out. With its built-in digital signal processor (DSP) cue mixing, you can configure four separate stereo mixes.

In addition, with the press of a single button, the input level of each analog input can be automatically adjusted to its optimal setting. In addition, the interface works well with nearly any Mac or PC, thanks to Roland’s ultra-low-latency driver.

Key Features:

  • Housing

As soon as you take it out of the box, you’ll notice that it’s even more lovely than you imagined it would be because of the high quality of its metal construction, attention to detail, and compact design.

On a laptop running Windows 7 64-bit, installing the driver from the CD was so simple and quick that you probably don’t even remember the procedures, and that’s a good thing.

  • Connectivity

Eight mic preamps are included, each having a combination jack and phantom power. There are MIDI, stereo S/PDIF, and eight TRS outputs. Ten channels can be processed at once, albeit only four inputs and outputs will work if the sampling rate is set to 192 kHz.

One of the most notable aspects of this level of connectivity is how few knobs there are. Each of the few buttons does quite a bit, thanks to the big, bright LCD screen. People were pleasantly pleased by how easy and simple it was to access all the capabilities, given that simplification through multi-function sometimes complicates things.

But if you’d rather not fiddle with infinitely-rotating push-to-click knobs, the software’s interface is clean and easy to use.

  • Software

By pressing the left and right buttons, you can switch between channels, and the rotary dial can adjust the volume level for each channel individually. The graphic display will keep you updated on the volume levels, with a level bar graph at the bottom to assist you in fine-tuning the volume.

Similarly, the phantom power button looks like it applies to the entire unit, but you can set it individually for each input. Each channel has its compressor with an adjustable threshold and gain that is part of the preamp section.

Software controls for phase inversion and low-cut filters, as well as a dynamic control for each channel independently, provide this product an edge over its competitors. Octa-Capture also has a sensitivity setting that you can trust to determine appropriate settings automatically.

The feature auditions the audio on a certain channel over time and automatically adjusts the volume. Octa-Capture includes a simple reverb unit whose most popular usage will be to give monitor reverb when recording, and you can use the Direct Mixer control to balance input sounds against those coming back from your DAW to make up monitor mixes.

Pros:
Roland’s Octa-Capture stands out as a revolutionary product compared to the previous generation of audio interfaces. This interface is perfect for professionals like DJs who need all of their tools at their fingertips and amateurs who can benefit from the straightforward design and fun Peek mixing options.

It is an excellent medium for tracking audio, whether a voiceover or an instrument. There are a ton of input and output jacks (both analog and digital) and a powerful preamp that will elevate your audio to a new level.

Cons:
A crackly, digital-sounding noise is produced when the unit’s main knob, the Sens knob, which maps to each input and output, is turned. Another complaint against the product was that it harkened back to the anti-analog design trend of the early 1980s, what with its sleek black devices, tiny LCD screen, and single jog wheel.

Engineers and synth users were always at a disadvantage in speed, intuition, and tactility as they searched through menus and settings in pursuit of the elusive variable. The Octa-Capture operates similarly. If you like using your hands and eyes while working, this is not the correct audio interface.

Conclusion

These choices were made with any potential use in mind, including but not limited to recording music, re-amping guitars, and streaming, all of which incline toward loopback.

The Audient EVO 4 is the device we recommend using if you are seeking the greatest audio interface on the market at an affordable price. It is a straightforward and straightforward device that looks fantastic, sounds amazing, and feels great.

Look at the Focusrite Scarlett 4i4, which is now in its third generation, if you feel that having only two inputs and outputs is too limiting or if you have a little bit more money to throw around. It has excellent sound, is simple to operate, and provides twice as many inputs and outputs as its predecessor.

And if you want to increase the number of inputs and outputs, for example, if you want to record multiple instruments at the same time, then the Audient Roland Rubix 24 or the MOTU M2 are fantastically-priced interfaces that offer a huge amount of flexibility and features for not a lot of money. Both of these interfaces can record multiple instruments at the same time.

Don`t copy text!
Scroll to Top