Today we’re going to talk about the top 12 reverb pedals for vocals 2023 from top brands because we know how important it is to have control over your tone of voice in the studio and, more importantly, in concert.
It may appear that only guitarists and bassists have access to such a wide variety of effects pedals, but who says that’s the case? For example, many guitar effects pedals can be utilized for vocals with slight tweaks because many do not offer XLR inputs. However, there are several products available that can help you out with vocal-only solutions.
Since the most common and practical application of reverb pedals is to mimic studio effects on stage, we’ve compiled the top 12 reverb pedals for vocals 2023 from top brands to showcase a wide variety of these options. Some of these are made only for vocal use, while others are made to affect both the vocals and the acoustic guitars of singers/songwriters.
Top 12 Reverb Pedals for Vocals 2023
1. Behringer Digital Reverb DR600
The DR600 effect pedal will let you use high-quality studio reverbs with your live voice setup.
Deep and rich reverbs may be generated with this 24-bit digital reverb pedal. To create a chorus effect, slightly detune the reverb tail with the Modulate option. The signal can be played back in mono or split between two amplifiers for booming stereo sound. If you pick up the DR600 effect pedal, give your music that extra something.
The product has a classic big on/off stomp button, two jacks for input and output, a status LED, and the typical Behringer plastic housing and design. Typical of the brand, this pedal skimps on the surface while packing several high-end components and circuitry inside.
There’s nothing visually wrong with it, but we can’t imagine the plastic case holding up as well as the metal ones found on products by Boss or TC Electronics. However, you can launch a sonic attack on a target twice as close as those other businesses for half the price. If you take good care of this one and don’t stomp on it or drop it, it will last you for years.
There are four conventional reverb controls on the board. The level knob sets the volume of the reverb effect incorporated into your audio output. Incredibly easy to understand and implement. The reverb’s brightness can be changed using the tone slider.
The more you crank it up, the darker and more enormous your tone will become. The pedal’s Time knob determines the duration of the reverb or echoes it creates. As more is included, the playing area expands to accommodate the new components. Changing the reverb’s Mode allows you to choose from various reverb types, each with its signature sound. Plate, Spring, Gate, Hall, Modulate, and Room are possibilities.
Character & Sound:
It has been pointed out that this pedal’s sound quality is comparable to that of products costing twice as much. The simplicity of this pedal is another reason for its widespread acclaim.
All control knobs are not simply self-explanatory but produce a crystal clear auditory representation of their exact influence on your sound output. First, it’s suggested that you set all dials to noon and then choose the Mode that works best for you. Then, alter that Mode with the remaining three parameters to meet your needs.
Compared to other cheap reverb pedals, this is easily in the running for “best.” It offers outstanding value for money in just about every category, and perhaps most crucially – you can’t match the audio quality within this price range. The view from here is unanimously positive.
This pedal breaks down quickly; most users who reported this said that it did not work for more than three days, with many saying that after 5 minutes of use, it broke down. The problem relates to an inconsistent sound, which seems to stop during the performance.
2. JHS 3 Series Reverb
This particular reverb pedal belongs to a family of pedals released by JHS under the JHS 3 Series.
The JHS 3 series answers 2 major questions. First, can a pedal be under 100 dollars? And second, can a pedal be so simple that anyone can use it easily? The answer to both these questions is a resounding “Yes!” according to the people working at JHS. The JHS 3 series offer multiple pedals for the modern-day musician.
This particular series from JHS includes seven different pedals that cover all major effects, including Overdrive, Delay, Chorus, Distortion, Compressor, Reverb, and Fuzz. Every single pedal looks exactly the same and comes in a white metallic exterior with a single footswitch, a couple of I/O options, and just three knobs that control the relevant parameters, hence the name JHS “3” Series.
- Verb & EQ
The JHS 3 Series Reverb Pedal has a very simple control setup. The interface has just three control knobs. Starting from the left, the first knob is the “Verb” knob. This changes the intensity of the reverb effect. You can set the reverb to sound like a small room environment to a spacious large hall ambiance depending on the need of the hour.
Next to the verb knob is the “EQ” knob. This self-explanatory knob gives the option of rolling off frequencies in the higher and lower frequency ranges. As you move to the left, the sound darkens. Finally, on the far right, you get the brightest-sounding tones.
- Decay & Pre-Delay
The third knob on the JHS 3 Series Reverb Pedal adjusts the “Decay” of the reverb. Moving the knob to the left will shorten the reverb trail while turning it to the right will decrease the trail, which means that the reverb effect will diminish quickly.
You’ll also find a “Pre-Delay” switch on the JHS 3 Series Reverb Pedal. When the switch is turned up, it creates a short pause between the audio signal and the time the reverb comes into effect.
- Inputs & Outputs
The I/O jacks are as simple as the pedal’s layout. You’ll find a single quarter-inch jack on the left for the input signal of your instrument and a quarter-inch jack for the unit’s output which can be routed to an amp. There’s also a power jack on the back of the unit, whereas the power supply needs to be purchased separately. The JHS 3 Series Reverb Pedal doesn’t run on batteries.
Character & Sound:
Adding reverb to your guitar effects chain will give your sound more dimension and personality. The pedal’s adaptability makes it desirable among guitarists; it can produce anything from subtle reverb washes to a massive hall-filling ambiance.
The EQ controls the voicing’s brightness and darkness, while the verb controls the wet/dry signal mix. By adjusting the decay, you can adjust the overall duration of the reverb. There are the usual three knobs plus a delay toggle. This knob, typically found on high-end pedals, delays the reverb’s effect after you play, allowing you to experiment with sounds like “singing in the shower” slaps and “spacey flavors.”
The JHS 3 Series Reverb Pedal is extremely affordable as it’s hard to come by an American-made pedal with such capabilities under the 100-dollar mark. The build is solid, and the unit measures just 1.22 by 2.38 by 4.42 inches and doesn’t take much room on the pedal board. If you’re a beginner/intermediate player or just a fan of simple pedals, the JHS 3 Reverb pedal fits the bill perfectly.
While very fancy in its appearance, the pre-delay switch doesn’t do much and is too subtle to be excited about. Also, since the JHS series is all about simplicity, if you’re a fan of multiple knob controls and tinkering with every little aspect of an effects pedal, perhaps you won’t be too impressed with the JHS 3 series as a whole.
3. TC-Helicon Mic Mechanic 2
The VoiceTone Mic Mechanic 2 from TC-Helicon, is a compact and simple vocal effects pedal.
With a 9-volt battery operation to accommodate standard pedalboard power supplies better. If you have a fantastic voice or are just trying to get through a song, this pedal will help you sound even better. To give you studio-quality reverb, delay, and natural-sounding pitch correction, Mic Mechanic 2 strips away the unnecessary frills.
Every studio and concert hall on the planet uses reverb as a standard vocal effect. Mic Mechanic 2’s sumptuous reverbs, culled from TC-flagship Helicon’s VoiceLive collection, give your voice the studio-quality atmosphere of spaces large and small.
Mic Mechanic 2’s Delay lets you add a crucial impact to your vocal sound, from quick slaps to complete repeated phrases. In addition, Mic Mechanic 2 makes it simple to adjust the delay’s tempo to fit your song’s tempo. This pedal ensures that your singing will sound professional and polished in the studio.
Unless you choose extreme (and noticeable) pitch manipulation, the Pitch Correction will gently direct your voice to the “correct” note you’re singing. Mic Mechanic 2 takes over to help guide your voice in the appropriate direction. This pedal is your ticket to vocal greatness, whether you’re looking for subtle “help” or a jarring effect.
- Adaptive Tone
The Adaptive Tone feature in Mic Mechanic 2 automatically adjusts the EQ and dynamics as you sing. The “tone” of your voice is automatically optimized while you speak by constantly changing the various effects. Without needing a million-dollar microphone and a world-class engineer, this little pedal will help you get professional sound.
Character & Sound:
Now, a tiny stomp pedal is trying to accomplish the work that a bigger one once did. At first glance, there are trade-offs when using 3 or 4 TC pedals. You’ll have to manually adjust the effects mid-performance if you want to make any adjustments, as the tonal control is either on or off, the pitch correction has just one knob, and there’s no other way to adjust the effects’ dryness or wetness.
Hold the results bypass switch until the impact on light flashes, and TC has cleverly built a tap tempo within the control. Since the Mic Mechanic sounded great right out of the box, it didn’t give a hoot about the drawbacks that were supposedly a part of it.
The adaptive tone feature allowed your voice to be heard clearly above the band, ample, lush effects could be set up in seconds and sounded excellent, and the pitch correction was the most natural ever heard from a live setup. Your vocals had extra “pop” due to all these factors.
The TC Helicon Mic Mechanic, available for $150.00, is one of the nicest sounding modern voice processors on the market and readily competes with voice processors costing three to four times as much. It’s a simple, compact product that sounds wonderful straight from the box, thanks to the high-quality effects you can only create in a recording studio.
Mic Mechanic 2 may be adequate if you only need slight adjustments to your pitch to sing clearly. That sounds terrible, though, if you need more than a little tweaking. Extremely artificial and manipulated. Users often go through two units yearly due to simply burnout and inability to function. We can’t afford for it to stop working in the middle of a rehearsal or, God forbid, the actual live performance.
4. Walrus Audio Fathom Multi-function Reverb
The Walrus Audio Fathom reverb pedal will enchant you whether you use it to provide a hint of ambiance or to immerse your tone in intriguing washes of sound completely.
Four reverb algorithms are at your disposal, allowing you to create everything from small, intimate rooms to large, broad, and textured waves of echo. Sustaining a sound while playing over it is made possible by a switch.
While bypass is depressed, Fathom reverb can be utilized as a transient effect, making it suitable for every situation. For a shimmering, great effect, try this pedal, a versatile reverb that features a Sonar reverb effect with two octaves.
You can tweak the Fathom reverb pedal’s pre-delay duration in the Hall mode for a more or less spacious sound. The Plate mode offers a dramatic plate reverb sound with a nuanced midrange and a tunable pre-delay. Sonar mode uses high and low octaves with various blending possibilities for shimmering effects.
This pedal includes a sustained control that allows rapid access to this technique. Stepping on the sustain switch will temporarily halt the effect when playing over a reverb effect.
- Momentary Switching
The Fathom’s bypass footswitch does what it’s supposed to do, allowing you to activate and deactivate the effect with the press of a button. Stepping and holding it into momentary mode enables you to highlight a specific note with reverb. The configurable trails option allows you to augment your performance with reverberant bursts without diluting your sound.
- X Knob
The X control changes behavior depending on the current configuration. To adjust the pre-delay independently of whether the hall or plate reverb is active, use the X knob. In lo-fi mode, the x knob controls the low end to mimic an old AM radio.
It is possible to alter the octave by utilizing the x function on the sonar. Turning the x knob in either way causes the signal to reverberate at different octaves, which is helpful for sonar because it allows for high and low octaves to be used. The mod switch can change the modulation level from low to high. Fathom Reverb’s X knob can create fluid and ethereal tones.
- Lo-Fi Mode
The lo-fi mode is just a filtered reverb, whereas the sonar mode replicates the reverb by using the guitar’s high and low octaves. While the blue box’s sonar mode is its most extreme setting, the other knobs allow you to dial in effect to sound more like an organ or synth or give subtle texture to your performance.
Character & Sound:
Mix, decay, and dampen parameters allow you to get genuinely ethereal tones, while the sustain is the quickest path to outer space licks à la David Gilmour. If you’re after a bright, airy style, this pedal could be what you’re looking for.
With the adjustment of a dial, you may create breathtaking soundscapes akin to those in Explosions in the Sky, as well as iconic 1960s tones. Make the most of the pedal by pressing the mod switch’s middle position and the sustain button. A great method to add flair to a solo is temporarily activating a reverb effect by pressing and holding the bypass switch in the off position.
The controls are straightforward, and you may use the mod toggle to eliminate the feel of everything. The implementation of “shimmer” (or “sonar”) is particularly beautifully done. The x and damping knobs let you dial in effect to perfection, giving the shimmer a wide range of customization options. Both the design and execution are of the greatest quality.
They did not include batteries or a power supply with this pedal. A 9-volt, center-negative DC power supply of 100ma is specified in the user manual. Specifically, it recommends employing a standalone power supply (it would be helpful if the vendor included this information at the point of sale).
Center positives are the norm for adapter tips, making the “central negative” an anomaly. Even with a reversible-pin universal converter, you could hear a buzzing sound if you plug this into a regular wall socket.
5. Empress Effects Reverb
Regarding spatial effects pedals, none compare to the Empress Reverb.
This pedal’s over 32 individual reverb algorithms properly mimic classic reverb sounds, even in stereo. Its main merits, however, lay in the wide variety of reverbs it provides, which range from ambient to experimental and include effects like dazzling octave reverb, lo-fi, ambient swell, and ghost mode, also the EQ controls and the two movable knobs allow for infinite fine-tuning of all parameters.
Out of 32 reverbs, 12 are accessible via the interface, including classic and experimental styles. Various sub-options allow for interesting alterations to the default tones, such as hall mode for clean, modern reverb, sparkle reverb for octave-up, and positively otherworldly down reverb.
These choices are a ton of fun, and they feature widely used voicings for adjusting your sound in certain ways, such as bright spring and dark spring or traditional plate and studio plate. Each mode has an infinite option that may be activated by holding the footswitch in place for a continuous, alien ambient wash and tap tempo control.
You may save 35 different reverb settings in the Empress Reverb, all of which can be quickly accessed with the help of the streamlined interface. You can easily see where you stand in your bank by the LED lights, which change color as you progress through the five groups of presets that you can access by using the central scroll footswitch. To start, select a profile by pressing the left foot switch.
Payers like this system because it’s so easy to use, but it doesn’t rely on any screens, which can break and cause problems. But if you want to experiment with various preset arrangements, you can do so via the pedal’s advanced options, which give you a great deal of control.
In addition to the internal quality of the Empress Reverb’s controls, the pedal’s abundance of external controls sets it out from the pack of pedal sharks. An expression pedal can be connected to MIDI, an external audio controller, or even the pedal’s voltage to fast change the tone. In addition, the three-mode cabinet simulator helps track live performances and dry runs.
This pedal is powered by robust firmware regularly updated with new effects and algorithms. All you have to do to update the firmware on your Empress Reverb is locate the appropriate files on your computer and insert the SD card into the slot provided.
Multiple delay lines are usually routed ingeniously to create a reverb tail with a natural-sounding decay. When a pedal modulates the delay line, the repeats take on a faint chorus quality. Since all of the delay lines in a modulated reverb tail are also being modulated, the overall effect is similar to that of a chorus. Still, the individual pulses are lost in the din.
These settings are compatible with a wide range of musical genres and instrumentation. This is the place to go if you want to add bulk and warmth to an item. To use a metaphor, it’s like a Canadian winter night, and the guitar sound is wrapped in a giant fluffy blanket.
Character & Sound:
The numerous modes available on each pedal could fill a dissertation, so we’ll only cover three here: Spring, Plate, and Hall. Even though the Empress has three Spring modes, you can adjust fewer parameters than the Emperor and the Prince.
The Bright mode, which emulates a Fender Twin Reverb, is the most desirable of the three effects pedals. It also features Dark, which emulates a Fender Deluxe, and Overdrive, a novel concept that, when applied to our Fender Hot Rod Deluxe, results in a pretty nasal tone after 2 o’clock on the Mix knob. Dark mode on the Empress makes it sound wetter and less defined than the Hot Rod’s integrated analog spring reverb.
Only those willing to spend time crafting nuanced textures can benefit from the Empress Reverb. Although fantastic tones may be quickly and readily achieved using the standard reverb simulations, the type of player who appreciates spending a weekend exploring every possibility will find that Empress rewards them.
There is a good chance that players with no desire to engage in this kind of discovery will only be able to afford to buy it. However, individuals who enjoy delving further into a topic likely find the flexibility and user-friendly interface well worth the cost.
These pedals provide a fantastic sound, but if they stop working, you’ll be glad you saved up some money. Some units are of low quality and malfunction frequently, making repair costs prohibitive (some dealers charge money to repair them even if the pedals are under warranty). Given the high price tag, they might easily ignore the power supply for this pedal.
6. TC-Helicon VoiceTone R1
Instead of relying on the sound engineer, you can take control of your vocal sound using TC-Helicon.
The new VoiceTone effects pedal series places a guitar-style tone knob right at your feet. Changing your vocal tone in the middle of a performance is as simple as flipping a switch. If you purchase the additional microphone, you can adjust the volume.
Character & Sound:
The reverb effect used here is one used professionally and is specifically designed for use with vocals. To achieve the desired effect, adjust the Wet/Dry knob and select from various reverb flavors. You’re already a confident singer, but the pedal will offer you even more control over your voice at any time. Join it in a chain with other TC-Helicon VoiceTone pedals for even more on-stage mayhem.
Technical controls may fine-tune the R1’s eight distinct reverbs in a flash. If you’re using a microphone that supports “mic control” technology, you can adjust the gain so that you don’t clip the input, and you can turn the mic on and off with a foot switch when you want to address the crowd. The R1 is built to last through years of performance, and it even has a USB port for updating its firmware in the future.
The pedal is a little reverb effects pedal particularly suited for vocals. TC-flagship Helicon’s VoicePro processor’s reverb algorithms are included here; the unit is suitable for both live and studio applications. It contains a conventional XLR input for hooking your mic and an XLR output to send to your mixing station. It runs on the accompanying 9v power adapter. You may use it with other pedals in the VoiceTone Singles series for even more vocal processing options, including EQ and compression.
The R1 is a significant upgrade in quality and versatility over the built-in reverbs available on many live mixing desks. All of the reverbs are explicitly tailored to vocals, making it simple to get a fantastic effect. The R1 is particularly beneficial if you do not have reverb on your existing live mixing desk.
It may be placed directly after your microphone without needing a send or return aux channel, unlike some other reverb units. When it comes down to it, the R1 is a fantastic option if you want to quickly and easily improve the sound of your live voice with reverb.
If you’re looking for more than just reverb but don’t want to spend too much more than necessary, check out TC-Mic Helicon’s Mechanic or Harmony Singer. These devices include advanced effects like EQ and compression in addition to reverb.
When compared to TC-more Helicon’s expensive offerings, such as the VoiceLive Play, the R1’s collection of reverb effects is limited. It’s worth noting that you can only use reverbs in mono, which may be a turnoff for certain users, given that there is only one XLR output.
People had trouble getting it to work in a noisy environment since turning the mic gain control knob high enough to cut through the mix caused significant distortion in the speakers. This echo fluctuates from being hardly audible and completely overwhelming. It doesn’t matter what team you’re on. The only other reverb that comes close to Hall’s authenticity is plate. They use a Hi-Pass filter to make the singers sound terrible.
7. Fender Hammertone Reverb
The Fender Hammertone Reverb combines three distinct reverb types onto one pedal, allowing you to create your custom reverb effect.
There will be dedicated settings on your Hammertone and a multi-tone selection to help you zero in on the perfect reverb sound. You can create a one-of-a-kind reverb effect by adjusting these knobs together.
Also, vocalists like how this pedal’s compact design makes it a great addition to any pedal board setup. Its true-bypass layout also makes it ideal for use in the studio, rehearsal space, and onstage. The Hammertone Reverb is an inexpensive reverb for musicians of all skill levels.
Hammertone effects are built to be workhorses of the pedalboard, and their name reflects that in the pedal’s aluminum chassis, which features a sturdy hammered surface.
The three knobs for setting the time, dampness, and volume are a beautiful nod to the original, legendary Fender ‘F Logo’ knobs. With just two toggle switches for reverb type and tone, you can set up the Hammertone Reverb quickly and easily for great results.
The connections for the power supply and the audio in and out cables are all on the pedal, allowing the player to arrange many pedals in a compact side-by-side arrangement on a pedalboard. The vocal tone is not modified, thanks to the true bypass switching on the pedal.
The Hammertone Reverb is equipped with a three-position toggle switch that allows the user to choose between hall, room, and plate reverb effects. Curiously, Fender didn’t include a spring reverb effect, given the legendary status of their vintage spring reverbs.
Still, the three other reverb types make the Hammertone Reverb anything but a one-trick pony. Reverb effects ranging from soft ambient to ethereal enchantment can be achieved using these three types in conjunction with the robust, wide-reaching damp and time parameter controls.
- Toggle Switch
The hall effect is activated by toggling the “type” control to the “up” position, producing a magnificent reverberation that beautifully sustains and decays the more nuanced midrange parts. This effect highlights the crispness and sparkle of the high end without making it shrill, and it is overlaid with lush and sweeping lows and middles.
The hall’s resonant qualities provide a pleasant harmonic balance to various musical styles. A larger reverb period combined with a fuzz or distortion pedal makes it easy to get those iconic dirty shoegaze tones, while a shorter reverb time gives great richness for jazz and neo-soul cleans.
There are some audible variances in frequency response when switching from the hall setting to the room effect, but the reverb’s magnificent essence is still there. The space generates a scooped tone, with the high and low frequencies being given more weight than usual.
Thus, note definition and picking accents are apparent, and the soft thud in the bass end complements these traits nicely. Arpeggios were especially enjoyable to play because the varying tone qualities of the strings across the instrument gave the music a richer depth and dimension.
Character & Sound:
In the more out-there styles of music, the Hammertone Reverb shines as more of a feature effect. The signers have a lot of leeway in fine-tuning the sound thanks to the potent damp dial and tone switch and the wide range of reverb varieties available.
It’s great that the Hammertone Reverb doesn’t cause any audible level change when activated; this makes it easy to incorporate the effect into preexisting musical arrangements.
The Hammertone Reverb is a perfect example of what makes Fender products so well-liked by guitarists and amplifier and effect users alike, thanks to its solid construction, three effect types, and controls that allow for fine-tuning of its sonic characteristics. This is a great option if you’re seeking to add some organic reverb to your vocal chain or a guitarist is searching for some flexible ambiance.
When you wish to modify the sound more extreme, you will find that the pedal does not have any delay times, which can be very frustrating. Additionally, the pedal appears to have some glitches in the low-damping area, which is a little bit annoying.
8. Boss VE-20 Vocal Performer
The Vocal Effects Processor from Boss, Model VE-20, features an onboard looper and many other effects.
This pedal combines numerous types of units, making it harder and harder to identify a single, ideal component. As a result, you can expect a 50 percent reduction in expenses and increased simplicity throughout the process.
Some vocal processors are ‘pure,’ meaning they can only handle the signal from your microphone. The Boss VE-20 was designed with singers in mind, including all the tools necessary to perfect your vocal performance. It may lack a guitar input, but it’s very flexible. On top of that, it has all the excellent characteristics of Boss that fans appreciate.
Character & Sound:
Unlike most effects pedals, the Boss VE-20 is designed specifically for bass guitar. There are several knobs and buttons on the device, but you must do all the fine-tuning through the menu. This is not unexpected, considering that most vocal processors and multi-effects devices adhere to a typical architecture.
Exit allows you to go back to a previous screen or undo an action, and Phrase Loop activates the matching feature; thus, these controls are often self-explanatory. To change preferences, use the left and right mouse buttons.
To enter the menu or modify the currently shown parameter, press the Sound button, which also opens the LCD screen’s menu. The machine’s on/off switch doubles as the phrase looper’s trigger, while the second footswitch triggers Harmony or any other effect you choose.
VE-20 contains a looper that can record for up to 38 seconds. For some, especially those who use it for certain sections of their song, that may be all they need. Since this pedal doesn’t let you save looped phrases in the memory slots, you may only find it helpful in limited circumstances. You won’t need to change the key because this dog can do it automatically based on your singing.
- Special Effects
The harmonies highlight the VE-20, but BOSS has also included various voice effects so that you can imitate anything from a robot to Cher to a tinny radio. You can achieve that overused Auto-Tune sound; there is an “electric” setting in the pitch correction FX block.
Other effects are flanger, chorus, radio, strobe with a tremolo effect, a preamp with an Eq, and a distortion; this, in combination with an octave-down harmony, should appeal to death metal vocalists.
When you plug in the Boss VE-20 and start exploring its features, you’ll quickly realize its value again. Almost all of the factory presets sound authentic enough to be used professionally. Both “Ordinary” and “Special effects” are great since they complement your singing nicely without adding any phony tones.
Of course, no matter how hard you try, there are those that won’t sound natural, so use them with caution. Also, VE-20 has a soft, harsh, robot, and electric pitch correction options. A soothing effect is barely noticeable, a powerful effect drastically modifies your pitch, and robots and electronics put those unnatural aspects to the fore.
Since this pedal won’t add coloration until you specifically apply it, you may say its sound quality is exceptionally transparent. This puppy does a fantastic job tracking your vocals; its key changes are always spot on. Looper expands the usefulness and reach of the original utility.
Overall, the Boss VE-20 is a fantastic vocal processor for individuals who aren’t searching for something overly sophisticated. Its adaptability will benefit your performance regardless of your preferred vocal technique. Whatever kind of voice you have, from a strange, otherworldly one to a standard female one, this pedal will enhance it.
Unfortunately, this pedal doesn’t have a guitar input, which can be a problem, especially for vocalists who want to play guitar and vocals simultaneously. It was also great to have the ability to save Loops; it helped musicians quite a bit.
9. Roland VT-4 Voice Transformer
The Roland VT4 can recreate any vocoder sound, from ’70s classics to the hyper-pitch-corrected pop singers of the past decade.
This voice effects processor makes creating your distinctive vocal sound simple, with no need to delve into the menus for adjustments ranging from fine polishing to out-and-out mangling. And many high-quality 24-bit/192kHz effects are available.
The VT-4 is surprisingly portable due to its small size and long battery life. They couldn’t believe how much high-quality functionality Roland had crammed into such a little package. The VT-4 is the only device you need if you want professional-quality vocal effects.
Although it’s narrow (16 cm), this pedal packs a serious punch. Don’t let its small size fool you; this unit has been thoughtfully designed, down to the placement of its knobs and sliders.
The VT-4 uses the same ingenious method used by other Roland products that a USB input can power: it can be converted into an audio interface. Also included are the usual jacks for mono and stereo playback. For condenser microphones, the VT-4 can supply phantom power and is powered by four AA batteries. The VT-4 is ingenious because of how much it can perform on just four AA batteries.
The VT-4’s stated goal is to supply a wide range of voice effects that change noticeably based on the chosen element and interact with one another. The Robot effect is a good place to start because, as expected, it makes your voice seem metallic. Still, using the MIDI ports on the back of the unit, you may control the pitch using a MIDI keyboard.
Compared to the usual Robot patches, the vocoder effects are more harmonious. These are pleasant to the ear, make logical sense, and serve their intended purpose admirably. The lack of configuration options means you must make do with the predefined patches, one of which emulates the pedal’s monophonic behavior in its default setting.
Using a MIDI keyboard, you can alter the pitch, but if you’re unsure of your talents, you may always resort to the built-in pitch correction tool. You can get all the autotune you need if you put a big pot in the middle of the panel. As a result, you’ll be able to counter any pitches you receive quickly.
There are four alternatives “patches” available for the vocal effects. If you’ve listened to many albums with a vocoder sound and find a patch that sounds a little like the original, it can be hard to resist the temptation to create a cover version.
The following EQ effect, the megaphone, is a powerful one. Since it is both practical and realistic, you might use it in a real-world situation. If you’ve tried to use a megaphone into a mike on stage and been subjected to feedback hell, this may be a blessing.
- Formant Control
Particularly useful in Harmony mode, when you may make a male vocal to sound like there are female behind it, the Formant control is a great tool for changing the vocal’s tonal construction.
There are two more faders on the right for adjusting the wet/dry mix of the vocal effect and another fader for adjusting the amount of effect. Even though there isn’t a ton of customization here, the options given are good enough for practical use and easy whole understand, making them ideal for production environments.
Character & Sound:
There’s no justification for the VT4’s level of enjoyment. The pitch correction was quick and effective during testing. The Robot and Vocoder modes make for a fun vocal processor when combined with the other effects.
The VT4 is technically a vocoder thanks to its support for MIDI for pitch and the possibility to utilize your vocoder carrier via the USB 2 interface; with eight versions of each effect, you’ll be able to experiment with new sounds for quite some time. The Voice Transformer family of products has developed from a direct impact into a powerful and adaptable vocal toolkit.
The VT-4 was designed to operate primarily with voices, although it does well when used as a modulating signal for other sources, such as percussion. However, it might be worth it if you create intriguing and unusual vocal sounds or sounds geared toward the hard-tuned hues of R ‘n’ B.
It’s adaptable enough to fulfill the needs of touring bands and recording artists who employ special effects. It’s high-quality hardware with a wide variety of flexible speech options. At this price, the MIDI- and pitch-controllable material is a no-brainer if you know you’ll enjoy vocoding and effects.
The auto-tune feature only goes so far. Even though there is a MIDI input, the device cannot dynamically adjust the key you have specified. Unfortunately, unlike most auto-tune plugins, including the EHX Vocoder pedal of comparable price, the MIDI input only allows you to adjust the vocoder’s pitch, and it is not vital on-the-fly. And the harmonizer is the same. A note’s harmony doesn’t change depending on the chord it’s sung over.
10. Zoom V3 Vocal Processor
Content creators can use the Zoom V3 voice processing pedal to enhance their recordings.
It has a ton of handy effects that everyone can utilize, such as harmony and pitch correction. In-built effects such as compression, delay, and reverb are at your disposal, and you may adjust each parameter separately. A dedicated expression pedal input is included to enable instantaneous effect fine-tuning.
If your recordings have a tinny or unclear quality, the Enhance feature can help. If you want to streamline your recording process and record directly into your DAW or streaming client, the V3 also serves as a USB 2.0 audio interface.
The new Zoom V3 continues Zoom’s tradition of providing inexpensive, high-quality effects to content makers. It is ideal for both virtual and live performances, and its small size, durability, and user-friendliness make it ideal for vocalists. When streaming video games, recording podcasts, or making videos for YouTube, you can also use the V3 to change the creator’s voice.
The V3’s many creative capabilities, including the Doubler, Synth Effects, Pitch Correction, and the ability to adjust an effect’s parameters at the turn of a knob, provide users a great deal of leeway when it comes to sculpting their sounds. Artists now have access to a potent Harmonizer that enables them to construct 3-part harmonies in real time, in both major and minor keys. Well-known effects such as compression, delay, and reverb from Zoom can each be adjusted independently.
The V3’s high-quality pre-amp will let you give your best performance. However, the Enhance feature will improve the quality of any microphone instantly. The interface is straightforward, and the buttons and dials are all labeled adequately for a painless and immediately understandable experience. The V3 is small, lightweight, and can be mounted in various ways, making it ideal for transport to and use in any location.
Numerous inputs and outputs are available on the rear panel, including an XLR mic input for condenser and dynamic microphones, a TRS input, a headphone jack, and a controller input for an additional footswitch or expression pedal that you may buy separately for easy hands-free control. The V3 can be used as a dedicated two-input, two-output USB 2.0 audio interface when connected to a computer through its micro-USB connection. The V3 can run off the AA batteries or the 9V power adaptor. The V3 is also compatible with the optional microphone, built to reduce background noise so the public can hear your speech.
Character & Sound:
It’s a bit challenging for someone unfamiliar with music theory, but don’t worry. Unless you are performing a cappella piece, refrain from using chromatic pitch correction. It will automatically tune the entire song if you sign with a backing track.
Instead, it would help if you tried to locate the song’s original key. The song’s key can be determined by the letter you dial on ZV3’s key circle; if it’s a primary key, such as A major, use a capital. After you’ve done that, select Enhance to give your voice greater volume and Pitch Correct Key to correct your pitch.
The higher you set the effect to adjust, the more robotic your voice will sound. Turn it down from the total volume (100) until you get the desired tone. The reverb is also reasonably practical; however, it would be “great” to have a few more reverb settings to choose from.
However, this may be asking too much for the price being asked. The good news is that you can confidently hand this off to a lead singer and go on. Singers who use voice pedals with more features may find them cumbersome when they need a quick turnaround.
As for the V3, it’s a breeze to operate; you just have to select an effect and tweak the settings until you’re happy with the result. It’s easy to use and fine-tune the auto-tune function.
Although it does not have the most professional sound, a separate download is available for those who wish to fake it with an overused sound that is all too common today. In sum, this package provides everything required to record songs or play in front of a crowd of thousands.
A great deal of restriction exists. There are merely a pair of 1/4-inch jacks for signal output. The ability to modify the harmony is extremely limited, and even when using the proper key, it often sounds like the wrong interval.
It contains appropriate independent reverb, delay, and compression in addition to the ‘unison,’ ‘pitch correct chromatic,’ and ‘deep’ that are particularly helpful for a Bruno Mars song. After less than 20 hours of use, the device began randomly shutting off.
11. Boss VE-2 Vocal Harmonist
The Boss VE-2’s interface is well thought out and clearly set out, making it a breeze to use.
You don’t need to spend a fortune or tote around a pedalboard-sized device to achieve the vocal processing you desire; the BOSS VE-2 Vocal Harmonist effects processor is proof of that. With this portable tool, you can create professional-quality music without any prior experience with recording equipment or musical theory; all you need to do is press a button, and the effects will be applied automatically.
If you plug in a guitar, the VE-2 takes on a new level of impressiveness, adapting its harmony to the chords you play. The VE-2 can be powered by four AA batteries, making it highly portable, and the unit’s USB interface allows you to bring your preferred vocal effects into the studio.
- Harmony Generator
Plugging in your guitar and letting it analyze the chords you’re playing allows this pedal to shine as an automatic harmony generator truly. Using the VE-2’s key-tracking feature in conjunction with the automatic harmony recognition will enable you to build harmonies that fit your music and track your voice.
You can pick from a wide range of harmonies, including 12 different kinds of 1- or 2-voice harmony, each with its variant. Therefore, the BOSS VE-2 will provide you with the ideal chord progressions regardless of your performance style.
The BOSS VE-2 Vocal Harmonist does much more than provide harmony to your vocals. It already has various amazing effects and processors built-in means it’s simple to give your live vocals a studio-quality polish. A single knob on the effects section allows you to adjust the amount of reverb, delay, or both.
Using the VE-2’s Enhance feature, you may add a professional sheen to your vocals for a more polished final product. If you press it again, you’ll activate an automatic pitch correction feature that helps you sing in tune even when the volume is up. You can’t hear yourself very well, but it makes your automatic harmonies more consistent.
The VE-2 Vocal Harmonist was made to be as adaptable as feasible. To begin, the VE-2 requires only four AA batteries to operate and may be used to give steady phantom power to any condenser microphone.
With the three easily accessible buttons, you can save and recall your preferred settings, and the auxiliary input allows you to play along with backing tracks. You can take all the VE-2 has to offer into the studio because of its USB connectivity, making it an audio interface.
Character & Sound:
Harmonies may be generated when singing along with the VE-2, with a pitch that automatically follows the chords performed on a guitar, a preset key, or some mixture of the two. Using any of these three settings, you may create lovely harmonies in any key without any prior experience with instruments or music theory.
Including interface options for adjusting the musical key settings and the auto harmony feature for singers/songwriters who want to use external instruments is a genius decision on Boss’s part. This makes it a versatile pedal used by singers or instrumentalists looking for a harmonizer, reverb, or delay with on-the-fly key recognition via an instrument input/thru.
Neither the delay nor the reverb sounds well, even at their lowest settings. It’s challenging to balance a “natural” sound and a full one. If you utilize the Enhance button with pitch correction, the result will sound artificial and processed, and you’ll have to switch to the Enhance option without pitch correction, which is slightly better but still subpar.
12. Zoom V6-SP Vocal Processor
If you’re looking for a great reverb pedal for your vocals, go no further than the Zoom V6-SP.
The device’s three components are labeled “Voice,” “Harmony,” and “Effects,” and they each perform distinct purposes. The footswitches provide instant access to the 40 preloaded patches, 100 user memory spots, and looping capability while performing live.
As a result, you can easily add harmonies throughout the verse, an octave effect during the chorus, and an echo effect during the bridge without having to go on your hands and knees. And if you still need more nuance in your performance, the Zoom V6-SP comes with a Formant Shift pedal that allows you to make instantaneous adjustments to your vocal character.
In addition to the 40 factory patches, there are 100 user slots for storing your creations. The SGV-6 microphone, included in the package, is meant to prevent feedback from leaking into your vocal effects from the stage’s other instruments.
The three multi-function footswitches also handle the memory patch selection and the extensive looper section, which can record up to 3:00 audio. Compression and EQ/sibilance enhancement are incorporated, respectively.
A USB port allows you to use it as an audio interface in your DAW; an XLR output lets you connect to a mixing console, and a control pedal input lets you add an extra expression pedal that you can assign to effects settings. There’s also a headphone out with volume control. The V6 operates on the provided AC adapter or four AA batteries for about three and a half hours.
- Expression Pedal Compatible
What sets the V6 apart from other vocal processors is its built-in expression pedal, which you can use with any formant effects without affecting the pitch. This allows you to incorporate the effects you’re using as an integral part of your performance rather than just using them as an afterthought. There are many innovative potentials when considering the V6’s three primary components and their capabilities.
The Voice section is displayed initially, beginning at the lower left. Basic sound characteristics, including chromatic and diatonic pitch, timbre (through octave shifts, pitch modulation, and vocoder effects), and volume (via volume and reverb) can all be tweaked here.
The Harmony part comes next and features basic buttons for altering the pitch of the harmonies, exactly like the Voice section’s key selection knob. The text concludes with an Effects section whereby conventional effects like delays, reverbs, and chorus sit alongside out-of-the-ordinary effects such as Distortion, Beat Box, and Telephone.
Character & Sound:
This is not a product for singers who need EQ, compressor, and ambiance but for those who want to add excitement and dynamics to their complete vocal texture by creatively using these effects. It was built for live performances, and in the hands of a talented singer, it may become an extraordinary instrument for expression.
Unfortunately, you can only use the expression pedal for formant effects, so you’ll need to use a different pedal if you want to, for example, fade in an echo or change the volume of a harmony. If you’re into sound exploration, you’ll have a blast with this feature-packed creative hub.
The logical layout of its components, the quality of its construction, and the simplicity and obviousness of its interface all won me over right away. Great quality sound, a wide variety of effects, compatibility with a USB interface for use with an iPad, Mac, or PC, and an in-built expression pedal: a great addition.
While the harmonies are nice, this track’s effects are too wacky to be used in a professional setting. Karaoke or a hilarious DJ could have some fun with that, but a professional vocalist should steer clear. The voice effects are also exaggerated to a ludicrous degree. The formant pedal makes it tough to sound like you’re not high on helium or a demon. It would have been fantastic if the pedal could have been a slider for the effect’s intensity.
Boss VE-5 Vocal Performer
One of the simplest and least expensive methods to experiment with your live vocals is with the BOSS VE-5 reverb pedal.
The VE-5 is a compact vocal processing pedal that borrows heavily from the BOSS VE-20 and packs six powerful effects and many great presets. In addition, you can make your harmonic parts or vocal beats and play them live with the VE-5’s in-built phrase looper. With the BOSS VE-5 vocal effects processor, you may add a wide variety of exciting new effects to your performances.
You’ll have a great time with your BOSS VE-5 vocal processor, whether you’re the lead singer of a rock band, a beatboxer playing on the street, or a webcaster searching for a fun way to improve your voice. The VE-5’s success can be attributed to the fact that it contains six of BOSS’s finest voice effects, including Delay, Dynamics, Reverb, Pitch, and Tone.
You can use the Radio, Distortion, and Strobe effects independently of other Tone/SFX settings. You can get the traditional hard-tuned sound with the Pitch Correct setting. Not only that, but the VE-5 has an incredible number of factory presets for various effects. That makes it simple to explore the various voice-upgrade options offered by the BOSS VE-5.
You can’t help but be excited by the VE-5’s built-in phase sampler if you’ve ever been impressed by the unique effects and live performance options afforded to a single vocalist by a basic looper.
With this looper, you can do real-time vocal layering, singing in harmony, or even as a duet. In addition to its use in live performances, you can create vocal percussion loops to offer a new rhythmic depth. The VE-5’s phrase looper has endless potential applications.
You can do much with the BOSS VE-5 voice effects processor, whether you leave it on your studio workstation or clip it to your microphone stand on stage. It runs entirely on batteries and can play for up to nine hours on four AAs.
Connecting optional footswitches allows you to manage the VE-5’s features live. You can easily incorporate backing tracks into your solo performance by connecting an external stereo sound source through the auxiliary input. BOSS made the VE-5 as portable as possible by including a microphone inside, so you can try out different vocal effects without bringing a separate microphone.
Character & Sound:
The sound quality is excellent, with excellent reverbs and other effects. Get that authentic “live vocal” vibe with this. You’ll need to practice with it to find the exact sound you want before using it onstage, so it is recommended to do so.
Before trying them out in a real-world setting, you might be fooled by some similarities. The VE-5 also has a handy function that allows you to assign your most often-used sounds to a dedicated button. You can do this with up to three of your favorite tunes.
The unit’s central buttons are labeled A, B, and C. You can use them to store your preferred audio and then access it with a single click. This setting is ideal for a live performance because it requires no adjustments to be made to the device.
The VE-5 can produce high-quality sound and will likely find favor with many singers thanks to its compact size and portability. Then again, there’s a lot of competition at this price, and other identical machines from other manufacturers provide perks like stereo operation and longer looping lengths.
The Boss VE-5 is a good device to play with and experiment with, but you should check out what else is available at your local music store before making a final decision.
Some customers have complained that the quality of the effects could be higher on competing products; nonetheless, compared to the effects that come standard on many inexpensive mixers, they are a definite step up. An AC adaptor can also power the device if you’re uncomfortable using batteries during performances.
It’s unfortunate, though, that you must purchase this component individually. It’s great that there are two color options to choose from when purchasing the device, but either one could be too flashy for some performers.
How Does Reverb Pedal Work?
When a sound wave collides with a surface and is reflected in the listener’s ears at different periods before the sound waves die out, we experience reverb. The time it takes for the echo to fade away is also adjustable based on the room’s dimensions and the kind of surfaces within it that the echo can hit.
Because of this, reverberation times in large, empty areas are typically greater than those in smaller rooms or those that include many things. You can replicate the sound of a vocal being played in a vast, open area like a concert hall or a cathedral with the help of a reverb pedal.
Even a subtle reverb can make your playing sound more natural and flowing, and adding reverb to your vocal sound can help it sound less “dry.” Inbuilt reverb is a common feature on modern amplifiers; however, it may not always be adequate.
Are Reverb Pedals Worth It for Vocals? What Are the Benefits?
Vocal reverb pedals are worth it, yes. For instance, a small amount of reverb might make a solo vocal line sound more expansive, as if it were recorded in a much larger room. They’re helpful and can streamline your performance, mainly if you’re also playing an instrument like an acoustic guitar.
The need to perform accurate live harmonies often motivates singers to seek the best vocal effects pedal. A vocal effects pedal is a fantastic substitute for a band or other vocal support when you need your voice to do more. But that’s not all. Other effects, like compression, pitch correction, reverbs, and others, may also be of interest, especially if you plan on using them in a live setting or a recording studio.
It’s common knowledge that pedals are synonymous with guitars today, but you might be surprised to learn that vocalists also frequently use effects. Live versions of the most impressive vocal performances from the studio might be challenging, but with the right pedals, you can sound just like your favorite performers.
Do I Need More Than One Reverb Pedal? If Yes, How Many Are Too Many?
Having a second reverb pedal on hand allows you to experiment with different reverb sounds, which is a major perk. Maybe the reverb on your guitar is wonderful and delicate, but you wish you could also create ethereal, washed-out soundscapes with your pedal.
Maybe the reverb pedal you’re using is fantastic for producing large, ambient reverb patterns, but you’d want something more subtle to just give some character to your tone. An additional reverb pedal is useful regardless of the situation.
Having many reverb pedals on a pedalboard has only ever caused frustration because they take up valuable tools that you could put to better use. You should evaluate the components of your pedalboard and determine whether they are essential. Having a second reverb pedal on your pedal board almost always has more positive effects than negative ones. A larger pedalboard is always an option.
In the second part of the article, we have prepared the top 12 reverb pedals for vocals 2023 from top brands in which we present valid options for vocals, even if some come from the guitar area.
Well, we came to the end of this Top 12 Reverb Pedals For Vocals 2023 From Top Brands in which we could observe some multi-functional solutions, some coming from the guitar area, some made especially for vocals. However you try to see it, they do the same thing; if you know how to use them and you like how they alter the sound, they are perfect.
Very often, it’s easy to get lost in the details, but the most concrete thing we can have when choosing pedals for our voice or instrument is one ”until you go and test it yourself, you have no way of knowing how it suits you”. We say this because we have seen so many famous people using cheap pedals for their voice simply because they have managed to get a unique tone out of their pedals that they cannot recreate with complex pedals.
That’s why we’re starting with the Behringer Digital Reverb DR600, a pedal that is as simple as it is, as good as it gets the job done. With a typical Behringer circuit, this pedal is designed to be durable for your tours, even though it’s made of plastic. It has a very easy-to-use layout of controls, helping the user quickly find the right tone.
The TC-Helicon Mic Mechanic 2 is a pedal that runs on a 9-volt pedal and has plenty of effects that tend to reach the level of complexity that can be used in the studio if the vocalist insists that they don’t record the voice otherwise. It has a reverb, delay, and pitch corrector that is quite responsive, and if you play 95% correct cleans, it can perfectly boost your pitch by another 3%.
But the pedal excels thanks to the unique ‘Adaptive Tone’ function that adjusts your EQ and dynamics as you play. We don’t know how proper this function is in a live context, where the sound engineer has to solve these problems. Still, for a better understanding of some principles, the soloist can use this function for educational purposes, as it works pretty well.
The Boss VE-20 Vocal Performer deserves its place in this Top 12 Reverb Pedals For Vocals 2023 From Top Brands because this pedal combines numerous units, helping the soloist save money on a complex pedalboard. This pedal has an easy-to-follow design, with an LCD that is quite useful when trying to communicate with the pedal and some footswitch triggers for effects, like Harmony.
This pedal contains a looper that can hold a 38-second recording and is made specifically to be saved in memory slots, so if you don’t want to become a little sound engineer with that red interface that all the big manufacturers have, it’s an ideal addition. The pedal also has special effects for vocals, like auto-tune, eq, and distortion, designed to satisfy a death metal soloist.
The Zoom V3 Vocal Processor has succeeded in meeting the market demand too, they come with a vocal processor that is often used for Harmony and pitch correction. It has pretty basic but good effects, namely delay, reverb, and compression, which you can adjust separately. You can add an expression pedal to this interface to become a Kirk Hammett or Zakk Wylde of vocals.
That was our summary of the Top 12 Reverb Pedals For Vocals 2023 From Top Brands, a top that introduced you to modern solutions for your live and studio vocal tone. We hope you found yourself in this one and understood that a soloist who packs such tools has already taken their career to the next level.
Death metal enthusiast here. I am a Romanian musician and producer with over 13 years of experience in the music industry. I’ve experienced all types of Metal up until now, playing Melodic Death Metal, Brutal Death Metal, and Black Metal with different bands. Learning by doing is my base principle, which is why I’ve been drawn to sound design from an early age. Read more…