So, here is our list of th 29 greatest plugins from Rdvan Küçük that runs Analog Obsession!
You can find his plugins on Patreon and elsewhere, and its goal is to replicate the traditional analog sound devices in your DAW. Even though you can get ALL his plugins for free, his work deserve attention and if you love his work, subscribe / join his Patreon channel, you can do so for as little as 5 eur a month.
Now, let’s show you why! 🙂
29 Best Analog Obsession Plugins 2023
1. Analog Obsession BUSTERse
Analog Obsession’s BUSTERse plugin can be your main tool for “gluing” mixes.
Now, what do you use the bus compressor for anyway? First, it allows you to shape transients, and second, to get the effect of “gluing” the mix as a whole. The SSL Bus Compressor is a very popular equipment for this, which was part of the console. But now, there are enough plugins that emulate its operation.
Such is the free software BUSTERse from Analog Obsession. Its main feature is that, in addition to the compressor settings, it has many additional features that will help you affect the character and dynamics even more. Let’s now try to take them all apart.
Key Features:
- Familiar Compressor Settings
If you already have experience with SSL-style compressors, then the set of basic settings will not discourage you. In particular, there is the usual Auto Release, Ratio from 1.5 to 10, Attack from 0.1 to 30 milliseconds, Make-Up Gain, and Threshold control. - Dry/Wet Control
Unlike many paid plugins, the developers have also implemented the Mix knob, which implies selecting the ratio of Dry and Wet signals. This parameter can be very helpful if, for example, you want to do a parallel compression for drums. - Additional Mods
At the top right of the plugin window, you will get three buttons that are responsible for mods. In particular, the first Main will work like the usual bypass. Also, here is the Turbo, which will bring the plugin to work more similarly to the original unit. And in addition, there is an Xformer mode to get more saturation. - Sidechain Filter
The Sidechain section makes your work with the plugin most exciting. You can use it to influence how the compressor perceives frequencies. For example, there is a High Pass Filter here and two Mid and HF knobs. - Transients Shaping
On top of that, the Sidechain section has another set of TR controls to help you influence the transients a bit more. For example, you will find a Tilt control that will boost the high frequencies and cut the lows, or vice versa. In addition, there are also separate Mix and Boost knobs.
Compatibility:
Analog Obsession BUSTERse is available for Windows 7 or higher and macOS 10.9 or higher. It comes in VST/3 and AU formats.
2. Analog Obsession FRANK 2
The FRANK 2 plugin from Analog Obsession is a tonal shaping EQ that is based on well-known studio hardware equalizers.
The tonal shaping equalizer would be a great tool to give some color and expressiveness to your instruments. It is exactly the plugin of the famous company Analog Obsession, which creates its software based on analog gear. All products are free, but you can support the developer on Patreon.
Overall, there are three bands of EQ, Low and High Pass filters. So by the plugin’s name, you can understand that it is a kind of Frankenstein. And it is not strange because each parameter is taken from a separate studio equalizer, whether API, Neve, or Pultec. So let’s take a closer look at the plugin.
Key Features:
- High and Low Pass Filters
The two Low and High Pass filter knobs are located on both sides of the window. The first is based on the Helios and allows you to cut from 0 to 15 dB at 50 hertz. The second one is a Pultec-style high-frequency attenuator, allowing you to go from zero to 10 decibels. - Adjust The Lows
As for the low frequencies, you will have two whole knobs at your fingertips. The first is a boost, and the second is an attenuator. Their frequency of action is 60 hertz. In general, they are based on Pultec units. - Mid Control
The black knob on the gray background will be responsible for the mid frequencies. You will be able to cut and boost up to 15 decibels. Most likely, this setting is based on API hardware. - Add Some Highs
And, of course, the knob on the green background will help you remove or add high frequencies. It’s a shelf. At least you can tell that from the little icon above the knob. Here the creators took the Neve units as the basis. - Input and Output Knobs
Notably, the plugin allows you to drive more signal into it thanks to the Input control. So you can add more harmonics to it. There is also an Output knob, which helps balance the signal’s outcome.
Compatibility:
Analog Obsession FRANK 2 is available for Windows 7 or higher and macOS 10.9 or higher. It comes in VST/3 and AU formats.
3. Analog Obsession SSQ
Teleport to the studio with this great emulation of a console equalizer.
Back in the 80s, producers fell in love with the unique character of E-type consoles and the modules on their channel strips. With Analog Obsession SSQ, you can have the exact analog and airy sound as it’s modeled with the original circuiting and enhanced DSP algorithm to get the most realistic scenario of the hardware unit.
Key Features:
- Drive
The “Input” knob works slightly differently in this plugin since it auto compensates gain and adds a little bit of analog distortion to the signal emulated from the hardware piece. That way, you can achieve some harshness and keep your levels away from the red peaks on the master. - Analog character
The plugin comes with a low-pass and high-pass filter and four different bands to adjust the analog curve of equalization, which gives a very soft and musical character to the sound. Additionally, the low and high bands have an optional Bell feature to modify the curve’s behavior. - Oversampling
A signature characteristic about most Analog Obsession plugins is the oversampling feature, accessible when clicking the brand’s logo. In this case, it allows you to add 4x oversampling, perfect for mastering purposes. Remember that a higher sample rate means more CPU usage, so be mindful when turning this on.
Compatibility:
This plugin is available for Windows 7 or higher and macOS 10.9 or higher, both 64-bit only. It comes in VST 2/3, and AU formats.
4. Analog Obsession LOADED
Analog Obsession’s LOADED plugin gives you everything you need to mix almost any instrument, especially vocals.
Using a channel strip plugin is always great because you have all the main tools for mixing a particular instrument at your fingertips. Think of it as a console that allows you to process an individual track from start to finish. That’s exactly what the plugin called LOADED will give you.
It emulates five studio units of the 500 format and one general. Here you get Preamp, De-Esser, Gate, Compressor, and EQ. The last one in the chain will be a module where you can control the input and output signals. Let’s break it all down in more detail.
Key Features:
- Preamplifier Section
The Preamp section will be the first in your chain. Here you will be able to add Gain and, therefore, more harmonics. In addition, here you will find the High-Pass Filter and the Treble and Bass Boost. In addition, you get the XFMR button, which emulates the operation of transformers. - Add Some De-Essing
When you compress vocals, you get a more expressive hissing sound, which can cut the ear. De-Esser is precisely designed to soften them. As for the plugin, you’ll have a Threshold, Release, and Mix knob. In addition, there are two modes, Band and Soft. - Gate Unwanted Sounds
A cool bonus here is the presence of the Gate. Thanks to it, you can mute the sound up to a certain threshold. It can be useful for vocals, guitar, and drums. This section also includes Threshold, Release, and Mix controls. - EQ Section
As for the equalizer, it is similar to other channel strips. In particular, you can boost and cut by 15 dB the high frequencies at 10 kHz. The same goes for the lows; here, it’s at 100 hertz. In addition, you will have two bands for High Mids and Low Mids. - Add Compression
And, of course, you will have a separate compressor. Here you get a Ratio range of 1.5 to 20 and a Threshold down to -60 decibels. There are also Auto-Release and Quick Attack buttons and Sidechain functions. In addition, the compressor has a Mix knob.
Compatibility:
Analog Obsession VariMoon is available for Windows 7 or higher and macOS 10.9 or higher. It comes in VST/3 and AU formats.
5. Analog Obsession Room041
The Room041 plugin by Analog Obsession gives you room reverb and plenty of tonal shaping options.
If you need to add spatiality to your tracks, namely room, the next item on our list might do the trick. It is Room041, the first reverb plugin created by Analog Obsession. It is not modeled from any unit, but you will find here settings of one of the famous plate reverbs.
Overall, you get enough settings for the reverb effect itself, but a few extra features are packed here. For example, you’ll be able to add saturation as well as tonal shaping thanks to the Post EQ section. And now about all of it in more detail.
Key Features:
- Sharpen Your Reverb
There are three knobs for setting the reverb itself. In particular, these are Pre Delay and Decay. Thanks to them, you can adjust the tail and the character. There is also a Stereo Separation control, which is responsible for the transition from mono to stereo. - Preamp Section
It’s something you don’t always see in reverb plugins. Room041 has a separate preamp section. Here you will have the Drive control, which will help you to add saturation. You also get a High Pass Filter range of 20 to 100Hz. - Add Some EQ
It is also noteworthy that this plugin has a Post EQ section. So you will be able to influence the frequency spectrum of your effect. In general, there is a Low knob ranging from 20 Hz to 2k Hz and a High from 200 Hz to 20k Hz. Both parameters you can cut or boost by 24 dB. - Be Dry or Wet
And, of course, you will have a separate section to adjust the ratio of the dry and wet signals. These are the two Dry and Wet knobs, which are located in the upper right corner of the plugin window. So, for example, if Wet is turned to full and Dry to a minimum, you will get the maximum affected signal.
Compatibility:
Analog Obsession Room041 is available for Windows 7 or higher and macOS 10.9 or higher. It comes in VST/3 and AU formats.
6. Analog Obsession MaxBax
Analog Obsession’s MaxBax can be a wonderful equalizer for the final EQ touches during mastering.
We all know how important equalization is at the mastering stage. It allows us to get an extra 10 percent to finalize the frequency spectrum and, if you like, some shaping. Such will be the next plugin on our list – Analog Obsession MaxBax.
All in all, it’s a passive EQ that will give you three bands. But the most important thing here is that you can apply it in both the Left/Right and Mid/Side modes. So you’ll have a pretty clear interface and nothing unnecessary. Let’s now try to analyze all the features one by one.
Key Features:
- Adjust The Lows
As for the low frequencies, you can manipulate them in the range of 20 to 120 hertz. There will be a separate knob for that. Above it, you will see another knob, which allows you to boost or cut frequencies by 6 dB. - Mid Control
You will also have a separate control for the Middle frequencies. Here the range starts at 200 hertz and ends at 7K. Again, use the separate knob to add or remove 6 decibels in the desired band. - Add or Cut Highs
And, of course, the plugin allows you to adjust the High frequencies. As for the range, it is from 9K to 40K. Use this to add airiness or brilliance to your mix or master. Especially, it can be helpful for sides. - L/R & M/S Modes
In the plugin’s center, you will switch between modes. Thus, in L/R, you can manipulate frequencies separately for the right and left channels. If you switch to M/S, you will apply the settings for the middle and sides. - Ability To Link
In addition, the plugin can link settings. So, for example, if you go to the Link mode, the plugin will apply your settings for both sides. And of course, if you turn it off, the left and right sides will work separately.
Compatibility:
Analog Obsession MaxBax is available for Windows 7 or higher and macOS 10.9 or higher. It comes in VST/3 and AU formats.
7. Analog Obsession VariMoon
Analog Obsession’s VariMoon plugin will give you the character of the famous tube compressor.
The tube or variable mu compressors are some of the most expensive audio equipment. They provide smooth compression and enough harmonic distortion. In general, they are most often used as tools for mastering or drum buses. And now, we will look at one of the emulations of this hardware.
The VariMoon plugin is based on the famous Vari-Mu compressor and limiter. But in addition, the creators have laid here a few more features. For example, you can change the release, ratio, dry and wet balance, and apply a sidechain. Now about all of this in more detail.
Key Features:
- 6 Release Positions
The attack of this compressor is fixed at 10 ms. But as for the release, you will be able to change it thanks to a separate switch. There are four fixed positions, 0.3, 0.8, 2.0, and 5.0, and two automatic 2/10 and 0.3/10/25. - DC Threshold
In addition, you will also have a Ratio selection switch. It is called DC Threshold. Here you can apply very little compression and limiting or quite extreme. The range is from 2:1 to 10:1. - AC Threshold
As for the AC Threshold knob, this will be your usual threshold control. Use it to determine when the compression needs to kick in. In general, the range here is 50 decibels. - In, Out, and Mix
Small metal knobs help you balance the signal. For example, with the In knob, you can send more signal to the plugin and get more harmonics. And, of course, balance with Out. In addition, there is a Mix knob, which will be useful for parallel compression. - Sidechain Section
The Sidechain section is located under the VU Meter. In particular, there is a button for the external sidechain and High Pass Filter. The latter works in the range of 20 to 500 hertz. Thus, you can remove low information from the compression.
Compatibility:
Analog Obsession VariMoon is available for Windows 7 or higher and macOS 10.9 or higher. It comes in VST/3 and AU formats.
8. Analog Obsession MASBAX
MASBAX is a simple three-band featuring stereo or mid/side functionalities.
Anyone with a basic understanding of EQs will instantly be familiar with the layout of this plugin. There are gain knobs at the top and filter selection knobs below them. The identical sets of controls on either side of the interface are for the left/right or mid/side editing. We recommend this plugin for mix busses or mastering uses.
Key Features:
- Stereo Processing
The upper knob at the middle of the interface switches between L/R mode and M/S mode. The first lets you manipulate your stereo sound’s left and right channels individually, while the M/S mode does the same for the mid and side signals. However, if you don’t want this feature, you can enable the Link mode below and have the two sets of controls coupled. - Multi Bandwidth
The Mid band has two types of Q-factors. When you boost the filter, it makes a broad shape, whereas cutting the frequency will make the band narrow. It works well for removing low-end mud. However, we wouldn’t recommend using it for precise EQing, like removing resonant sounds from a snare or a woodwind, because it would require a much more precise plugin.
Compatibility:
MASBAX is available for Windows 7 or higher 32-bit and 64-bit and macOS 10 or higher 64-bit. It comes in VST 2/3 and AU formats.
9. Analog Obsession PreBOX
More Info & Download (UPDATED)
PreBox is a freeware that emulates 11 different analog preamps and tape saturation, including a Neve 1081, an SSL 9000, a Fairchild 692, and a V76.
It has an overall warm tube-like color with various textures to select the one that perfectly fits your source. If you use this plugin on a vocal, you’ll get a very subtle and musical analog sound as soon as you open it.
HPF emulates the V76 frequency response. It’s got a very intuitive user interface with a simple and optimized layout that keeps everything reachable in a comfortable way.
Key Features:
- Overall quality:
PreBox is well crafted, and its emulations are remarkably accurate for being free software. The graphic interface is self-explaining, and it’s generally a nice preamp to get a quick musical harmonic distortion on any source. However, if you crank up the input signal too hard, things sound particularly muddy or stuffy, which might not be desired. - V76 comparison:
You can tell the amount of work behind this plugin when comparing its V76 emulation to other paid versions like Neold’s or Arturia’s. PreBox’s harmonic distortion has more midrange information, differently from both of its pairs, which are less aggressive in this area and more on the high-frequency side of the spectrum. It also brings forward some muddy low-mid information. Still, the high-pass filter makes a huge difference in tone with this plugin and gets it very close to both of his pairs, which is impressive. - Analog emulations:
As you may see, this plugin has ten analog preamp models and tape saturation. Among these models, you have a Hamptone Mic Pre, a very interesting SSL 9000, a REDD47, a Neve 1081, an Alembic F2B, an Ampex AM-10, which is terrific if you want to add some distorted brittle, a lovely emulation and personal favorite Fairchild 692 and more.
Compatibility:
Supports Windows 7 or higher, and macOS 10.14.6 or higher, runs on 64 bit only, and comes in VST2, VST3, and AU formats
10. Analog Obsession LOADES
Thanks to Analog Obsession’s LOADES plugin, you can easily get rid of annoying hisses and esses on vocals and cymbals.
We already mentioned the de-esser as part of the LOADED plugin from Analog Obsession above. But the cool thing is that you can also get this software separately. The developers have created a different version of the de-esser called LOADES, and we can say that the plugin is quite effective.
It also looks like the units of the 500 rack series, but there are only two sections. In the first one, you will have a full set of de-essing settings, and in the second one, you will find general parameters. Let’s take a look at what this plugin can do.
Key Features:
- Set Up The Threshold
The Threshold knob will be the main one when working with this plugin. You will use it to select the amount of de-essing. You will notice quite drastic results after 12 decibels of reduction. - Use Shelf or Band
By default, the upper-frequency reduction here is in the form of a shelf. But you can switch this mode to the band and get a more narrow performance character. A separate Band knob helps with this. - Make It Softer
If you think the de-essing is too muffled, you can make it sound more expressive. For this purpose, the plugin’s creators have put the Soft function here. Click this button to see which option suits you best. - Release Control
Another very useful feature here is the Release knob. Its range is from 1 to 500 milliseconds. Thanks to this parameter, you can adjust how fast the plugin releases hissing and essing sounds. But, again, tweak this based on the material. - Mix, Input & Output
The plugin also has other vital controls to help you operate it better. In particular, this is the Mix knob for dry and wet balance. In addition, on the right side, you will see the Input and Output controls.
Compatibility:
Analog Obsession LOADES is available for Windows 7 or higher and macOS 10.9 or higher. It comes in VST/3 and AU formats.
11. Analog Obsession BLENDEQ
BLENDEQ by Analog Obsession is a plugin in which you get a combination of two legendary hardware equalizers.
It’s no secret that different hardware studio units have different sounds. It is what makes them unique and appropriate for a particular situation. And this applies not only to preamps and compressors but also to equalizers. Fortunately, Analog Obsession has created a plugin in which you can blend two flavors of gear.
The main thing about this plugin is that in addition to the usual EQ bands, you will also have blendable knobs. So you can either go for a specific one or get them 50/50. The same goes for the Input signal. So let’s talk about that in more detail.
Key Features:
- 4-Band EQ
In total, you get four EQ bands. Specifically, there are Low from 35 to 220 Hz, two Mid controls from 0.36 to 7.2 kHz, and High from 5 to 15 kHz. You can boost or cut each of them with separate knobs. - Blendable Knobs
You will have a separate red Blend knob for each of the bands. So you can get the Neve sound on the left and the API sound on the right. Or leave them in the 50/50 position to get a unique sound. - Drive Your Input
As for the Input knob, there is also a mixing option. So, if you twist it to the left, you’ll get harmonics characteristic of Neve hardware. And vice versa, you will get an API flavor to the right. There is also a separate Output control. - Use The Filters
In addition to all of this, you will also have High and Low Pass Filters. These controls are located on both sides at the bottom of the plugin window. HPF goes from 20 to 650 hertz, and LPF from 8 to 20 kilohertz.
Compatibility:
Analog Obsession BLENDEQ is available for Windows 7 or higher and macOS 10.9 or higher. It comes in VST/3 and AU formats.
12. BPB & Analog Obsession Rare EQ
Rare EQ from Analog Obsession and BPB will give you the color and sound of a legendary studio unit.
As you can guess from the design of this plugin, it is inspired by the tube studio equalizer from Pultec. This unit has long been considered legendary for its distinctive sound and harmonics. And the good news is that you can get a decent emulation for free.
It is the Rare EQ plugin, which AAnalog Obsession created in collaboration with BPB. Overall, there are two EQ bands and the ability to boost and attenuate frequencies. In addition, you get Bandwidth and Gain controls. Let’s take a closer look at this.
Key Features:
- 2-Band EQ
In general, you will have only two equalization bands at your disposal. But it will be enough to add character to the sound. In particular, low frequencies here go from 20 to 100 hertz, and high frequencies from 3 to 16 kilohertz. - Boost or Attenuate
You can both boost and attenuate frequencies. You will have two separate knobs for this. The point is that if you boost and attenuate simultaneously, you will get different EQ curves, giving you an interesting sound. - Adjust The Bandwidth
In the center of the plugin is a separate Bandwidth knob. As you can see, it will affect your EQ band’s width. Again, experiment with this to find the right setting for your situation. - Gain & Output
On top of that, you get two separate Gain and Output controls. You can put the first one in pre and post-EQ modes, which will also affect the character of the sound. And, of course, you’ll need Output to balance the signal.
Compatibility:
BPB & Analog Obsession Rare EQ is available for Windows 7 or higher and macOS 10.9 or higher. It comes in VST/3 and AU formats.
13. Analog Obsession PREDD
More Info & Price (Trial Available)
Unlike other products on today’s list, PREDD by Analog Obsession is a mic preamp plug-in designed to emulate the vintage sound you would achieve from Chandler Limited’s REDD.47 microphone preamp.
The REDD.47 was a standalone hardware unit created so recording enthusiasts could get their hands on the technology responsible for capturing an iconic era of music: Abbey Roads Studios circa 1959 – 1968.
Outside of the added 10dB high-frequency boost control, you can expect a faithful digital creation of a timeless piece of audio hardware. And best of all, it’s free to download from Analog Obsession’s Patreon Page.
Key Features:
- Gain Compensated Parameters
The -20dB pad switch, +52dB voltage gain dial, and the +/- 5dB fine gain control are fully gain compensated, so the signal’s strength remains level throughout the plug-in’s signal chain. - Built-In HPF
The plug-in features a highpass filter that can attenuate frequencies between 30Hz and 180Hz. Unfortunately, the slope at which it attenuates these frequencies isn’t documented. - Mic/DI Switch
The plug-in emulates the effects of the preamp/DI switch found on the original hardware inspiration. The Mic position offers the traditional preamp function designed to elevate a mic level signal, whereas the DI position, traditionally, sends the signal through the unit’s tube for amplification. For PREDD, the signal’s tone is adjusted to emulate these effects. - Oversampling
Should you have the processing power to spare, PREDD does offer an oversampling function. Once engaged, the oversampling finely evens out the tone. The smoothness becomes more apparent at high gain levels.
Compatibility:
The plug-in supports Windows 7 and higher and Mac OS 10.9 and higher, both 64-bit only. Also, it supports VST, VST3, AU, and AAX formats.
14. Analog Obsession SPEComp
Analog Obsession’s SPEComp plugin helps you bring the body of your mix or individual instruments.
Now we will show you a plugin that can be your to-go solution for controlling the dynamics of instruments or entire mixes. It is another free software from Analog Obsession, which you can support on Patreon. It is inspired by SSL but with some modifications and features.
In terms of functionality, it is quite easy to use this plugin. Especially if you know what sound you want to achieve and are familiar with the compressor settings. There aren’t many controls, but that’s all you’ll need.
Key Features:
- Apply Compression
On the left side of the plugin window, you will have the necessary controls to implement compression. These include a Threshold with a range of -15 to +15 decibels and Make-Up from 0 to +15 dB. There is also a Ratio knob from 1 to 10. - Control Dynamics
As for the right part of the plugin, here are the settings responsible for the dynamics. For example, it is Attack from 1.5 to 100 milliseconds. You will also see Release from .05 to 2 seconds. - Set The Knee
Another important regulator here is the Knee. It determines how much compression will kick in. So a smaller knee will give a more punchy sound. If you crank it out, the dynamics will be softer. - Hidden Mix Control
This knob is pretty hard to see, but it’s there. Under the VU Meter, you can see a small regulator responsible for balancing wet and dry signals. So if you have too much compression, you can mix it with the original sound.
Compatibility:
Analog Obsession SPEComp is available for Windows 7 or higher and macOS 10.9 or higher. It comes in VST/3 and AU formats.
15. Analog Obsession LALA
The LALA plugin from Analog Obsession gives you smooth compression that’s great for vocals and bass guitar.
The LA2A-type compressors are among the most popular studio units. They provide smooth compression with a slow attack, which is ideal for processing vocals and bass guitars. Through years of digital music production, dozens of plugins have been created that emulate their operation. And now we’re going to talk about a free one.
It is another Analog Obsession product called LALA. You will immediately see by its design that it is a reference to the original LA2A compressor by Teletronix. You will have the same main Gain and Peak Reduction knobs and additional features. We’ll talk about them below.
Key Features:
- Extremely Simple Operation
As with other similar plugins, you get an extremely simple operation. It comes down to only two knobs, Peak Reduction and Gain. With the first, you can select the amount of compression, and the second helps you balance the output signal. - Sidechain Section
On the left side of the plugin, you will see some additional features. For example, there is a High Pass Filter from 20 to 500 hertz. You can also adjust the compressor’s sensitivity to medium and high frequencies, thanks to the corresponding knobs. And, of course, there is an External Sidechain button. - Adjust The Balance
If you want to use this plugin for parallel vocal compression, you will have the option to do so. That’s because the developers have implemented here the Mix function, which is not present even in some similar paid plugins. So use it to find a proper balance. - Three Nice-Looking Skins
Another cool thing about this plugin is that it has three skins. Specifically, these are White, Vintage, and Modern. It’s not a big deal, but it’s nice. Choose the one that pleases your eye the most.
Compatibility:
Analog Obsession LALA is available for Windows 7 or higher and macOS 10.9 or higher. It comes in VST/3 and AU formats.
16. Analog Obsession DYNASAUR
Analog Obsession’s DYNASAUR is a great-looking dynamic equalizer with plenty of bands.
The number of knobs in this plugin can confuse you first. But once you understand their functionality, everything becomes easy and simple. As a result, this software can be a powerful tool for controlling the dynamics of the frequency spectrum.
The DYNASAUR plugin has five EQ bands, which is quite extensive. In addition, you will have all the settings you need to apply compression. But the real cherry on the cake is that you can switch between Peak and RMS modes in each band. And now for more on all of that.
Key Features:
- Pick Your Band
Generally, you will find five equalizer bands: Low, Low Mid, Mid, High Mid, and High. Each of them has a separate Frequency knob, which will allow you to select the desired frequency. For example, Low is represented here from 20 hertz to 1 kilohertz. As for High, it’s from 8 to 20 kilohertz. - Compressor Settings
As for the Compressor settings, there are more than enough. You will find such controls as Threshold, Attack, Release, and Ratio. By the way, the last one ranges from 1 to 20, which makes this plugin a multiband limiter. - RMS or Peak Modes
An important feature is that you can switch the detection of the plugin from Peak to RMS. Thus, thanks to the former, you can control peaks. On the other hand, RMS will be useful for controlling the overall level. - VU Monitoring
At the top, above each of the bands, are small VU Meters. Thanks to them, you can constantly monitor the gain reduction of this or that frequency range. It will be useful to keep track of the situation with your signal.
Compatibility:
Analog Obsession DYNASAUR is available for Windows 7 or higher and macOS 10.9 or higher. It comes in VST/3 and AU formats.
17. Analog Obsession CHANNEV
Analog Obsession recreated an entire Neve channel strip and gave it away for free.
The plugin’s a digital model of a Neve 1073’s channel strip with de-esser, preamp, a four-band EQ, a compressor, and a limiter, as well as tape emulation and an output knob.
Channev includes models for the Pre-72 mic pre, D-03 de-esser, an EQ-87 equalizer, C-64 on compression, and the T-01 tape saturation. Processing on this plugin follows the same order as mentioned.
Key Features:
- Mic Preamp:
It’s surprisingly wide and fat on the low-end, and as a matter of fact, it sounds better than the Scheps73 plugin by Waves Audio on a bass guitar. When making a side-by-side comparison, the difference was clear and audible to the point where Channev surpassed Waves’ plugin, even adding more space and color. - D-03
You have two modes for sibilance control: bell & soft, which refers to the intensity and processing for the de-esser to behave. One thing to point out about this feature is that you don’t have control over its frequency, so you will need to bypass it and add a different tool if it doesn’t solve the problem. Either way, it does a reasonably good job of keeping those high frequencies controlled. - EQ-81:
Based on the all-time British classic Neve 1081, it delivers a four-band EQ with pre-determined frequencies. On high frequencies, you’ll have from 3.3khz up to 15khz. Then, on the high mids, it hands over control from 1.5khz to 9.2 0Khz. Right next, we’ve got the low-mids from 220hz to 1200hz. You can use a Hi-Q feature on the high-mids to narrow that particular processing band. - Compressor/Limiter C-64 and L64:
These sections are based on the compressor/limiter 2264 with the difference that they’re entirely independent of each other, and both have their external sidechain. This is a very punchy compressor and very aggressive, too; it works very well on just about anything, and I suggest using this entire plugin on the mix bus and seeing results for yourself.
Compatibility:
Supports Windows 7 or higher, and macOS 10.14.6 or higher, runs on 64 bit only, and comes in VST2, VST3, and AU formats
18. Analog Obsession MPReq
MPPReq by Analog obsession is a preamp with an EQ inspired on several units from the ’50s decade.
This plugin has a 2-band passive EQ similar to the Pultec EQP-1A, counts with two fixed frequency bands, and doesn’t have bandwidth control.
The saturation and nonlinearities of the amps are carefully stimulated; however, this is a very viable tool to bring a warm and vintage sound to your recordings.
Key Features:
- Saturation:
MPPREq’s saturation is very rounded and glues everything together. It has a pretty noticeable distortion that you might like on drums, bass, or guitars. As you take the gain knob forth, you can hear how it crushes the signal. - EQ section:
You can shape the sound of your distortion and enhance your tone by cutting or boosting on 100hz or 12khz to add clarity and low-end to your signal. - GUI:
It has an analog-style graphic interface, and it’s as simple as it gets, displaying everything this plugin has to offer without any waste of space. It has a beautiful layout that resembles the classic Pultec EQP 1A passive EQ.
Compatibility:
Supports Windows 7 or higher, and macOS 10.14.6 or higher, runs on 64 bit only, and comes in VST2, VST3, and AU formats
19. Analog Obsession OverDiver
An overdrive pedal in the SD1 fashion is the OverDiver. The OverDiver maintains the fine details of a player’s picking style precisely like the original while producing an overdrive tube amp’s warm, natural distortion. Overdrive pedals that are subtle and smooth, ideal for blues and rock. Indeed, a supporter of Death Metal tones!
Key Features:
- Interface
A sound that provides a lot and three primary knobs. In the main section, there are three controls: Drive, which operates the drive like the original pedal, Level, which simulates volume, and Tone, which allows for exact control of drive sound. - Sound
This pedal has the authentic distortion sound, works wonders with a tube amp, and manages the player’s picking style. As a result, it can be used in various musical styles.
Compatibility:
This plugin is available for macOS 10.10 or higher (64-bit only) and Windows 7 or higher (64-bit only). It runs in standalone mode and VST2, AAX, and AU plugin formats.
20. Analog Obsession Distox
Analog Obsession’s Distox plugin will help you add grit to guitars, drums, and other instruments.
A slight addition of saturation or distortion is a major technique to make tracks a little more expressive and audible in the mix. On the other hand, smashing instruments with the distortion can also be a good creative idea. It is exactly what is possible thanks to the next item on our list.
It is Distox by Analog Obsession, which is a multi-mode distortion plugin. You get as many as seven distortion mods here and all the settings you need to bring this into the mix at its best. Also deserving of special praise is the plugin’s rack-unit design. Let’s break it down in more detail.
Key Features:
- 7 Distortion Types
In the plugin’s center, you will switch between seven types of distortion. They are all based on tubes and an op-amp circuit. In total, there are three op-amps and four tubes. - Adjustable In and Out
You will also be able to drive more signal into the plugin thanks to the In knob and thus get more saturation and distortion. On the other hand, you will be able to balance the output signal with the Out knob. - Mix The Right Amount
Of course, in this kind of plugin, you can’t do without a separate Mix control. It allows you to adjust the ratio between distorted and clean signals. It will be useful if you do not want all 100% of the effect. - High & Low Pass Filters
Also, the developers have put Low and High Pass Filters here. The first goes from 20 kHz to 10 kHz and the second from 20 Hz to 2 kHz. So, for example, you can use this to make distortion apply only to a specific frequency range.
Compatibility:
Analog Obsession Distox is available for Windows 7 or higher and macOS 10.9 or higher. It comes in VST/3 and AU formats.
21. Analog Obsession SweetDrums 4.0
Shape your drum track in a heartbeat with the simple twist of a single knob.
Simplicity is a commodity much valued when dealing with mixing audio. Tweak in the perfect tone for any instrument can be a proving task, especially when talking about drum kits. For this reason, Analog Obsession decided to create a plugin as simple as possible to achieve perfect drum saturation, and here we have SweetDrums 4.0 to make it come true.
Key Features:
-
- One simple control
Aside from the “Input” and “Output” mandatory knobs, SweetDrums 4.0 also has a “Process” control where the magic happens. Combining analog modeling with digital processing will blend equalization and saturation coming out of this knob. As simple as possible, you need to turn this control up to tighten and add warmth to your whole percussion section and be good to go. - Circuit modeling
Most saturation plugins are trying to recreate the effect heard on the physical hardware, so modeling is imperative. Analog Obsession’s team, as the name suggests, sure knows a great deal about studio equipment to summarize an entire effect up to a single knob. This is all due to the components and the circuit of classic units being an inspiration for this plugin. Having a good-sounding freeware digital reproduction like this deserves kudos.
- One simple control
Compatibility:
This plugin runs in macOS 10.15 or higher (64-bit only) and Windows 7 or higher (64-bit only). It comes in VST, VST3, and AU plugin formats.
22. Analog Obsession HLQSE
HLQSE is a vintage equalizer plugin by Analog Obsession. It’s modeled after the iconic Helios Type 69 style EQ and features an interface reminiscent of the original.
It’s an excellent EQ to use while mixing since it can provide clean boost on your bass frequencies, ideal for Dubstep and Bass music.
Key Features:
- Five frequency bands.
HLSQE has five different bands that let you cut and boost frequencies with immaculate control. They all come with pre-set frequency values, and the sound is rich and pleasing when you boost one of the five bands. You can boost up to 15 dB and cut up to -6 dB. The cut knobs are available on the low 50 Hz band and the high 10k Hz band. - Excellent sound.
The best thing about HLSQE is its excellent sound. It achieves accurate analog sound by emulating the Type 69 vintage equalizer. The cuts feel clean and clinical while boosting feels smooth and rich.
Compatibility:
HLSQE is available on Windows 7 or higher and macOS 10.9 – 11. X in VST and AU formats.
23. Analog Obsession LOVEND
LOVEND is a free harmonic bass enhancer designed by Analog Obsession. It comes in a tightly presented interface with just three knobs and offers a continuous low-frequency harmonic boost. A +10 dB possible boost will surely provide depth and body to the weakest of bass sounds.
Key Features:
- Shake the room
This little plugin can make the room shake if put on any bass sound. The frequency range is 60-180Hz, and it can boost up to +10 dB. The boost knob has a minimum value of 1, so even just turning this thing on with no tweaking, you get a noticeable difference in your low-end. - Control the output
Things can get loud fairly quickly with LOVEND, so always keep your hand close to the output knob.
Compatibility:
LOVEND is available on Windows 7 and higher in VST, VST3 formats, and Mac OS 10.9 – 11. X in VST, VST3, AU formats.
24. Analog Obsession FetSnap
Another plugin from Analog Obsession, called FetSnap, allows you to enhance your transients well.
This time, you need to work on the drums, which were also not well recorded and sound a bit muffled. In this case, don’t get upset. All is not lost yet, as you can use a transient enhancer to improve the attack. And the FetSnap plugin can do it by adding an analog flavor.
In addition to the attack, this enhancer will also give you color since it is based on FET equipment. As with the other Analog Obsession plugins, you won’t mess up your head here since you’ll only have four knobs.
Key Features:
- Add Some Snap
It will be the central knob of the plugin, as it will regulate how much snap will be added. By this, we mean to increase the difference between transients, which will make the sound more expressive. - Make It Dark or Bright
The next Tone knob will help you adjust whether the signal is dark or bright. If you turn it to the left, you will hear more fat in the low end, and if you turn it to the right, the sound will be brighter but thinner. - Get It Right on the Output
It is elementary to achieve clipping with plugins like this because you directly affect the transients. The Output knob helps you keep this under control. There’s also Mix, which allows you to mix the effect in parallel with the original.
Compatibility:
The plugin is available for Windows 7 or higher and macOS 10.9 or higher. It comes in VST/3, and AU formats.
25. Analog Obsession Sweetvox v3
The most straightforward plugin to get the job done quickly is Sweetvox from Analog Obsession.
There are times when you need to work on a track without in-depth mixing. In this case, you need software that will quickly and easily give your tracks some completeness. For example, make a more or less listenable raw version or demo to send to your bandmates or a mixing engineer.
It is what the free Sweetvox plugin is. There are only a few knobs that will do the job for you because their algorithm includes several processing stages. Nevertheless, you can use this plugin for demos and full-fledged music production. Let’s see what the developers packed into it.
Key Features:
- One-Knob Processing
The most crucial knob here is Process. It includes three fixed-band EQ, two-band Dynamic EQ, Filters, Compression, and Saturation. So, the more you turn it up, the more you will hear your vocals become more polished, as the plugin will add all these processing stages. However, at the maximum position, the tracks will be somewhat squashed by the compression. - Smooth De-Esser
You also get a built-in De-Esser here. It works pretty well and can effectively eliminate sibilants. The vocals will sound relatively smooth and pleasant to the ear in the middle position. However, the more you turn up this control, the more it will roll off all the high frequencies. - Output & Bypass
The simplicity of this plugin is quite remarkable because, at this point, all the main controls end. Then you only get the Output knob to adjust the signal and the Bypass button to check the plugin’s effect compared to the original track.
Compatibility:
The plugin is available for Windows 7 or higher and macOS 10.9 or higher. It comes in VST/3, and AU formats.
26. Analog Obsession Zupaa
With the Zupaa plugin from Analog Obsession, you can get the legendary fuzz tone for free.
The Tone Bender was one of the first fuzz pedals. It played an essential role in shaping the sound of many famous British musicians in the 1960s. For example, legends such as Jimmy Page, Pete Townshend, Mick Ronson, and many others used these units.
Analog Obsession has created a pretty good emulation of this pedal called Zupaa. At least, that’s what the design of this plugin tells us. It’s incredibly straightforward because it only has two controls. Nevertheless, this virtual pedal provides excellent sound quality as a free fuzz. So let’s try to break down its features.
Key Features:
- Adjust The Filter
As far as tone extraction is concerned, the right-hand Filter knob will be the main one for you. It is responsible for the amount of effect. In the leftmost position, you will already hear some fuzzy tone, but as soon as you twist it to the right, the sound will become fatter and sustain longer. Overall, you can get quite a bit of distortion here. - Volume Control
The second knob is Volume, and it controls the amount of gain. Just use it to adjust the total amount of signal you want. This plugin is straightforward so you won’t find any other controls except the Bypass button at the bottom. - Re-Designed Circuit
Analog Obsession took care to reproduce the sound of an actual pedal faithfully. That’s why the creators re-designed the circuit using authentic components. In particular, the OC75 transistor is among them.
Compatibility:
Analog Obsession Zupaa is available for Windows and macOS. It comes in VST/3, and AU formats.
27. Analog Obsession NOS Bundle
The NOS Bundle comes with three classic plugin emulations from a vintage era.
It features a preamp, a compressor, and a passive equalizer. All of these plugins impart some character and saturation similar to hardware gear.
Hence, you’ll find a 4x oversampling feature when you click on the Analog Obsession logo on the plugins’ user interfaces. This option removes any aliasing that might arise from the saturation.
You can use these plugins to add an analog personality to your modern instruments or audio recordings. So, if you were using the Serum synth, for example, the preamp and EQ from this bundle would lend it warmth. It makes digital instruments sound less lifeless while not being as intrusive as a tape emulator.
Key Features:
- Tuba
The Tuba is a mic/line preamp with a simple two-band EQ. It is based on the esteemed Putnam 610 preamp found on many hardware consoles. You can change Tuba’s input gain to low or hi to change its input gain range. Next, the LF and HF knobs adjust shelf filters around 100 Hz and 8 kHz.
Below the EQ, you’ll find a Mic/Line toggle, which changes the character and color of the preamp. Similarly, a -20 dB pad switch increases headroom and avoids input saturation and a phase inversion switch. Drive the large Level knob to get more saturation. - TuPRE
The TuPRE is a tube line-amp passive equalizer with minimal controls. It isn’t based on any hardware. So, you might want to give it a try even if you own many of the famous hardware emulations. The plugin features four knobs, where the first knob controls the input gain. It adds audible saturation if you turn it up high enough. Next, the knob labeled Low controls a 100 Hz shelf filter, boosting or cutting gup to 10 dB. Similarly, the High knob adjusts a 10 kHz shelf. The Output knob is a clean level control without any character/saturation. - Kolin
The Kolin is a vari-mu limiting amplifier. It takes inspiration from the Collins 26U-1 vari-mu compressor from the 1960s and adds an attack and release control. Here, you can adjust the attack from 1 ms to 50 ms and the release from 1 second to 3 seconds. It supports an external side-chain source with a 20 Hz to 500 Hz high-pass filter. Other controls include input, output, and mix. If you want more compression, dial in the input and vice versa.
Compatibility:
The plugins are available for Windows 7 or higher and macOS 10.9 or higher, both 64-bit only. They come in VST 2/3 and AU formats.
28. Analog Obsession BritBundle
This bundle emulates the sound of classic British audio gear responsible for many sensational records.
The BritBundle comes with three plugins, including an EQ, a preamp, and a compressor. These are all based on the designs by Rupert Neve. And Analog Obsession’s emulations are undoubtedly some of the best, especially considering they are free. So, I highly recommend getting these to add analog tones to your recordings.
Key Features:
- Britpressor
The Britpressor emulates a dynamics controller from a Neve console. It features a limiter (white) and a compressor (orange). The limiter has the following release modes: 50ms, 100ms, 200ms, 800ms, auto1, and auto2. Similarly, the compressor provides the following release settings: 100ms, 400ms, 800ms, 1500ms, auto1, and auto2.
Furthermore, the compressor provides six ratio settings, ranging from 1.5:1 to 6:1. You can use the Mix knob to create NY/parallel compression effect easily. And lastly, it supports an external side-chain source with high, mid, and low-frequency controls for the side-chain input. - BritPre
This plugin is a preamp modeled after the Neve 1272 mic/line preamp. It features a mic preamp switch, input gain, phase inversion, output gain, and a filter. The filters include a high-pass and a low-pass with a fixed frequency selector. The original design didn’t have a filter. Hence, you can power it off to emulate just the preamp system. Or, you can power off the preamp to utilize the filters alone. - BritChannel
The BritChannel is a plugin featuring two device emulations: the Neve 1073 EQ and the Neve 1272 mic/line preamp. The EQ is much loved for its pristine sound quality and classy air. It is ideal for EQing vocals, drums, bass, and other acoustic instruments. Similarly, just adding the preamp system to digital instruments lends slight analog traits, making the instrument better suited for retro genres like Synthwave and Chillwave.
Compatibility:
The plugins are available for Windows 7 or higher and macOS 10.9 or higher, both 64-bit only. They come in VST 2/3 and AU formats.
29. Analog Obsession – RareSE
RareSE by Analog Obsession can be called “Pultec on steroids”, and it is completely free.
The next item on our list will pleasantly surprise you if you are a fan of Pultec equalizers and are looking for mastering software. The RareSE plugin is created for this very purpose because it allows you to work in different modes. And the good news is that it is free.
In general, you will have two mirror program equalizers. But the point is that you can use them both in the Left/Right and Mid/Side modes. Or you can link them for both channels at the same time. There are also some good features for the output signal. So let’s have a look at it.
Key Features:
- Use As A Usual Program EQ
Of course, you can use this plugin like a regular program equalizer. It has all the necessary parameters: two bands for low and high frequencies, bandwidth, boost, and attenuation. Adjustment of low frequencies – from 20 to 100 Hertz, and high frequencies – from 3 to 16 kHz. - Different Operation Modes
You can link the settings using a separate switch if you need to process both channels simultaneously. In this case, both sections of the plugin controls will work together. You can also unlink them and switch to the Mid/Side or Left/Right modes. Then they will work separately. - Output Control
Interestingly, the developer of this plugin also put two Output controls here. One you can use for Left or Mid, and the other for Right or Side. In both cases, you can boost or cut by 12 decibels. - Oversampling Feature
If you have already used Analog Obsession plugins, you know that many of them have the Oversampling function. Thanks to it, you can slightly improve the signal quality. To enable it, click on the company logo, which will light up red.
Compatibility:
Analog Obsession RareSE is available for Windows 7 or higher and macOS 10.9 or higher. It comes in VST/3, AU, and AAX formats.
Bonus:
Analog Obsession KolinMB
Analog Obsession’s KolinMB is a vintage multiband limiter/compressor and amplifier plugin.
It features adjustable attack and release times, allowing you to fine-tune the dynamics of your sound. KolinMB also includes program-dependent attack and release settings, ensuring that the plugin responds to your audio signal in a natural and musical way. With an attack time range of 1ms to 50ms, this plugin offers flexibility for shaping the character of your audio.
Key Features:
- Low and High X-overs
The KolinMB plugin by Analog Obsession presents low and high crossover control, allowing you to precisely define the frequency ranges where audio processing occurs. This feature provides detailed control over your audio, separating low and high frequencies for targeted manipulation. - Comprehensive controls
KolinMB offers Attack, Release, In/Out levels, Mix knobs, and gain reduction meters for each band. This extensive parameter set lets you sculpt the dynamics and timbre of individual frequency bands with precision. - Analog Warmth
One of KolinMB’s standout qualities is its ability to deliver an analog sound. The plugin’s design and processing algorithms aim to replicate vintage analog gear’s warm and characterful qualities, providing a classic and sought-after sonic signature.
Compatibility:
The plugin is available for Windows and Mac systems in AAX, VST, and AU plugin formats.
Death metal enthusiast here. I am a Romanian musician and producer with over 13 years of experience in the music industry. I’ve experienced all types of Metal up until now, playing Melodic Death Metal, Brutal Death Metal, and Black Metal with different bands. Learning by doing is my base principle, which is why I’ve been drawn to sound design from an early age. Read more…