12 Best Reverb Plugins For Music Production 2023

Today we’ve selected the 12 best reverb plugins in 2023, either because of their outstanding quality or inspiring innovations.

Dimension and ambiance are two essential aspects of any sound production, either musical or in any SFX. It can provide clarity, depth, and even richness at specific frequencies. Commonly, reverb is the effect of choice in these situations, sometimes with a pinch of delay or echo to enhance the flavor.

This list contains some of the most popular reverb plugins at the moment and some alternative options that might not be so well-known, but you should check out either way. As always, everything depends on what you need. Each plugin here can be very resourceful to a specific situation or inspiringly refreshing at getting your best ideas flowing out.

Also, consider checking:

Top 6 Reverb Plugins For Vocals (Next Level Reverbs)

Let’s dive into the reverb world with the first plugin on our list.

The 12 Best Reverb Plugins 2023 For Musicians

1. SoundToys SuperPlate NEW*

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SuperPlate by SoundToys is a plugin designed to reincarnate the charm of classic plate reverbs.

With five well-crafted models, three distinctive preamp styles, advanced digital functionalities, and the addition of a full-featured EQ, SuperPlate imparts comprehensive control over your sound. Notable features such as Auto-Decay ensure your mix retains its clarity, turning the challenge of reverb tail management into an intuitive, creative tool.

Key Features:

• Tube Mode
  Tube Mode emulates the vintage EMT V54 preamp, delivering a warm and sonically rich input to the reverb. This Mode introduces harmonic distortions that can spice up your sound, providing that classic glow associated with vacuum tube circuits.
• Solid-State Mode
  Solid-State Mode is based on the EMT 162 preamp found in later EMT 140 models; this option gives you a more modern, linear response. Uniquely, it features a built-in compressor, adept at smoothing out transients and preventing harsh peaks before your sound hits the reverb, thus ensuring a more controlled and balanced effect.
• Clean Mode
  Clean Mode stripping away the harmonic colorations and dynamics processing of the Tube and Solid-State modes allows the pure sound of SuperPlate’s modeled plates to shine through. It offers the most transparent and uncolored pathway to the reverb, preserving every nuance of your original signal.
• Reverb Models
  Step into the soundscape of classic electromechanical plate reverbs with SuperPlate. This plugin doesn’t just mimic—it virtually reincarnates the original reverbs into the digital realm. It furnishes your studio with the distinctive tonal signatures of five legendary units: the EMT 140, EMT 240, Audicon, Stocktronics RX4000, and EcoPlate III.
  The fidelity of these models not only reproduces the familiar but also transcends limitations, invoking an expansive sonic universe.
• Decay Automation
  The Auto-Decay feature in SuperPlate introduces an innovative solution to manage reverb tails intelligently. By automatically reducing the decay time when the input signal exceeds an adjustable threshold, Auto-Decay ensures that your sound remains clear and distinct. It prevents powerful transients from being masked by overly long reverb tails, a common issue in busy mixes.
  Furthermore, the Auto-Decay feature comes with a recovery speed control. This allows you to adjust how quickly the reverb decay time returns to its original setting once the input signal drops below the threshold, thus enabling you to sync the rhythm of your reverb with the pace of your track.
• 4-band EQ
  SuperPlate goes beyond basic reverb controls with a full-featured 4-band EQ, giving you control over your reverb’s tonal balance. Low-Cut Filter is crucial for avoiding a muddy mix, letting you roll off undesired low-frequency content in the reverb tail.
  It helps clear the mix, particularly in bass-heavy or densely arranged productions. High-Cut Filter softens excessively bright reverb tails, ensuring that the reverb blends more naturally with the rest of Also, the Two Parametric Bands lets you fine-tune your reverb tail’s midrange and high-frequency content. Whether you need to control a specific resonance, add warmth, or impart an airy sheen, these parametric bands offer the precision to shape your reverb to your needs.

Compatibility:

SoundToys SuperPlate is available for Windows 7 or higher and macOS 10.12 or higher, both 64-bit only. It comes in VST, AU, and AAX formats.

Summary:

SoundToys’ SuperPlate is capturing what makes reverbs so essential in music production and providing the tools to push those boundaries further. It seamlessly balances the essence of the familiar plate reverb and the refreshing originality of special features.

5. Arturia Rev INTENSITY

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The Rev INTENSITY is a new modern reverb, suited for anyone who wants a different approach and a 21st-century option for reverb sounds.

Arturia always brings top-notch effects and instruments to their plugin bundles, and this one is no exception. Rev INTENSITY is a revamped plugin ready for every eccentric necessity.

Normal variations, such as the “Pre-Delay” that alters how the effect kicks in, or the “Modulation” that modulates the reverb engine to exciting new levels of creativity (which by the way go along brilliantly with pads instruments), are present and may be pushed hard to non-conventional ways.

However, with specified unique settings, the second menu is why this plugin is a futuristic reverb unit.

Key Features:

• • Pre and post filter
    Inside the expanded menu, these are two great tools for sound designers. The Pre-Filter section is based on three modes – Band Pass, Low Pass, and High Pass filters -, with three different dB levels each (06, 12, or 24dB/oct). The “Freq” and “Resonance” knobs will make any alterations to the sound before entering the plugin. On the other hand, the Post-Filter section deals with the signal coming after the plugin. With four modes – Band Pass, Notch, Low Pass, and High Pass – the same two knobs instantly control the frequencies of the wet signal.
  • Envelope follower
    These two following features are what make this plugin unique. The Envelope Follower screen shows us that it can create an envelope based on the waveform shape of the input signal, with the possibility of using it as a modulation source. You can send that signal through four different destinations, located on four other knobs distributed on the right side of this menu. It also features a built-in compressor and familiar controls, such as “Threshold” and “Attack,” and a delay with milliseconds or time division controls.
  • Function
    A real treat to sound designers out there, the Function section serves as another modulation source. It can create and alter the different parameters, such as “Sharp Decay,” “Slow Rise,” “Triangle,” “Step Sequencer,” and “Pump.” You have the same destinations as in the Envelope Follower section, aside from choosing the modulation rate either on hertz or time division directly at the “Rate” knob.
  • Damping
    This knob controls the amount of reflectiveness on the reverbed space. This means that you control the reverberation on the high-frequency bands, which is very useful to darken or brighten the sound you’re modeling. Alongside the “Width” control, the spatial dimension of the instrument or the track can be enlarged and manipulated freely.
  • Soft clipping
    The Soft Clipping controls offer an extra gain at the output signal and adjust your effect’s amount of grit and thickness. The “Gain” knob takes care of your dry signal, applying any gain changes only there. If you want to blend in the sound of the actual plugin, the “Rev Level” knob does this job beautifully, and the final result is the mixture of these both controls.

Compatibility:

This plugin runs in macOS 10.13 or higher (64-bit only) and Windows 8.1 or higher (64-bit only). It comes in VST2.4, VST3, AU, NKS, and AAX plugin formats. Minimum 4GB of RAM and OpenGL 2.0 supported hardware are required.

Summary:

This is probably the most forward-thinking reverb on this list, and it comes as no surprise that it’s an Arturia plugin. The possibilities regarding sound manipulation are an excellent attraction for sound designers and music producers alike who enjoy venturing into new sounds, as made evident by specific envelope and modulation controls.

If you’re looking for something extraordinary and revamped, Rev INTENSITY might assist you wonderfully in the most extreme and varied situations.

Related Reading:

Top 14 Arturia Plugins For Musicians 

6. Reverb Foundry Tai Chi

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Tai Chi is Reverb Foundry’s next-generation ensemble character reverb, excelling in mellow chorused reverbs that go well with any instrument you’d like.

The company has a solid background dedicated to reverb plugins, and it’s impressive to see what they can do with the same effect. Tai Chi brings serious customization options and heavily modulated settings to your typical reverb patterns.

The same alterations can be made in a chamber or hall reverb. The “Master,” “Advanced,” “Dynamics,” “Fidelity,” and “Equaliser” tabs showcase many possibilities of custom controls, from different reflection and reverb sections to compression-style modifications.

Key Features:

• • Pre-delay with tap tempo
    Curious enough, not many reverb plugins come with this feature. The tap tempo option near the “Pre-Delay” gives you another level of a unique touch to the moment the reverb starts acting, according to whatever values you type in. It is imperative to get the right amount of space in your sound.
  • Multiband reverb
    This is where sounds can be polished very neatly. This way, you can sculpt the reverb and adjust it to your taste. You’ll see that the Multiband Reverb Time Multipliers consist of up to four separate bands – 50 to 500 Hz, 500 to 2kHz, 2kHz to about 8kHz, and about 8Khz to 20kHz -, with the possibility to enhance or cut off any frequencies on each designated band.
  • Dynamics processing
    With a built-in compressor included, everything gets much easier to be worked with. If you have a vocal track that’s not sitting well in the mix, the dynamic processing can help clear things a bit for you. “Threshold,” “Ratio,” “Knee,” “Attack,” and “Release” are the available configurations, and you can set them to be used only at the wet or along with the dry signal too.
  • Fidelity
    This feature is included to familiarize users with these old Lexicon-style reverb units. You have “Bit Crusher” and “Recirculation” configurations, which can bring those nostalgic smaller bit-depths and all the grainy sounds that come along with it. Each reverb mode can interact differently with this section, but you can still dial it in any way you want.

Compatibility:

This plugin runs in macOS 10.9 or higher (64-bit only) and Windows 7 or higher (64-bit only). It comes in VST2.4, VST3, AU, and AAX plugin formats.

Summary:

With a modulation-style approach, this reverb plugin can become an instrument on its own, thanks to all the meticulous ways to shape the ambiance on your track. The controls are in your hands.

No matter what the situation is, Tai Chi will have your back with plenty of reverb types and all the customization required to make it sound your own. Organized in different tabs, feel free to navigate between them and set the terms for the perfect combination of bit-depth, effects integration, or filtering the frequencies.

Related Reading:

The 10 Best Convolution Reverb Plugins 

7. Focusrite FAST Verb

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A part of the FAST bundle of plugins, Focusrite introduces this reverb to blend the traditional qualities of the effect with the modern technology of AI-learning.

Focusrite is a well-known audio gear company, present both in professional and home studios. Their fame regarding preamps and audio interfaces is notorious, so naturally, it should be no surprise that the recently released FAST plugin bundle is astonishingly good sounding.

FAST Verb is the reverb tool on this selection, and from the box, it should add tremendous depth to your track. The graphic interface is very pleasing, showing particles moving all over the screen to illustrate each reverb type you can achieve.

You can intuitively control time and space-related settings, such as freeze, reverse, or width.

Key Features:

• • AI-powered engine
    At the left upper corner, the “Learn” button is quite noticeable and features an astonishing power: it simply analyzes your track to know the best reverb profile available for it instantly. It’s based on an AI-powered engine, ready to deliver the best-suited ambiance to your voice or drum ensemble in no time. Didn’t like it? No problem, you can just press the same button and Relearn the track pattern to be sure that’s what you want.
  • Different instrument options
    If you want to get a tailored setting for the instrument you’re trying to add reverb to, FAST Verb does justice to its name with some pre-loaded profiles. They are: “Universal”, “Drums”, “Snare”, “Guitar”, “Keys”, “Vocals”, and “Speech”. As their names suggest, they can assist you better in blending a drum kit with your band sound, enhancing the harmonics on a piano, or clarifying your speech.
  • Three flavors
    The three available reverb settings allow each track to have a life of its own. Depending on the situation, each can help bring out the best characteristics of your project, be it a sound fx design or musical creation. The “Natural” option inspires a more common usage of the reverb effect, as in ambiance-related techniques. At the same time, the “Balanced” can be more helpful regarding speeches or dialogues, with consistency and cleanness. Lastly, the “Artificial” mode can get your experimental side expanded to its limits in any instrument or sound you’d like.
  • Detailed view
    This mode interacts with the main screen of the plugin, bringing a selection of tools that will shape your sound in a precise way. The “Colour” and “Clarity” controls help shape out the best dynamics at whatever is playing on the track, with the help of a horizontal fader. The “Modulation” configuration can get vast and swell-like tones to be brought up to life quickly, and the “Mono Bass” and High Pass” options can help shape some frequencies of the spectrum just as quickly, either at boost or cut-off.
  • Creative FXs
    Having effects such as “Freeze” and “Reverse” right on your screen can rapidly inspire you to reach new sounds. “Freezing” it up can be a good choice for ambient pads or drone-inspired layers on your track, and at the same time, can be helpful to highlight a musical idea. The “Reverse” option involves a more experimental use of this time-based effect, unlocking new possibilities in unusual situations.
  • Instant analysis
    The main screen is a charming visual reproduction of the reverb effect and instinctively be controlled simultaneously. “Pre-Delay,” “Width,” “Position,” and “Time” are some of the parameters used, aside from the cone-shaped stereo control, and are designed to each serve a purpose relating to spatial, timely, or dimensional possibilities.

Compatibility:

This plugin runs in macOS 10.12 or higher (64-bit only) and Windows 10 or higher (64-bit only). It comes in VST, VST3, AU, and AAX plugin formats. Minimum 4GB of RAM, Dual-Core i5 Processor, and OpenGL-supported hardware required.

Summary:

When a company like Focusrite decides to venture into the software world after years of award-winning hardware hitting the market, it’s best to take a look and see what this may bring you.

The result is an awesome reverb plugin – aside from the other effects in the bundle! – with engaging looks and a powerful learning engine, ready to improve the time you spend looking for the perfect ambient or dynamic layer to your track.

As the name suggests, FAST Verb is a very fluid plugin to work with and should not fail in simple or more experimental requirements.

Related Reading:

The 6 Best Spring Reverb VST Plugins | AudioThing, GSi, u-he, Eventide

8. Baby Audio Spaced Out

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Reverb and echo go very well together, and Baby Audio not only proved that but reimagined an excellent packaging for both effects.

You might find yourself a bit lost when opening the plugin for the first time, but it’s relatively easy to use: on the left side, you have your delay section; on the right, the reverb; and, in the middle, a virtual joystick enables you to dwell between the wet and dry signals of both effects – which, by the way, are running in parallel.

This plugin was designed to prioritize what you hear over what you see on the screen, making each control uniquely and intuitive.

Each delay mode and reverb quadrant can bring the particularity required to make a vocal stand out on the mix or make that drum track sound fresh and new.

Key Features:

• • Put in the grid
    A 4×4 grid at the left shows us how the delay will react: each square can be filled with circles, noting when exactly the delay will appear. The controls underneath can dictate how the delay will sound at a certain point. For example, with “Intensity,” you can play around with the dynamics, allowing for different textures according to each circled square being played – the first time a delay appears can be more robust in dynamic than the third. Other than that, it’s a friendly visual tool that showcases how exactly the echo is interacting in your track.
  • Spaced-out sounds
    Both effects can be pretty massive and spatial, and gladly you can adjust how big the stereo imaging can be. The further you go out to the edges of the circle, the larger the length of this effect. On the delay section, the “Dimension” control takes care of that with the “Ultra Wide” and “Motion” modes, creating a stereo field and panning effect, respectively. Looking at the reverb, we can find similar configurations at the “Width” control, adjusting the stereo spreading.
  • Generate mode
    Baby Audio awarded us with an excellent randomizer option, the Generate mode. When you click the die, it generates a random configuration, showcasing how beautifully the effects can be. You can find two versions of this configuration, one that affects the entire plugin and another dedicated to the 4×4 delay grid mentioned earlier. It’s a great way to explore how far it can go, aside from inspiring you to set your new custom values.
  • Reverb quadrants
    The reverb section has a circle divided into four distinct quadrants. As mentioned earlier, you can adjust the distance between the middle and the outer corners of the circle, influencing the length time directly at each different style. You’ll find a “Lush” setting in the upper right, which sounds like a traditional reverb; on the lower right, you have the “Trippy” mode, which sounds like a phasing-styled reverb. On the lower left, the “Alien” goes for a flanger characteristic; And, finally, at the upper left, there’s a “Cosmic” reverb, bringing a unique massive-style effect.
  • Echo textures
    Right below the 4×4 grid, you’ll find four round buttons: “Clean,” “Wonky Tape,” “Hazy,” and “Lo-fi.” The names are very self-explanatory, and they can make a difference in how the delay will interact with the track. Each texture can create a different overall feel to the echo delay, aimed at your production’s different style or vibe.
  • Fresh looks
    Distributed in a relatively modern fashion, one of the more vital points regarding this plugin is how easy it is to dial in exemplary configurations at every control. It’s very intuitive to get a perfect value combination, either a simple selection, like in the echo textures, or adjusting an amplitude, such as in reverb’s “Pre-Delay.” There’s a quick way for night-mode lovers to alter between “day” and “night” modes right at the upper left section of the plugin interface. Very easy to work with, and a clean look overall can stimulate your workflow more than you imagine.

Compatibility:

This plugin runs in macOS 10.7 or higher (64-bit only) and Windows 7 or higher, on 32 and 64-bit. It comes in VST, VST3, AU, and AAX plugin formats.

Summary:

This package is more than simply a reverb and echo combination. These are two well-matched effects that will surely enhance the size of your sounds, and Baby Audio developed a fresh-looking alternative that might force you to use your ears more than your eyes.

Thanks to its unique controls and interactions, this plugin can reach sound layers not so usually approached. Hardly you’ll be left without standard settings, but the fun thing is to explore the unknown.

Related Reading:

Top 12 Delay Plugins For Music Production (VST, AU, AAX)

9. D16 Group Spacerek

More Info & Price (Trial Available)

The perfect reverb may never exist, but D16 Group’s attempt is a remarkable one that should be considered as such.

Spacerek is all about nailing the perfect reverb sound. The interface reminds us of vintage reverb rack units with tiny buttons and sci-fi-inspired knobs. You have plenty of models, settings, and controls for your free use, and each can be gorgeously useful to your production. The good thing is that it’s not visually-polluted software after all.

Tailoring the perfect position at the reverb model screen is wonderful and crucial to nailing the perfect reverberation in a determined space. The “Pre-Delay” controls adjust the “Early” and “Late” times that will influence how the reverb kicks in.

If you want to, you can save your own preset and apply it every time you load the plugin. It’s very much easy to save and store excellent configurations.

Key Features:

• • Reverb models
    With 144 models at your disposal, they’re all gathered in a little screen on the left side of the interface. Each microphone will be color-indicated – green and red – and will show you precisely the stereo positioning. It’s an excellent representation of the effect because you can see the distance relating the speakers to the back wall, as well as the front wall and sidewalls, in meters.
  • Adjust your signal
    The dedicated “Direct,” “Early,” and “Late” signal controls can be used to adjust both “Balance” and “Volume”: the former controls the balance between the two microphones, and the latter controls the overall volume of the signal at that stage. You might want to pay attention to how the microphone positions at the reverb model’s screen are set because each dedicated signal control will influence the final result. Also, the “FX” knob will control the amount of dry and wet signals on the effect, so it’s pretty essential to take a look at how they’re interacting with one another.
  • Tilt EQ
    The equalizer at the right side of the screen can be very useful to enhance or attenuate specific frequencies. It can be turned on and off at your will, at any moment. The two knobs, “Frequency” and “Slope,” will respectively set the exact value of the frequency you want to alter and either make a cut or boost from -12dB to +12dB. It’s an excellent feature to have a quick and reliable modification to the reverb effect.

Compatibility:

This plugin runs in macOS 10.7 to 12 (64-bit only) and Windows 7 or higher (32 or 64-bit). It comes in VST2, AU, and AAX plugin formats. Minimum 8GB of RAM required.

Summary:

Usually, more robust reverb simulations are found in hardware and units, but this is an excellent plugin alternative to achieve a precise sound-crafting space. It might be one of the most comprehensive in terms of CPU consumption on this list, but it’s undoubtedly among the best.

The incredible variety of models and the extreme power of customization regarding the sound space is marvelous, worthy of D16 Group’s reputation as a great plugin manufacturer.

Check Mynewmicrophone Reverb’s Selection:

12 Best Reverb Plugins (Spring, Plate, Algorithmic, Convolution)

10. FabFilter Pro-R

More Info & Price (Trial Available)

FabFilter Pro R, released in November 2016, offers a very sleek interface consistent with the design of other plugins offered by FabFilter.

It is highly user-friendly and provides a ton of great presets. The interface of Pro R is relatively easy to use if you are a user of FabFilter plugins. It has a dedicated 6-band EQ. Moreover, it is transparent and doesn’t color the signal.

Key features:

• Tone and texture controls give clean and ambient smoothness to reverb. 
• Distance and space controls allow controlling the overall space of the reverb tail. 
• It offers a Pro-Q style EQ with a high and low cut, high and low shelf, and notch filters.
• Post-EQ and Decay rate 6-band EQ helps in controlling the overall reverberation impact and change the color of the sound.
• The analyzer at the bottom of the interface will show you the pre or post-reverb EQ graph, and the “In-Out” buttons control the input and output levels.

The bottom bar has four different controls:

1. Midi Learn
2. Pre-delay
3. Analyzer
4. In-Out

• The Midi-learn button lets you control different parameters of the reverb from our midi controller knobs.
• Pre-delay allows you to choose between the delay time in our reverb from 0ms to 500ms.
• You can also freeze pre-delay time by checking the lock button on the pre-delay knob.  
• The analyzer will show you the graph of the pre or post-reverb EQ.
• The “In-Out” buttons control the input and output levels.

Compatibility:

FabFilter Pro R is available for 32-bit & 64-bit Microsoft Windows 7 or above in VST and VST3 formats. AAX format is only available for 64-bit systems. For macOS, it is available in VST, VST3, Audio Units, and AAX formats.

Summary:

Pro-R is a digital transparent and versatile reverb plugin with easy to use interface and controls. FabFilter users get a special discount on the Pro-R plugin. The EQ and space control on this reverb is minimalistic and very easy to use. 

Related Reading:

Top 10 FabFilter Plugins For Mixing & Mastering 

11. Tritik Irid

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tritik brings an excellent option for those needing substantial ambient sounds and shimmering-style reverb in easy, clean packaging.

Irid is a reverb plugin that works with three tunable voices generated by the reverberated signal. Adjusting these settings can bring the best organic and big sounds out of it, and the very organized interface makes it all too simple to achieve.

Achieving unique pad sounds and ambiance layers is when this plugin excels. Still, standard controls, such as the “Pre-Delay” and “Width,” will behave as they usually do and be very helpful to shape the best reverb sound possible.

“Low Cut” and “High Cut” can adjust the frequency spectrum and interact the best way possible with the input instrument or whatever is played at the track.

Key Features:

• • Freeze control
    At the “Feedback” control, there’s an option to freeze out the reverb effect for as long as you hold your mouse click. It will cause the reverb to go on and on, endlessly, with a very long tail and a smooth texture. The amount of “Feedback” selected will influence this, as it will set this tail’s size, thus the effect size at the final result.
  • Simple interface
    The beauty of having reasonable, specific controls displayed in a friendly theme is what makes this plugin so easy to use. There are not many complicated windows, settings, or parameters, just the basic concepts of a reverb displayed elegantly. Also, having separate “Wet” and “Dry” level controls creates unique ways to utilize this plugin instead of being limited by a regular “Blend” control.
  • Size and diffusion controls
    These controls relate to the reverb’s time aspect, achieving new sound layers. The “Diffusion” control tweaks how many reflections the sound will have. Setting this at a low configuration might get you chorus-like effects in a bit. The “Size” portion influences the overall dissipation of the reverb, including its tail length.
  • Pitch-shifting section
    The three tunable voices are the main engine for this wide variety of shimmering sounds at the heart of this plugin. They are separated into “Shift I,” “Shift II,” and “Shift III.” For example, the first and second alter the repetitions based on intervals, like major or minor 3rds and plus or minus 10 cents. As for the third, it’s a frequency shifter: type in any number, and it will shift to that value, accordingly.
  • Presets at your reach
    As the controls are straightforward, finding significant configurations shouldn’t be difficult. But even so, the presets that come with it are an excellent resource for new and unique inspirations. There are some specially designed presets and stock ones, and all of them can be altered and adjusted to fit your production better.

Compatibility:

This plugin runs in macOS 10.10 or higher and Windows 7 or higher. It comes in VST, VST3, AU, and AAX plugin formats.

Summary:

If you require an excellent shimmering-style reverb, you’ve found it. It’s nice to have an option that focuses specifically on a particular reverb style, which might be your choice for huge sounds, ambient textures, and experimental modulations.

The easy packaging, great taste in the tones this plugin can get, and the overall powerful options are some reasons you should try this out.

Related reading:

How To Mix With Reverb: How Much Reverb Is Too Much?

Related reading:

How And When To Use Algorithmic And Convolution Reverb In Your Mix?

12. sonible smart:reverb

More Info & Price (Trial Available)

Sonible’s Smart:Reverb is an AI-powered reverb that automatically adjusts to the source material while allowing you to fine-tune its parameters.

The innovative user interface offers an interactive way of automating the time-and-frequency-dependent decay, spread, and density parameters. Its versatile nature invites you to push it to its limits in pursuit of unique sounds.

With the input-dependent algorithm, several parameters, built-in EQ, and freeze/infinite functions, the Smart:Reverb makes up for its name.

Key Features:

• • Tailored for the Source-Material: select between the source-material algorithms to get the best out of the plugin. Choose between Universal, Drums, Snare, Guitar, Keys, Vocals, or Speech, and hear the best reverb for the input provided.
  • User Interface: watch the reverb flow in a bubble-like pattern and adjust when and at what frequency range it will decay. Set the Decay, Spread, and Density with parametric controls. Also, shape the sound as you want with the slider controls for Width, Color, Clarity, Dry, and Wet.
  • Reverb Matrix: it’s extremely easy to fine-tune the style of your reverb by dragging a thumb in the Reverb Matrix chart. Place it anywhere between Natural and Artificial on the vertical axis and Intimate and Rich on the horizontal axis.
  • Reverb Time: even if you choose not to adjust the AI-given reverb, you still have to set the Reverb and Pre-Delay times. The Smart:Reverb does not sync to your session.

Compatibility:

The Smart:Reverb works on Windows 7 and up and Mac OSX 10.8 and up. It is available in VST2, VST3, AAX, and AU formats, 64-bit only.

Summary:

A great plugin for achieving unique textures. Sonible’s Smart:Reverb offers a new perspective, whether through its inventive UI or tonal versatility. The main difference lies in the decay parameters that allow the producer to test different approaches to reverb. A great addition to any mix engineer’s arsenal.

5 Best Free Reverb Plugins In 2023

1. Analog Obsession Room 041

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The first plugin by Analog Obsession is Room 041, an algorithmic reverb that intends to have a sound character of its own.

This is the second plugin on this list inspired by the EMT® 140 Reverb Unit but at the great advantage of being a freeware option to Arturia’s plugin.

Although it’s stated on the download page that this is not supposed to be a 1:1 recreation of any circuit whatsoever, the essential features certainly are inspired by.

The visual distribution of every control is done through divisions of every section like there would be on a reverb unit. A bright red button indicates that the effect is on, followed by the basic controls of the dimensions of the effect. On the far right, “Dry” and “Wet” controls can manipulate how much of each signal you’ll work with.

Key Features:

• • Stereo separation
    This is a dedicated control to the stereo imaging of the reverb. Alongside the “Pre Delay” and “Decay” knobs, it can help set out how the reverberations will dominate throughout your track. Going from zero to 100, you may have a very mono-oriented or a widening full-stereo perspective of the effect.
  • Dedicated preamp
    Another great feature is a dedicated preamp section. This is not common to have, even on paid plugins. Here you’re able to control the “Drive” of the unit, going from -24dB to +24dB at a knob’s twist. The “HPF” knob controls a pre-filter from 20Hz to 100Hz. Adjusting both can increase the weight and response of the reverb at your instrument or vocal track like an actual hardware would.
  • Post EQ
    Consisting of two frequency parts, the Post EQ can help adjust the effect to your mix in a precise manner. You get “Low” and “High” sweeps, covering the 20Hz – 2kHz and the 200Hz – 20kHz ranges, respectively. Tailoring which frequencies should be boosted or cut with the “Gain” knobs is possible through a range of -24dB to +24dB.

Compatibility:

This plugin runs in macOS 10.9 to 11.x and Windows 7 or higher. It comes in VST, VST3, and AU plugin formats.

Summary:

Some great vintage gear inspires this plugin, but the good thing is they didn’t try to copy it. The incredibly well-programmed controls bring an honest homage to the unique response of reverb units like the EMT® 140, with solid and superb interaction with the dynamic layers of your track.

It’s a great freeware plugin that should be considered among the best options available.

Related Reading:

29 Best Analog Obsession Plugins UPDATED 

2. Cymatics Space Lite

More Info & Download

The baby brother of the Space plugin, this Lite version comes with the same features and looks and can deliver an astonishing result at a zero-mark price tag.

It all starts at the “Dry/Wet” control, with the reverb modes underneath it. Next to it, the two rows of controls can take care of the delay, FX, and distortion aspects of the effect.

Finally, an EQ, width, filter, and in/out configurations can be made and tweaked right off the box. Everything in a very sleek and futuristic look.

Key Features:

• • Nice FXs
    You have “Pitch,” “Chorus,” “Flanger,” and “Phaser” as FX options, all of which can do wonders for your final result. The big deal is that they are not supposed to affect the entire sound but only the reverb signal. This way, you can have a better shape out of it. And the best thing is that a selection at the “Filter” control can have the FXs coming in before or after the signal. It’s a tremendous amount of power you can have at the modulation settings of this reverb.
  • Three reverb modes
    “Space,” “Hall Long,” and “Spring 1” are the modes available at this Lite version. It may seem not enough, but you can go very far with these three options. The “Spring 1” is the shortest of them, while the “Space” can give you awesome big dimensions, perfect for a synth pad or ambient sound.

Compatibility:

This plugin runs in macOS and Windows. It comes in VST and AU plugin formats and works in 64-bit only.

Summary:

The only significant difference between this Lite and the Complete version is the number of reverb modes available. All controls, settings, and adjustments are the same, showcasing how powerful this plugin is. It’s complete, refreshed, and well-designed enough to be amongst your favorite tools in any version you think suits you best.

3. Viator DSP Pastel Verb

More Info & Download

Arguably the best free option for a room simulation is available online.

It has a simple interface with a distribution of basic controls. The looks resemble an actual reverb unit or rack station, but not that fancy. All knobs show very detailed values underneath them, so it’s guaranteed to be precise down to a number.

You have a filter, dry and wet, and standard reverb adjustments without overwhelming presets or parameters at the screen. In just a few tweaks, you’ll have a fair simulation of room reverberation.

Key Features:

• • Filter
    With two basic configurations, “Steep” and “In,” you’re able to have a 24dB per octave or a 12dB per octave cut-off just by pressing this button. As you can select either one or the other, the intriguing part is how it interacts with the “Cutoff” and “Resonance” knobs. Plus, the “Drive” adds a nice soft-clipping distortion on top of it.
  • Separate master faders
    The wet and dry signals are separated via individual fader controls, and it’s precious to have it in a room simulation software because it can better sculpt the sound you want. They can run either in series or parallel, always conserving a clean audio signal.

Compatibility:

This plugin runs in macOS and Windows. It comes in VST3 and AU plugin formats.

Summary:

The best free option out there to help you simulate a room space. It’s sonically pleasant and can be extremely helpful to have it engaged without taking too much to reach a desirable configuration. Fewer controls can be welcoming to new users and show great results simultaneously.

4. Baby Audio Magic Dice

More Info & Download

A great randomizer-based option that can help you get out and have great presets adjusted to your tracks.

We mentioned their Spaced Out plugin earlier on this list, and now we have a “mini-version” of it here. Based on huge-sounding reverbs, this plugin comes in handy because of its straightforward working method: you have to press the “Magic Dice” at the screen to get a random nice-sounding preset.

Key Features:

• • As simple as it gets
    The Magic Dice is a collection of algorithmic presets from its bigger version, narrowed down to a single button. This can create a new experience while producing: you don’t have to tweak any values at all. Just trust the engine of this plugin.
  • Mix control
    Aside from the “Magic Dice,” you have a single fader controlling how the blend will come out of the plugin, being able to have a mix of the wet and dry signals instantly.

Compatibility:

This plugin runs in macOS 10.7 or higher (64-bit only) and Windows 7 or higher (64-bit only). It comes in VST, VST3, AU, and AAX plugin formats.

Summary:

The combinations are endless on this plugin. You’ll only have control over the randomization of the presets and the mix of both audio signals. This can be creative-inducing, challenging, and the exact formula you’d need to get your creative juices flowing freely.

5. Fuse Audio Labs VREV-666 (Spring Reverb)

More Info & Download

Inspired by an old 1960s circuit, this spring reverb brings the clarity, richness, and vibe that only a genuine vintage unit could offer.

This is not the most realistic or accurate recreation of a unit, and that’s just fine. Any sound input – an instrument, vocal line, or drum kit recording – will sound charismatic and vibrant, with just as few as four controls to be adjusted overall. It gets a characteristic of its own, and that’s when this plugin shines.

Key Features:

• • It’s on the knobs
    You have a mix stage, a pre-delay control with the possibility to go up to 150 milliseconds, an EQ capable of shaping out the tone of the spring section on the low-frequency range, and a dedicated limiter that helps tame the peaks on the spring tank. That’s as much as controlling as you’d get. The rest is up to you.
  • Friendly packaging
     Without much luxury, this is a pretty interface. It gets the woody, vintage feel of a genuine reverb unit from the 1960s. You can dial in the parameters like in an old gear: you better trust your ears over what you see on the screen.

 Compatibility:

This plugin runs in macOS 10.12 or higher (64-bit only) and Windows 7 or higher (32 and 64-bit). It comes in VST2, VST3, AU, and AAX plugin formats.

Summary:

Instead of spending many dollars on a unit worthy of big recording studios, this free plugin is a must-have in your DAW and will assist you just as any other similar recreation would.

The good thing is that it ends up being a great sounding tool on its own, capable of achieving perfect sound and identity on each nuance of the reverb. Nothing like a genuine unit, but very close to it.

Other Great Reverb Plugins:

iZotope Stratus 3D by Exponential Audio

More Info & Price (Trial Available)

iZotope Stratus 3D is a reverb with 3D Surround support, including Auro and Dolby Atmos.

It is one of those plugins you might need if you’re into film production or want to compose music in more complex formats than stereo.

Surround forms like Atmos, Auro, and others are becoming more popular, so there are now more sound options for movies and television than ever. The Stratus 3D reverb engine works well with these new output forms. Stratus 3D can create reflections with amazing clarity for up to 24-channel surround. It also gives you precise parameter controls that let you reshape and polish an ideal dimensional tone, track by track.

Key Features:

• Surround Options
  The plugin can work in stereo and mono and also with a surround that can go up to 7.1 channels, but a little bonus it has is that, as the name says, it has a 3D format that works well with Auro and Dolby Atmos. Every channel is de-emphasized, so if you fold the mix into mono, you don’t have to concern if you make drastic changes.
• Stem Options
  Stra is packed with stem options, which means that besides generating a surround from a mono track, you can also create a surround effect from an LCR input. You can also generate a 7.1 output from a 5.1 input, so the plugin is more than ready to give you endless control.
• Warp Function
  When you want your reverb to pop well, Stratus 3D has this function that incorporates a reduction, a compander, and an overdrive circuit that gives you timbre and dynamics control of your sound. With it, you can create ambient textures that can’t be created with other plugins on the market.
• Sound-Shaping Tools
  You can see an Input EQ with notch filters on reflections and a bandpass. These help you eliminate elements you don’t want included in your reverb.
  When you want to bring more clarity to your mixes, the plugin has a Dynamic control with a tail suppression that will help you achieve this. Also, if you want to blend the effect with your track more easily but not overcomplicate it, you get tempo control of the pre-delay and reverbs, and they are designed so that anyone can use them easily.

Compatibility:
iZotope Stratus 3D is available in VST, AAX, and AU formats (32-bit and 64-bit) for Windows 10,8,7 and macOS 10.12 – 10.15.

Summary:
Indeed, Stratus 3D does what it sets out to do. It is much cleaner, but it also offers much more open reverbs. It’s natural and works well on fx and dialogue, but also if you want to do a big ”dream verb” effect. It also works great with music, and if you’re not sure how you would do it, it has plenty of presets that will help.

Valhalla VintageVerb

More Info & Price (Trial Available)

Valhalla VintageVerb simulates the bright and warm reverb sound of the 70s and 80s and some digital reverb.

 It guides you about the function of each parameter in the lower section of the interface when the cursor hovers over it. The VintageVerb’s most promising feature is that it shows what every control does at the interface’s bottom section. It has a dedicated 2-band EQ and a separate shelf control EQ too.

Various factory presets and three different emulations give the reverb unique colors. You can choose between 17 different modes. It follows a signal flow from left to right.

Key Features:

• Three different colors offer different tones and textures. 
• “MODE” allows you to choose between different attacks, echo density, modulation, and tones for reverb. 
• Damping and dedicated 2-band EQ helps to adjust the EQ of reverberation. The “EQ” module is a post-EQ to control the reverb’s shrillness and muddiness, while damping helps to shelve different low and high frequencies. 
• Modulation controls the Chorus effect on reverberation, and the diffusion section gives you control over the early and late reflections of the signal.

In the Lower Section, you have three different controls.

• “Preset” will let you choose between some predefined reverb settings.
• “Mode” will let you choose the type of reverb you want for our audio.
• “Color” will let you choose between three different options:

1. 1970
2. 1980
3. Now

1970 will sound warmer compared to the bright reverb sound you had in the late 80s or as compared to today’s modern reverbs.

Compatibility:

Valhalla VintageVerb is available for 32 & 64-bit Microsoft Windows 7 or above in VST2 and VST3 formats and AAX format for 64-bit only. It is also available for macOS 10.13 or above in VST2, VST3, Audio Units, and AAX formats.

Summary:

Overall this plugin offers one of the best metal plate reverb emulations. So, if you’re looking for a dark-sounding reverb, this should be your go-to reverb plugin. Different modes combined with three different colors make this plugin sound versatile and clean. 

Audiority XenoVerb

More Info & Price (Trial Available)

XenoVerb is a multi-algorithm reverb plugin by Audiority. 

XenoVerb can provide all kinds of reverb styles and effects with its multiple reverb algorithms. Space is very important in Trance music, so a reverb plugin like this will be a great asset to Trance producers.

Key Features:

• Ten reverb algorithms
  XenoVerb offers ten reverb algorithms for both classic and creative reverb processing effects. Some of the algorithms are room, hall, plate 1 and 2, bode, formant, and glass. Each algorithm has eight parameters you can tweak, and some have different and unique controls too. The sound can be subtle and short or endlessly long, perfect for setting hauntingly beautiful atmospheres.
• Sound design freak
  XenoVerb excels in sound design purposes. The freeze button will create a loop in the internal buffer, which you can resample and do crazy effects with. Furthermore, the bode and formant algorithms are designed specifically for sound design. Bode has a frequency shifter that produces metallic tones, perfect for drones and atmospheres. Formant has a formant filter that produces resonances similar to vowel sounds produced by the human voice and can lead to some choir-like sounds.

Compatibility:

XenoVerb is available on Windows 7 or higher and macOS 11.0 or higher in VST2, VST3, and AU formats, 64-bit only.

Summary:

XenoVerb is a versatile reverb plugin perfect for all purposes if you need a comprehensive mixing reverb tool or even a creative sound design tool.

Related Reading:

Top 6 Reverb Plugins For Your Vocals 

Arturia Rev PLATE-140

More Info & Download (Trial Available)

The second Arturia plugin featured on our list intends to fully recreate the circuit of an EMT® 140 Reverb Unit and its vacuum preamp.

Since the late 1960s, reverb units have been desired in every professional recording studio. This classic unit’s smooth and resonant tones are brought to you on this great software, with a design that resembles the famous original equipment and all its characteristic controls at your fingertips.

You can choose between lots of presets or start turning some knobs. Any method is valid and instantly brings you the exact tones from the original circuit. Be it on a vocal part or in the drum kit.

This reverb is ready to sound like the best gear ever found in classic studios.

Key Features:

• • Three different plate types
    Dubbed “Punchy,” “Classic EMT,” and “Modern,” each plate type can help enhance a particular characteristic of your reverb unit. The first approach brings a tight feel, perfect for percussive sounds or instruments. The second recreates the lush sounds present on the original unit, and, lastly, the third option gives you a brighter sound, with enhanced high-frequency decay time – that can be adjusted at the “+” and “-“ buttons near.
  • Modulation
    The vintage-inspired knobs on this section cover the chorus modulation, selecting between “Pre” and “Post” options. They can interact either with the dry or wet signal, and the “Amount” knob will bring the beautiful chorus-like tones out of this plugin. It also has a switch to be turned on and off at any time.
  • Post equalizer
    With a high and low-shelf cut-off section, the post equalizer can also be activated or deactivated at any time and brings a “Gain” and “Freq” knob for each shelf. This is one of the best examples of how it can sound just like the original circuit, capturing every subtle nuance of the equalizer on your instrument or vocals.
  • Vintage preamp
    The preamp section is the most challenging step to capture appropriately on simulation software. Every unit would sound like no other due to each circuit and every component held within. But, fear not: Arturia has done it again, and every delicate aspect of this vacuum-tube-powered unit is present and can be tweaked with a single “Drive” knob.

Compatibility:

This plugin runs in macOS 10.13 or higher (64-bit only) and Windows 8.1 or higher (64-bit only). It comes in VST2.4, VST3, AU, NKS, and AAX plugin formats. Minimum 4GB of RAM and OpenGL 2.0 supported hardware are required.

Summary:

A perfect recreation of the classic EMT® 140 Reverb Unit, this plugin is tailored for anyone aiming for specific tones, only found on the original circuit.

The natural-sounding blending of the modulation and equalizer portions makes it sound authentic, not like a cheap copy of the source for inspiration.

It can be hard to find one for you, and with a much affordable price tag, Arturia delivers a great simulation that will leave you satisfied with the results.

denise Perfect Room

More Info & Price (Trial Available)

Based entirely on their innovative technology called TXVerb™, the denise team forced themselves into creating the perfect room simulator.

The denise team developed a clean and “unmetallic” sound at higher frequencies when simulating a room with their trademark technology.

The usual algorithmic reverbs out there are created using a combination of short delays to create the illusion of a sound reverberating in a particular space, hence creating a room simulation.  This is why this plugin sounds so natural to our ears.

The looks are effortless, and the screen itself is not that big: you visualize the sound spectrum at the center and some controls right below. All the room types, effects, and selections can be made via buttons such as the one on the upper-left corner or in the central part, like the “Shimmer” and “Detune” options.

Key Features:

• • Built-in Effects
    You can find a built-in shimmer reverb, great for pitch-shifting, a detune that can help with your modulation settings and an internal ducker, a side-chain compressor that compresses the wet signal and allows for long reverb tails to be crafted – which, by the way, have their control that adjusts its length.
  • Advanced technology
    The main feature of this plugin is how accurately it reproduces an ambient room reverberation. Thanks to their innovative TXVerb™ technology, you can choose between various room response modes and tweak them to fit your audio track better.
    
  • Single or master tracks
    Perfect Room can do its best on a single track and provide clearness to your voice, a tight grip on your drums, or the ideal airiness present while recording a guitar amp. But, just as lightly, it can be used on the master track to tie everything on the mix together, creating a sound space between the band members and making the overall ensemble sound their best.

Compatibility:

This plugin runs in macOS 10.7 or higher (64-bit only) and Windows 7 or higher (64-bit only). It comes in VST, VST3, AU, and AAX plugin formats.

Summary:

This plugin proves that modern innovations are always at the corner. Improvements and recreations of classic gear or physical sound effects are constant, and denise has brought their best attempt to do it.

All room simulation is possible due to their trademark technology, and the results are beautiful – no metallic color when choosing a room type, just clean and wide ambiances. Vocalists, in particular, can get comfortable with this plugin, but all musicians can benefit from its clearness.

Native Instruments RAUM

More Info & Price (Trial Available)

A very creative reverb developed by Native Instruments that can be your perfect sound design tool with a flexible and straightforward workflow.

This plugin can do what reverbs usually do, but with the addition of doing more creative and unusual stuff with it. This is possible because RAUM was developed with many uses in mind, not with a particular setup or adjusted to a specific instrument.

You’ll see that their response is not like regular reverb plugins when you dial in any control. For example, tweaking the “Feedback” knob can bring a long tail, with many beautiful overtones sparkling in what’s been played.

Sculpt the frequency range with the “Low Cut” and “High Cut” controls and have the perfect high or low end easily set, and you’re good to go. It’s guaranteed to sound very refreshing and new.

Key Features:

• • Three algorithms
    This plugin is based on three reverb types: “Airy,” “Cosmic,” and “Grounded.” Each can have a strong character on its own, which affects how you can control it. The “Cosmic” mode is the only one that doesn’t feature a “Freeze” option, but at the same time is the most impressive-sounding profile that relates to massive sounds. It’s all about what your sound needs.
  • Made to sound right
    Every response is unique and from a new perspective. An ambiance track, a lush pads recording, or an excellent reverb for your guitar: all these situations can get into RAUM’s scope, and you’ll be satisfied. The Low and High Cut knobs can be essential when trimming the edges on leftover frequencies, while the amount of “Mix” will surely set the parameter for what kind of spatial mood you’ll have.
  • The controls you know, but renewed
    The general idea here is to have the most common uses attended, but with the addition that you can get a new approach to how a reverb should behave. Each profile controls time-related settings, modulation configurations, and blends between dry and wet signals. However, each knob might be pushed to limits not commonly known and work just as fine. It’s about experimentation and creativity.

Compatibility:

This plugin runs in macOS 10.15 or higher (64-bit only) and Windows 10 or higher (64-bit only). It comes in VST, VST3, AU, and AAX plugin formats. Minimum 4GB of RAM, Dual-Core i5 Processor, and OpenGL 2.1 or higher supported hardware required.

Summary:

Fabian Esqueda and Julian Parker are the masterminds behind this excellent plugin. They wanted it to sound unique and ambitious from the beginning, and they probably got that right. The controls are not so different from what you’re used to, a great chance to do more and different without getting too much lost in it.

You can conventionally use this, and it will sound good just the same. But the main thing here is to explore and experiment, creating new sounds in the process.

Related Reading:

Top 20 Native Instruments Plugins & Kontakt Libraries 

Waves LoFi Space

More Info & Price (Trial Available)

This is an excellent combo of reverb and delay plugin, with an appealing design and ready to bring a saturated depth and an analog character to your sound.

It’s imperative to have a nice feel when adding reverb and echo on any track. These are effects that can suddenly change the overall characteristics of the sound, sometimes in a dramatic way. Plugins like LoFi Space get kudos for getting all these boxes ticked and bringing a unique feel to your production.

The graphic interface is very cool and vintage-inspired, and so are its sounds. Aimed at a saturated analog profile, the LoFi Space has two distinct sections, one for each effect.

Not so many knobs around, just what you’ll need to trim the perfect tone. Both sections have their own “Level” control, so you can tweak and saturate the amount you want on each individually.

Key Features:

• • Sync the delay
    Your delay can easily be adjusted in three ways: typing in the value, syncing to its host or modifying it in milliseconds. Each method can be helpful, either when you need to have the perfect repetitions synced with what you’re playing or to mimic those vintage digital delays down to the exact millisecond mark.
  • Ping pong
    A ping pong delay is an excellent feature to be included alongside a reverb. If you tweak it according to the “Mono” knob at the bottom-left screen, you can have the echo effect sounding awesome in a stereo situation. While the knob tunes down your spacing, the ping pong will make use of the stereo setting and delivery awesome repetitions throughout the left and right speakers.
  • Two reverb types
    The “Spring” and “Plate” types can be switched instantly, going from different textures and qualities in no time. Tweaking the “Length” and “Level” controls accordingly might introduce all the big sounds you were looking for, with two distinct personalities to it. The “Plate” tends to be a bit brighter than the “Spring” option, so the “HP” and “LP” knobs can help you set the perfect resonance to it.

Compatibility:

This plugin runs in macOS 10.14.6 to 12.0.1 (64-bit only) and Windows 10 or higher (64-bit only). It comes as a V13 Waves plugin in VST, VST3, AU, and AAX formats. Minimum 8GB of RAM required.

Summary:

A nostalgic feel is present on LoFi Space, and its simplicity is one of the greatest appeals for this Waves plugin. Nothing is too fancy at controlling each parameter, but the distinctive sound characteristic you get from them is remarkable.

The combination of reverb and echo is perfect and meant for one another, but you can also dig the same analog tones running each effect on its own. This straightforward and bold effect can bring lots of personality to your production.

Related Reading:

20 Best Waves Plugins For Mixing, Mastering & Producing

United Plugins Hyperspace

More Info & Price (Trial Available)

This is the attempt of United Plugins to create a reverb plugin true to its essence. It does not imitate any hardware; instead, it’s a great bunch of algorithms working together.

With a very polished interface, Hyperspace presents itself as a combination of reverb types (or algorithms) that can interact with one another or do their best with many fantastic controls. They are divided by colors throughout the screen, so you can quickly learn what each is for.

There are six modes ready to create the perfect atmosphere for your sound. The blue section is responsible for controlling the virtual space – standard controls such as “Time” and “Size” that will define the essential characteristics of the reverb.

The orange part is responsible for four effects that will influence how you create your space, and the green section has controls designed to sit the effect properly on the mix. The pink pads, “Algorithm” and “Character,” control each of the six modes according to each character.

Key Features:

• • Random modes
    The three dices at the screen’s upper-right corner can bring striking new combinations that showcase this plugin’s power. Each setting can be altered and tweaked to your taste. Still, the United Plugins’ team dedicated precious time to improving the machine-learning processes and bringing only the best results possible.
  • Six algorithms
    The “Vintage”, “Classic”, “Retro”, “Modern”, “Sci-Fi”, and “Modern” modes are, in reality, six different algorithms designed to recreate a particular reverb sound character. They can be assignable, editable, and relatable to one another and feature the best reason why this plugin sounds so authentically.
  • Double pads
    The XY configuration is authentic and invites you to tweak precisely the sound profile you want to come out of the plugin. The center of the screen features two pads that can be controlled with your mouse cursor. On the left, the “Algorithm” pad adjusts the values and structure on each particular mode, while the right-sided pad dubbed “Character” does pretty much what the name implies – dial the character in each distinct mode.
  • Room simulation
    Apart from the majestic ambient sounds you can get out of it, some great room simulations are present. They can each be under the influence of the same controls mentioned so far, and the machine-learning process showcases again how much time and dedication the team put into this software.

Compatibility:

This plugin runs in macOS 10.10 or higher (64-bit only) and Windows 8 or higher (32 and 64-bit). It comes in VST, VST3, AU, and AAX plugin formats.

Summary:

A tremendous sonic tool on its own, Hyperspace is an excellent reverb plugin software. It’s not about simulations but what a set of algorithms can do to your track. The intuitive design and controls are a perfect stimulant for a more creative work session, especially when the double pads are involved.

The color division makes everything organized and easy to find. The variety of reverb modes can please most producers out there, who might want to consider having this as the primary source for ambiance-type textures.

D16 Group Toraverb

More Info & Price (Trial Available)

D16 Group Toraverb 2, released in 2018, is a reverb plugin that emulates analog hardware modules.

It stays pretty clean while offering precise diffusion control. You can choose between different EQ filter types and control the 2-bands of EQ using two different knobs. The level control on output helps in the gain matching. 

Key Features:

• Early Time & Late Time: these bars control the reverb’s early and late reflections. Early and Late controls balance both reflections. Different EQ sets for early and late reflection tabs help you adjust the early and late reflection time frequencies.
• Diffusion: by eliminating almost all flutter echo across multiple sound sources, the Toraverb delivers excellent diffusion quality from sharp to smooth.
• Crosstalk: the plugin’s algorithmic cross-talk creates a better sense of space localization by bouncing some frequencies back between channels.

Compatibility:

D16 Group Toraverb 2 Reverb is available for 32 & 64-bit Microsoft Windows 7 or above in VST / AAX formats and macOS 10.07 or above in VST AU / VST / AAX for 32 & 64-bit OS.

Summary:

New users might feel that the controls on D16 Toraverb 2 are a bit complex, but once they get used to it, they will surely appreciate the amount of control this plugin has to offer and the overall characteristics of the reverb. It takes very less processing power, so you can use multiple instances without worrying about hangs and crashes.

United Plugins & Muramasa Audio – MorphVerb

More Info & Price (Trial Available)

Two great companies teamed up to bring a reverb that should attend to every modern requirement and fit in every sound-crafting production.

From the first time you open it, it’s clear that the action revolves around the circular menu on the left. Sliding up that wheel will bring the most characteristic sounds of reverb to you, with the possibility to blend them as you go.

The overall tweaking and polishing can be done via all the other knobs present on the right side, including the visual sound spectrum of the effect. Regular “Width,” “Modulation,” and “Pre-Delay” controls are present, but a built-in compressor and saturator are there as well.

Key Features:

• • Nine different algorithms
    In addition to a selection of nine different reverbs – “Spring,” “Ambience,” “Echoes,” “Room,” “Plate,” “Chamber,” “Hall,” “Cathedral,” and “Infinite” – that can sound uniquely on their own, you can blend in between some of them: all you have to do is move between two styles that are close to each other so that you can get a nice mixture of both.
  • Dampening
    This is where you can better adjust the reverb tail. The different catch here is that you have “Low” and “High” knobs. Rolling the “Low” on maximum and “High” on the minimum will bring all the high-end frequencies of the spectrum and vice-versa. It can be used with subtlety and delicacy to get that perfect ambiance in your texture.
  • Ducking
    This precise control is constructive when dealing with vocals or any tracks that require cleanness. Basically, with the “Depth” knob, you can “duck” away from the wet signal when the dry is present, and the “Time” knob tells how quickly the reverb will come back in, in a fade-in way or more instantaneously.
  • Spectrogram
    This is an excellent visualization tool that features a high-pass and low-pass filter. It helps to visualize and adjust the frequency response of the effect instantly, just by tweaking the HPF or LPF marks according to the frequency spectrum.

Compatibility:

This plugin runs in macOS 10.10 or higher (64-bit only) and Windows 8 or higher (32 and 64-bit). It comes in VST, VST3, AU, and AAX plugin formats.

Summary:

Simple to use and without many alterations from what we know of reverbs, this is a classic plugin for instruments, vocals, or samples. You won’t have much trouble getting a good sound out of it, and this is because every concept present is explored in a powerful yet known way.

The reverb types are shown in an intensity order, from the shortest to the lengthiest styles, and the possibility to go in between two different settings makes this plugin unique and diverse.

Conclusion

Reverb has been a classic effect in the music production world since the 1950s. Great reverb hardware was created in a fantastic variety of styles and used until today. It’s arguably among the top 3 most common effects out there, helping producers, vocalists, guitarists, drummers, and voice-over artists (just to name a few) to sound better than ever.

If that’s your job and you’re searching for the plugin that best suits you, I hope you’ve found what you’re looking for. On this list, we found out that Arturia’s Rev PLATE-140 (bonus section) is a 1:1 recreation of the original circuit of a classic reverb unit present in every major recording studio.

This plugin might be your best choice if you need to capture a unit’s vintage feel and response. You also have a freeware equivalent, the Fuse Audio Labs’ VREV-666, that can be an excellent option if the budget of the former plugin doesn’t fit you.

However, if you look for an original reverb plugin that will sound like no other, United Plugins’ Hyperspace might suit you perfectly. It’s modern on the looks but retains the same usual controls and brings a character of its own with its intelligent algorithms and the possibility to blend them into each other.

Cymatics’ Space Lite is the closest freeware alternative I’d suggest, with a fresh new look and great modern sound, although limited to three reverb types only.

Arturia’s REV Intensity is a modern and bold reverb plugin featuring envelope functions ready to customize your modulation. Its approach is unique and certainly pushes the effect to its limits.

It’s a beautiful match for anyone trying to get the best out of a wavetable synth or just creating huge dynamic layers. Native Instruments’ RAUM is another incredible experimental tool that might be worth checking out.

As I’ve mentioned earlier, it’s all about what’s your priority. You can choose between classic, innovative reproductions or simple tools to assist your workflow on this list. Each can dramatically interact with your tracks, bringing new life to your ideas. That’s why it’s essential to test the plugins and see what you can do with them.

I hope this was helpful. See you next time!